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HOW TO FREEZE A DADDY( THE ART OF THE MASTERFUL SMACKDOWN)

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By Gbenga X-Adebija

One of the major lessons I learnt very early in my career was the art of communication. I was taught how to communicate but equally as important, how NOT to communicate.  It is a lesson I have shared with others over the years and will share with everyone who has seen that viral video of Pastor David Ibiyeomie

Let me issue a caveat upfront that this write up is purely to share insights on communication and not a theological or faith-based evaluation of the merits (or lack thereof) of either side’s position

Pastor David Ibiyeomie and Daddy Freeze have constitutional rights to free speech and beliefs.

So, let us look at the words the Pastor used verbatim.

Anybody insult my father again, I will pray you to….. He may not talk but I will talk.

You can’t insult my father when I’m alive

“Tell Daddy Freeze, the day I hear him talk about my daddy again if I don’t finish him… Insult me, I wouldn’t mind but insult Oyedepo then…,

“that bastard, Any day I hear him talk about Oyedepo… do they know his father? Does Daddy Freeze have a father? That half-caste that is born by a Somalian”

“The day I hear him insult Oyedepo again, I will deal with him. Who gave birth to him? If he has a father let him show us his father’s picture”

“Somebody they gave birth to in a ship, does he look like a Nigerian? That’s a Somalian. I can’t let him insult my father”

“I curse the day he was born. If I’m alive and you insult my father, I will tear you into pieces. Those who have fathers don’t insult fathers”

“He can insult a father because he doesn’t have a father. Tell him oh! This is the last time he talks about Oyedepo again. He is a bastard.”

“A man who can’t marry, he has no wife. He can’t manage his home; he is coming to talk on television. Is it not his wife who left him?”

“A broadcaster, does he have a good job? I can’t be alive and you insult my father, that person is not born. I will kill you; I will tear you into pieces”

“Very soon I will arrest him and charge him and see which money he has. I will charge him to court, I will follow him with the law, follow him spiritually, I will fight him till he crashes. How much does he have”

“I will fight him to the point that he will say which kind of trouble is this. Someone that is a newscaster, how much does he earn? Someone who is trekking in Lagos… He will soon go to the cemetery.”

All this was delivered in a harsh and vengeful voice filled with wrath. Pastor Ibiyeomie was incandescent with rage

First, let us look at the major points the Pastor wanted to make( not in any order)

  1. Thou shalt not abuse Bishop Oyedepo
  2. Thou art an ordinary broadcaster
  3. Thou art a Somalian
  4. Thou art of dubious parentage
  5. Thou hath no respect for elders
  6. Thou art in life-threatening trouble with me
  7. Thou art a nobody

There are a few more subsets of the above named points but let us for the purpose of this scholarly dissertation focus on these seven points.

So how should Pastor David Ibiyeomie have handled the matter?  One fundamental mistake he made was that he spoke while clearly in a rage.  That was a big mistake.   Never ever speak to the world while in a REAL rage.  Pastor David Ibiyeomie muddled his message because  anger makes you garble your words.  Very few people can speak eloquently and articulately while incandescent with rage and judging by the video, Pastor Ibiyeomie is not one of them.

Again, back to the question, how should he have handled the matter ?

Let us press the rewind button and see Pastor Ibiyeomie in front of his flock

Scene 1( Pastor speaking)

“ Ah yes, before we close, one of my young friends drew my attention to something on social media by someone who calls himself Dr. Something, Something

(Pauses to think)

Dr.. ehm, something to do with ice blocks. Holy Spirit, help me remember.

( Congregation helpfully shouts  “ Daddy Freeze!” )

“ Thank you so much.  The name just didn’t’ register in my brain.  Sorry about that .

FREEZE

What has the Pastor achieved here?  He has succeeded in positioning his adversary as a nonentity whose name he could not even remember.

Scene 2( Pastor Speaking and smiling)

“ So Dr. Freeze or Daddy Freeze  made some comments which were critical of my Father in the Lord, Bishop Oyedepo which I found quite amusing because I don’t think he understands that when it comes to matters of Scripture, a doctor cannot be contradicting a Bishop and besides..”

( Shouts from the congregation and Pastor looks shocked)

“ What? Are you saying he is not a real doctor? Are you sure about that ?”

( More shouts from the congregation)

“ Na wa o. So why is he calling himself a doctor when he is not a doctor ?

FREEZE

What has the Pastor achieved here?  He has succeeded in denigrating his adversary’s character and portraying him as an unserious charlatan

Scene 3 ( Pastor pacing and looking perplexed)

“ So what is his job then if you say he is not a doctor?

(shouts from the congregation)

“ OAP ?  What does that mean? Is that what he does?

(shouts from the congregation)

“ Oh okay, he is a broadcaster? I see.  Radio or TV?

(shouts from the congregation)

“ Did I hear CNN ? No? He does not work for CNN ? Oh, he works for a Radio station here in Nigeria ?

Ok, I see.

FREEZE

What has the Pastor achieved here?  Without saying so directly, he has implied that his adversary is a “ mere broadcaster” working for a “local” radio station. This has been achieved  without being offensive to broadcast media as well as situated the vocation as well below that of a Pastor.

Scene 4( Pastor now looking slightly vexed)

“ You know, when some of you described him as an OAP, I thought you meant Old Age Pensioner, but from what I am deducing, he must be quite a young man. Probably not more than in his 30s or 40s. That means by the time Bishop Oyedepo started working in the Lord’s vineyard, he was not even born yet.  It’s a real shame because in this part of the world, we respect our elders and you just don’t speak anyhow to people older than you. Except he is not a Nigerian? Sorry, is he a Nigerian? Not  Somalian ?  Because that name Freeze is confusing…

FREEZE

What has the Pastor achieved here?  He has succeeded in positioning his adversary as a rude and disrespectful person who lacks manners.

Scene 5 ( Pastor still looking slightly vexed)

“ So Doctor Freeze, sorry, Daddy Freeze  is a Nigerian ? Interesting because most Nigerian parents are very strict about bringing up their children to be respectful to elders even when they don’t necessarily agree with their opinions.

Anyway…

(Pastor shrugs )

“ I am sure we all remember what the Bible says in Exodus 20 v 12 and I quote

Honour thy father and thy mother: that thy days may be long.  Bishop Oyedepo is old enough to be Daddy Freeze’s father and definitely his Spiritual father when it comes to matters of the faith. I don’t know how many of you here know him personally or maybe those of you watching this telecast, please pull his ears, please speak to his parents, especially his father who I am sure definitely wants his son to carry on the family lineage. It is important that Daddy Freeze sees the error of his ways and apologizes to Bishop Oyedepo. I know the Bishop has a forgiving heart and if like the prodigal son, Daddy Freeze begs for forgiveness, it shall be well with him and his days would be long.

   FREEZE

What has the Pastor achieved here?  He has succeeded in chastising his adversary’s parents for not bringing him up well, cast doubts on his paternity, threatened his life, and demanded an apology for Bishop Oyedepo.

To say that video of Pastor Ibiyeomie was not a good outing for him would be an understatement. He came across as rather coarse and agrarian. The biblical namesake David used a slingshot to fell the giant Goliath, not an AK 47 submachine rifle.

Less is more….

This article was originally published in The Cable( www.thecable.ng

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Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”

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Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”. By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com

Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”.

By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com

 

Former President Goodluck Jonathan’s birthday visit to Gen. Ibrahim Badamasi Babangida (IBB) in Minna (where he hailed the octogenarian as a patriotic leader committed to national unity) was more than a courtesy call. It was a reminder of a peculiar constant in Nigerian politics: the steady pilgrimage of power-seekers, bridge-builders and crisis-managers to the Hilltop mansion. Jonathan’s own words captured it bluntly: IBB’s residence “is like a Mecca of sorts” because of the former military president’s enduring relevance and perceived nation-first posture.

Babangida turned 84 on 17 August 2025. That alone invites reflection on a career that has shaped Nigeria’s political architecture for four decades; admired by some for audacious statecraft, condemned by others for controversies that still shadow the republic. Born on 17 August 1941 in Minna, he ruled as military president from 1985 to 1993, presiding over transformative and turbulent chapters: the relocation of the national capital to Abuja in 1991; the creation of political institutions for a long, complex transition; economic liberalisation that cut both ways; and the fateful annulment of the 12 June 1993 election. Each of these choices helps explain why the Hilltop remains a magnet for Nigerians who need counsel, cover or calibration.

 

A house built on influence; why the visits never stop.

 


Let’s start with the obvious: access. Nigeria’s political class prizes proximity to the men and women who can open doors, soften opposition, broker peace and read the hidden currents. In that calculus, IBB’s network is unmatched. He cultivated a reputation for “political engineering,” the reason the press christened him “Maradona” (for deft dribbling through complexity) and “Evil Genius” (for the strategic cunning his critics decried). Whether one embraces or rejects those labels, they reflect a reality: Babangida is still the place where many politicians go to test ideas, seek endorsements or secure introductions. Even the mainstream press has described him as a consultant of sorts to desperate or ambitious politicians, an uncomfortable description that nevertheless underlines his gravitational pull.

Though it isn’t only political tact that draws visitors; it’s statecraft with lasting fingerprints. Moving the seat of government from Lagos to Abuja in December 1991 was not a cosmetic relocation, it re-centred the federation and signaled a symbolic neutrality in a country fractured by regional suspicion. Abuja’s founding logic (GEOGRAPHIC CENTRALITY and ETHNIC NEUTRALITY) continues to stabilise the national imagination. This is part of the reason many leaders, across party lines, still defer to IBB: he didn’t just rule; he rearranged the map of power.

 

Then there’s the regional dimension. Under his watch, Nigeria led the creation and deployment of ECOMOG in 1990 to staunch Liberia’s bloody civil war, a bold move that announced Abuja as a regional security anchor. The intervention was imperfect, contested and costly, but it helped define West Africa’s collective security posture and Nigeria’s leadership brand. When neighboring states now face crises, the memory of that precedent still echoes in diplomatic corridors and Babangida’s counsel retains currency among those who remember how decisions were made.

Jonathan’s praise and the unity argument.
Jonathan’s tribute (stressing Babangida’s non-sectional outlook and commitment to unity) goes to the heart of the Hilltop mystique. For a multi-ethnic federation straining under distrust, figures who can speak across divides are prized. Jonathan’s point wasn’t nostalgia; it was a live assessment of a man many still call when Nigeria’s seams fray. That’s why the parade to Minna continues: the anxious, the ambitious and the statesmanlike alike seek an elder who can convene rivals and cool temperatures.

The unresolved shadow: June 12 and the ethics of influence.


No honest appraisal can skip the hardest chapter: the annulment of the 12 June 1993 election (judged widely as free and fair) was a rupture that delegitimised the transition and scarred Nigeria’s democratic journey. Political scientist Larry Diamond has repeatedly identified June 12 as a prime example of how authoritarian reversals corrode democratic legitimacy and public trust. His larger warning (“few developments are more destructive to the legitimacy of new democracies than blatant and pervasive political corruption”) captures the moral crater that followed the annulment and the years of drift that ensued. Those wounds are part of the Babangida legacy too and they complicate the reverence that a steady stream of visitors displays.

Max Siollun, a leading historian of Nigeria’s military era, has observed (provocatively) that the military’s “greatest contribution” to democracy may have been to rule “long and badly enough” that Nigerians lost appetite for soldiers in power. It’s a stinging line, yet it helps explain the paradox of IBB’s status: the same system he personified taught Nigeria costly lessons that hardened its democratic reflexes. Today’s generation visits the Hilltop not to revive militarism but to harvest hard-won insights about managing a fragile federation.

What sustains the pilgrimage.
1) Institutional memory: Nigeria’s politics often suffers amnesia. Babangida offers a living archive of security crises navigated, regional diplomacy attempted, volatile markets tempered and power-sharing experiments designed. Whether one applauds or condemns specific choices, the muscle memory of governing a complex federation is rare and urgently sought.

2) Convening power: In a season of polarisation, the ability to sit warring factions in the same room is not small capital. Babangida’s imprimatur remains a safe invitation card few refuse it, fewer ignore it. That convening power explains why movements, parties and would-be presidents keep filing up the long driveway. Recent delegations have explicitly cast their courtesy calls in the language of unity, loyalty and patriotism ahead of pivotal elections.

3) Signals to the base: Visiting Minna telegraphs seriousness to party structures and funders. It says: “I have sought counsel where history meets experience.” In Nigeria’s coded political theatre, that signal still matters. Outlets have reported for years that many aspirants treat the Hilltop as an obligatory stop an unflattering reality, perhaps, but a revealing one.

4) The man and the myth: The mansion itself, with its opulence and aura, has become a set piece in Nigeria’s story of power, admired by some, resented by others, but always discussed. The myth feeds the pilgrimage; the pilgrimage feeds the myth.

The balance sheet at 84.
To treat Babangida solely as a sage is to forget the costs of his era; to treat him only as a villain is to ignore the architecture that still holds parts of Nigeria together. Abuja’s relocation stands as a stabilising bet that paid off. ECOMOG, for all its flaws, seeded a habit of regional responsibility. Conversely, June 12 remains a national cautionary tale about elite manipulation, civilian marginalisation and the brittleness of transitions managed from above. These are not contradictory truths; they are the double helix of Babangida’s place in Nigerian memory.

Jonathan’s homage tried to distill the better angel of IBB’s record: MENTORSHIP, BRIDGE-BUILDING and a POSTURE that (at least in his telling) RESISTS SECTIONAL ISM. “That is why today, his house is like a Mecca of sorts,” he said, praying that the GENERAL continues to “mentor the younger ones.” Whether one agrees with the full sentiment, it accurately describes the lived politics of Nigeria today: Minna remains a checkpoint on the road to relevance.

The scholar’s verdict and a citizen’s challenge.
If Diamond warns about legitimacy and Siollun warns about the perils of soldier-politics, what should Nigerians demand from the Hilltop effect? Three things.

First, use influence to open space, not close it. Counsel should tilt toward rules, institutions and credible elections not kingmaking for its own sake. The lesson of 1993 is that subverting a valid vote haunts a nation for decades.

Second, mentor for unity, but insist on accountability. Unity cannot be a euphemism for silence. A truly patriotic elder statesman sets a high bar for conduct and condemns the shortcuts that tempt new actors in old ways. Diamond’s admonition on corruption is not an abstraction; it’s a roadmap for rebuilding trust.

Third, convert nostalgia into institutional memory. If Babangida’s house is a classroom, then Nigeria should capture, publish and debate its lessons in the open: on peace operations (what worked, what failed), on capital relocation (how to plan at scale), and on transitions (how not to repeat 1993). Only then does the pilgrimage serve the republic rather than personalities.

At 84, Ibrahim Babangida remains a paradox that Nigeria cannot ignore: a man whose legacy straddles NATION-BUILDING and NATION-BRUISING, whose doors remain open to those seeking power and those seeking peace. Jonathan’s visit (and his striking “Mecca” metaphor) reveals a simple, stubborn fact: in a country still searching for steady hands, the Hilltop’s shadow is long. The task before Nigeria is to ensure that the shadow points toward a brighter constitutional daybreak, where influence is finally subordinated to institutions and where mentorship hardens into norms that no single mansion can monopolise. That is the only pilgrimage worth making.

 

Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”.
By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com

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Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK

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Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK

Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK

Nigerian Juju music legend, Otunba Femi Fadipe, popularly known as FemoLancaster, is being celebrated today in London as he clocks 50 years of age.

Ambassador Olufemi Ajadi Oguntoyinbo, a frontline politician and businessman, led tributes to the Ilesa-born maestro, describing him as a timeless cultural icon whose artistry has enriched both Nigeria and the world.

“FemoLancaster is not just a musician, he is a legend,” Ambassador Ajadi said in his birthday message. “For decades, his classical Juju sound has remained a reminder of the beauty of Yoruba heritage. Today, as he turns 50, I celebrate a cultural ambassador whose music bridges generations and continents.”

While FemoLancaster is highly dominant in Oyo State and across the South-West, his craft has also taken him beyond Nigeria’s borders.

FemoLancaster’s illustrious career has seen him thrill audiences across Nigeria and beyond, with performances in the United Kingdom, Canada, United States of America, and other parts of the world. His dedication to Juju music has projected Yoruba traditional sounds to international stages, keeping alive the legacy of icons like King Sunny Ade and Chief Ebenezer Obey while infusing fresh energy for younger audiences
He further stressed the significance of honoring artistes who have remained faithful to indigenous music while taking it global. “In an era where modern sounds often overshadow tradition, FemoLancaster stands as a beacon of continuity and resilience. He has carried Yoruba Juju music into the global space with dignity, passion, and excellence,” he added.

Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK
The golden jubilee celebration in London has drawn fans, friends, and colleagues, who all describe FemoLancaster as a gifted artist whose contributions over decades have earned him a revered place in the pantheon of Nigerian music legends.

“As FemoLancaster marks this milestone,” Ajadi concluded, “I wish him many more years of good health, wisdom, and global recognition. May his music continue to echo across generations and continents.”

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Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration

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Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration By Aderounmu Kazeem Lagos

Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration

By Aderounmu Kazeem Lagos

 

Lagos, Nigeria — The gospel music scene is aglow today as the “Duchess of Gospel Music,” Esther Igbekele, marks another milestone in her life, celebrating her birthday on Saturday, August 16, 2025.

Known for her powerful voice, inspirational lyrics, and unwavering dedication to spreading the gospel through music, Esther Igbekele has become one of Nigeria’s most respected and beloved gospel artistes. Over the years, she has graced countless stages, released hit albums, and inspired audiences across the world with her uplifting songs.

Today’s celebration is expected to be a joyful blend of music, prayers, and heartfelt tributes from family, friends, fans, and fellow artistes. Sources close to the singer revealed that plans are in place for a special praise gathering in Lagos, where she will be joined by notable figures in the gospel industry, church leaders, and admirers from home and abroad.

Speaking ahead of the day, Igbekele expressed deep gratitude to God for His mercy and the opportunity to use her gift to touch lives. “Every birthday is a reminder of God’s faithfulness in my journey. I am thankful for life, for my fans, and for the privilege to keep ministering through music,” she said.

Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
By Aderounmu Kazeem Lagos

From her early beginnings in the Yoruba gospel music scene to her rise as a celebrated recording artiste with a unique fusion of contemporary and traditional sounds, Esther Igbekele’s career has been marked by consistency, excellence, and a strong message of hope.

As she adds another year today, her fans have flooded social media with messages of love, appreciation, and prayers — a testament to the profound impact she continues to make in the gospel music ministry.

For many, this birthday is not just a celebration of Esther Igbekele’s life, but also of the divine inspiration she brings to the Nigerian gospel music landscape.

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