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I’ve Always Merit My Roles In Movies” – ADERONKE AJENISE-ODUBORIA A.K.A ASHABI OLORISHA  

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Born 50-something years ago into a royal family in Ikorodu, Lagos State, Ajenise-Oduboria of ADEGORUSHEN Royal Family. Aderonke is a beautiful, highly intelligent, motivated, courageous and independent woman. Born into a well respected and comfortable family of six, 1st daughter and the 2nd child of the family, Aderonke left the shore of Nigeria to seek more knowledge and to understand more about culture, lifestyle, and security in disposal despite her great impact in the Nigeria showbiz before her departure. Her roles in the rested NTA Soap operas Village Headmaster, Tales by Moonlight & SPACS can never be over emphases. However, all these qualities makes shybellmedia’s CEO, Idris Bello fish her out from her United States of America based. Meanwhile, Aderonke has featured in several movies apart from Soaps. Moreso, Ashabi Olorisha brought her back into limelight few years ago. The cool, cute mother of one speaks extensively on her career, home, project and future via phone interview… Read more below

 

Good noon madam, please can we meet you?

Good Morning, my name is ADERONKE AJENISE-ODUBORISA

And who is Aderonke?

ADERONKE is very loving, humble, Caring & Go-Getter of a woman.

What does Aderonke do for a living?

I am presently studying for an associate in criminal-justice & working as a Security Personnel in USA, but still fully into my Primary career (ACTING)

Acting! What is acting to you?

Acting is me! Because it’s my life!

How did you find yourself in acting or was it acting that found you?

Humm! My brother, it’s not a jolly ride but I give God the glory. Let me start from the begging, I was a very very out-spoken & intelligent girl as child to my parent. My dad (Baba-Aade) love me like his heart. I was my dad’s personal assistant; he takes me any where & always proud of me. He loves me more than anybody in the family even more than my mum.

My dad wants me to be a lawyer, but as GOD will have it, I got into acting through his best friend.

Late Leke Ajao (Kokosari) was my dad’s friend. He will come to our house with Araosan as his apprentice then @ 38, Lagos Street Ebute metta in Lagos State,

Baba Kokosari introduced me to acting in 1977 then I was still in secondary school, Nigeria Peoples High school, Kano Street, Ebute Metta. Then we all used to assembled @ Simpson/Glover street (Domicillary Center) along with some members of Omo Awode Theater group. However, from Simpson street, we later moved to my school, Nigeria Peoples High School (Nigerpecco), at 40-46 Kano street Ebute metta, where we do practice after the close of school, mostly in the evening. This helped me so much in school as a member of Dramatic Society & that was when Baba Kokosari invited some of us to Village Headmaster Audition, I went, saw and conquer (lol).

 

 

To my uttermost surprise, I got a role & became part & parcel of Village Headmaster where I met my darling sister Funke Adepegba. I was much into Village Headmaster & some Nigeria Television Authority (NTA) soap like SPACS created by DANLADI BAKO & Tales by Moonlight etc. By the time the Village Headmaster was rested in 90s, I was in the working class, so I was on & off in the acting. Thou, I was still getting jobs through Late Justus Esiri and Enebeli Elebua who really believe in me (both I met while in Village Headmaster.

I came back fully into acting in 1994 through Late Muyideen Agboola Alade Aromire, whom I met a PR meeting and he invited me, the rest is now “A GLORIOUS STORY”

 

 

When did you leave d shore of Nigeria?

“Finally 2003”

Is Aderonke married?

NO but not searching!

Your acting career, how many movies apart from soap have you done so far?

Countless!

Can you name a few?

Ashabi Olorisha, Why me?, Oyin ni, Oke Langbodo, Akeweje, Ebiti, Imported lomo, Omo ya’lo, America Jollomy, Angelina, Olaniyonu, Alani Canselor, Malomo, Ewe ori-Omo… & More More

Which out of all the movies brings you into limelight?

“Ashabi Olorisha”

Ashabi Olorisha on location in USA

Ashabi olorisha was released when?

Year 2000

After Ashabi Olorisha you moved to London, what went down in London?

Yes, GOD founded the “Then ANTP”, London through me & many hiding talents and stars were discovered.

And what has ANTP been up to in London?

Then, it was accepted by all Africans in UK even the Nigeria Embassy recognized us.

I learn you have a son, how old is he?

Yes, He’s 21. His name is Michael Oluwaseun Opeyemi

Is he a British citizen?

Yes, but born in Nigeria

 

Ashabi Olorisha steps out

What is he doing in UK? Moreso, seem you live in the USA, What’s the separation all about?

He is a footballer & he’s still in school.

I live in USA thou. When I was relocating to U.S, he refused to come with me because he has been more into his football career, moreso, he loves UK because of its low rate of youth crime compare with U.S

What is Ashabi Olorisha’s next project in the USA and is she thinking of coming home soon?

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Ashabi is coming home next year (2016) by GOD’s grace for a “Blockbuster movie & A Project”

Can you let the cat out of the bag a little, what’s the project all about?

There is a “BIG EVENT” coming up in U.S next year powered & packaged by Fathia entertainment which I happened to be the “PRO of that Project”. The project is bringing me & the president of Fathia entertainment to Nigeria because it involved ‘Legends’ of different sectors in Nigeria and few other continents.

Fathia entertainment, who is the brain behind it?

Olawale Yusuff

Is he a US base too?

Yes

How is the Nigeria/Yoruba movies accepted in the US?

Greatly well!

Apart from been an actress, have you produce any movie before?

Yes, I produced one while I was in UK (IISE WON) Their Doings!

Producing in Nigeria and abroad, are their difference?

Yes ooh

Can you tell us in details?

Everybody in Nigeria is professional and devoted their time & life to their career not like here that we have to work Govt & Agency jobs to survive.

Do the governments support the movie industry in the US and if yes, how do they go about it?

Yes, they do if you do it legally, like having a registered firm.

 

Michael Oluwaseun Opeyemi and his team mates

If I may ask, what does it take to become an actress/actor considering your experience in Nigeria, UK and America?

Good sense of belonging, dedication and hard work. However, Nigerians are great and professional too, mostly now that we have the new formation of our great TAMPPAN with the intellectuals at helm of the affairs of it, compare with U.S that some of them are still practicing the OLDEN days kind of backbiting & hatred.

Do you have any upcoming actor/actress under your tutorial like the likes of Femi Adebayo and Funke Ade Akindele’s institutes?

Yes, I have some here (USA), UK & Nigeria under the canopy of “DIVINE TOUCH ENTRAINMENT WORLD”

When was Divine touch entertainment established?

Since year 2000 with Femi Folademi & Michael Opeyemi Adeyemi

 

Michael Oluwaseun Opeyemi during training

Are they, (Femi Folademi & Michael Opeyemi Adeyemi) co-finder of the organization or partners?

Partners

Does Divine Touch Entertainment have any major project?

Not yet

How many students do Divine Touch has under her tutorial?

We have 58 students all together now

Wow! That’s huge for a start, if I may ask, has Ashabi Olorisha been sexually harassed before on location been home or abroad?

Not at all!

How do you secure roles?

I think I merit most of them. Thou, it’s been God and I know am hard working and focused.

What has being the challenges so far as an actress both home and abroad?

Well, I have been relegated many ways, you know if you are a very bold & principled human being, you will have so many enemies; I have GOD so I don’t care.

What will be your advice for the upcoming ones?

Do not rush, be yourself, don’t Compromise.

Its nice chatting with you, looking forward to seeing you come back home soon.

 

 

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Aare Adetola Emmanuelking Welcomes President Tinubu to Gateway International Airport Commissioning in Iperu-Remo

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Aare Adetola Emmanuelking Welcomes President Tinubu to Gateway International Airport Commissioning in Iperu-Remo

 

In a momentous occasion that underscores the rapid infrastructural advancement of Ogun State, renowned real estate mogul and philanthropist, Aare Adetola Emmanuelking, warmly received the President of the Federal Republic of Nigeria, Bola Ahmed Tinubu, at the official commissioning of the Gateway International Airport, located in Iperu-Remo.

The landmark event, held under the visionary leadership of the Ogun State Governor, Dapo Abiodun, marks a significant stride in the state’s economic transformation agenda, positioning Ogun as a key hub for aviation, commerce, and investment in Nigeria.

Aare Emmanuelking, who is also the Chairman/CEO of Adron Homes and Properties, commended the Ogun State Government for its foresight and commitment to infrastructural excellence. He described the airport project as a “game-changer” that will not only boost connectivity but also stimulate real estate growth, tourism, and industrial expansion across the region.

Speaking during the commissioning, President Tinubu lauded Governor Abiodun’s administration for delivering a world-class facility that aligns with the Federal Government’s Renewed Hope Agenda, emphasizing the importance of strategic infrastructure in driving national development.

The Gateway International Airport is expected to serve as a critical gateway for investors and travelers, further enhancing Ogun State’s reputation as one of Nigeria’s most business-friendly environments.

The presence of top dignitaries, industry leaders, and stakeholders at the event underscores the project’s significance and its anticipated impact on the state’s socio-economic landscape and beyond.

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N4.65 Trillion in the Vault, but is the Real Economy Locked Out?

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N4.65 Trillion in the Vault, but is the Real Economy Locked Out?

BY BLAISE UDUNZE

Following the successful conclusion of the banking sector recapitalisation programme initiated in March 2024 by the Central Bank of Nigeria, the industry has raised N4.65 trillion. No doubt, this marks a significant milestone for the nation’s financial system as the exercise attracted both domestic and foreign investors, strengthened capital buffers, and reinforced regulatory confidence in the banking sector. By all prudential measures, once again, it will be said without doubt that it is a success story.

Looking at this feat closely and when weighed more critically, a more consequential question emerges, one that will ultimately determine whether this achievement becomes a genuine turning point or merely another financial milestone. Will a stronger banking sector finally translate into a more productive Nigerian economy, or will it be locked out?

This question sits at the heart of Nigeria’s long-standing economic contradiction, seeing a relatively sophisticated financial system coexisting with weak industrial output, low productivity, and persistent dependence on imports truly reflects an ironic situation. The fact remains that recapitalisation, by design, is meant to strengthen banks, enhancing their ability to absorb shocks, manage risks and support economic growth. According to the apex bank, the programme has improved capital adequacy ratios, enhanced asset quality, and reinforced financial stability. Under the leadership of Olayemi Cardoso, there has also been a shift toward stricter risk-based supervision and a phased exit from regulatory forbearance.

These are necessary reforms. A stable banking system is a prerequisite for economic development. However, the truth be told, stability alone is not sufficient because the real test of recapitalisation lies not in stronger balance sheets, but in how effectively banks channel capital into productive economic activity, sectors that create jobs, expand output and drive exports. Without this transition, recapitalisation risks becoming an exercise in financial strengthening without economic transformation.

Encouragingly, early signals from industry experts suggest that the next phase of banking reform may begin to address this long-standing gap. Analysts and practitioners are increasingly pointing to small and medium-sized enterprises (SMEs) as a key destination for recapitalisation inflows, which is a fact beyond doubt. Given that SMEs account for over 70 percent of registered businesses in Nigeria, the logic is compelling. With great expectation, as has been practicalised and established in other economies, a shift in credit allocation toward this segment could unlock job creation, stimulate domestic production, and deepen economic resilience. Yet, this expectation must be balanced with reality. Historically, and of huge concern, SMEs have received only a marginal share of total bank credit, often due to perceived risk, lack of collateral, and weak credit infrastructure.

Indeed, Nigeria’s broader financial intermediation challenge remains stark. Even as the giant of Africa, private sector credit stands at roughly 17 percent of GDP, and this is far below the sub-Saharan African average, while SMEs receive barely 1 percent of total bank lending despite contributing about half of GDP and the vast majority of employment. These figures underscore the structural disconnect between the banking system and the real economy. Recapitalisation, therefore, must be judged not only by the strength of banks but by whether it meaningfully improves this imbalance.

Nigeria’s economic challenge is not merely one of capital scarcity; it is fundamentally a problem of low productivity. Manufacturing continues to operate far below capacity, agriculture remains largely subsistence-driven, and industrial output contributes only modestly to GDP. Despite decades of banking sector expansion, credit to the real sector has remained limited relative to the size of the economy. Instead, banks have often gravitated toward safer and more profitable avenues such as government securities, treasury instruments, and short-term trading opportunities.

This is not irrational. It reflects a rational response to risk, policy signals, and market realities. However, it has created a structural imbalance in which capital circulates within the financial system without sufficiently reaching the productive economy. The result is a pattern where financial sector growth outpaces real sector development, a phenomenon widely described as financialisation without productivity gains.

At the center of this challenge is the issue of credit allocation. A recapitalised banking sector, strengthened by new capital and improved buffers, should theoretically expand lending. But this is, contrarily, because the more important question is where that lending will go. Will Nigerian banks extend long-term credit to manufacturers, finance agro-processing and value chains, and support scalable SMEs or will they continue to concentrate on low-risk government debt, prioritise foreign exchange-related gains, and maintain conservative lending practices in the face of macroeconomic uncertainty? Some of these structural questions call for immediate answers from policymakers.

Some industry voices are optimistic that the expanded capital base will translate into a broader loan book, increased investment in higher-risk sectors, and improved product offerings for depositors; this is not in doubt. There are also expectations that banks will scale operations across the continent, leveraging stronger balance sheets to expand their regional footprint. Yes, they are expected, but one thing that must be made known is that optimism alone does not guarantee transformation. The fact is that without deliberate incentives and structural reforms, capital may continue to flow toward low-risk assets rather than high-impact sectors.

Beyond lending, experts are also calling for a shift in how banking success is measured. The next phase of reform, according to the experts in their arguments, must move from capital thresholds to customer outcomes. This includes stronger consumer protection frameworks, real-time complaint management systems and more transparent regulatory oversight. A more technologically driven supervisory model, one that allows regulators to monitor customer experiences and detect systemic risks early, could play a critical role in strengthening trust and accountability within the system.

This dimension is often overlooked but deeply significant. A banking system that is well-capitalised but unresponsive to customer needs risks undermining public confidence. True financial development is not only about capital strength but also about accessibility, fairness, and service quality. Nigerians must feel the impact of recapitalisation not just in improved financial ratios, but in better banking experiences, more inclusive services, and greater economic opportunity.

The recapitalisation exercise has also attracted notable foreign participation, signaling confidence in Nigeria’s banking sector. However, confidence in banks does not necessarily translate into confidence in the broader economy. The truth is that foreign investors are typically drawn to strong regulatory frameworks, attractive returns, and market liquidity, though the facts are that these factors make Nigerian banks appealing financial assets; it must be made explicitly clear that they do not automatically reflect confidence in the country’s industrial base or productivity potential.

This distinction is critical. An economy can attract capital into its financial sector while still struggling to attract investment into productive sectors. When this happens, growth becomes financially driven rather than fundamentally anchored. The risk therefore, is that recapitalisation could deepen Nigeria’s financial markets but what benefits or gains when banks become stronger or liquid without addressing the structural weaknesses of the real economy.

It is clear and explicit that the current policy direction of the CBN reflects a strong emphasis on stability, with tightened supervision, improved transparency, and stricter prudential standards. These measures are necessary, particularly in a volatile global environment. However, there is an emerging concern that stability may be taking precedence over growth stimulation, which should also be a focal point for every economy, of which Nigeria should not be left out of the equation. Central banks in emerging markets often face a delicate balancing act and this is putting too much focus on stability, which can constrain credit expansion, while too much emphasis on growth can undermine financial discipline, as this calls for a balance.

In Nigeria’s case, the question is whether sufficient mechanisms exist to align banking sector incentives with national productivity goals. Are there enough incentives to encourage long-term lending, sector-specific financing, and innovation in credit delivery? Or does the current framework inadvertently reward risk aversion and short-term profitability?

Over the past two decades, it has been a herculean experience as Nigeria’s economic trajectory suggests a growing disconnect between the financial sector and the real economy. Banks have become larger, more sophisticated and more profitable, yet the irony is that the broader economy continues to struggle with high unemployment, low industrial output, and limited export diversification. This divergence reflects the structural risk of financialization, a condition in which financial activities expand without a corresponding increase in real economic productivity.

If not carefully managed, recapitalisation could reinforce this trend. With more capital at their disposal, banks may simply scale existing business models, expanding financial activities that generate returns without contributing meaningfully to production. The point is that this is not solely a failure of the banking sector; it is a systemic issue shaped by policy design, regulatory priorities, and market incentives, which needs the urgent attention of policymakers.

Meanwhile, for recapitalisation to achieve its intended purpose and truly work, it must be accompanied by a deliberate shift or intentional policy change from capital accumulation to productivity enhancement and the economy to produce more goods and services efficiently. This begins with creating stronger incentives for real sector lending with differentiated capital requirements based on sector exposure, credit guarantees for high-impact industries, and interest rate support for priority sectors can encourage banks to channel funds into productive areas and this must be driven and implemented by the apex bank to harness the gains of recapitalisation.

This transformative process is not only saddled with the CBN, but the Development finance institutions also have a critical role to play in de-risking long-term investments, making it easier for commercial banks to participate in financing projects that drive economic growth. At the same time, one of the missing pieces that must be taken into cognizance is that regulatory frameworks should discourage excessive concentration in risk-free assets. No doubt, banks thrive in profitability, as government securities remain important; overreliance on them can crowd out private sector credit and limit economic expansion.

Innovation in financial products is equally essential. Traditional lending models often fail to meet the needs of SMEs and emerging industries as this has continued to hinder growth. Banks must explore new approaches, including digital lending platforms, supply chain financing, and blended finance solutions that can unlock new growth opportunities, while they extend their tentacles by saturating the retail space just like fintech.

Accountability must also be embedded in the system. One fact is that if recapitalisation is justified as a tool for economic growth, then its outcomes and gains must be measurable and not obscure. Increased credit to productive sectors, higher industrial output and job creation should serve as key indicators of success. Without such metrics, the exercise risks being judged solely by financial indicators rather than its real economic impact.

The completion of the recapitalisation programme represents more than a regulatory achievement; it is a defining moment for Nigeria’s economic future. The country now has a banking sector that is better capitalised, more resilient, and more attractive to investors. These are important gains, but they are not ends in themselves.

The ultimate objective is to build an economy that is productive, diversified, and inclusive. Achieving this requires more than strong banks; it requires banks that actively power economic transformation.

The N4.65 trillion recapitalisation is a significant step forward. It strengthens the foundation of Nigeria’s financial system and enhances its capacity to support growth. However, capacity alone is not enough and truly not enough if the gains of recapitalisation are to be harnessed to the latter. What matters now is how that capacity is deployed.

Some of the critical questions for urgent attention are as follows: Will banks rise to the challenge of financing Nigeria’s productive sectors, particularly SMEs that form the backbone of the economy? Will policymakers create the right incentives to ensure credit flows where it is most needed? Will the financial system evolve from a focus on profitability to a broader commitment to the economic purpose of fostering a more productive Nigerian economy and the $1 trillion target?

The above questions are relevant because they will determine whether recapitalisation becomes a catalyst for change or a missed opportunity if not taken into cognizance. A well-capitalised banking sector is not the destination; it is the starting point. The real journey lies in building an economy where capital works, productivity rises, and growth becomes both sustainable and inclusive.

Blaise, a journalist and PR professional, writes from Lagos and can be reached via: [email protected]

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Precision and Heritage: How Fifi Stitches Is Rewriting African Fashion Narratives

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Precision and Heritage: How Fifi Stitches Is Rewriting African Fashion Narratives

 

 

A Nigerian-born designer is gradually carving out a cross-continental footprint in contemporary fashion, blending African textile heritage with British technical discipline.

 

Esther Fiyinfoluwa Adeosun, Founder and Creative Director of Fifi Stitches, is gaining recognition for structured womenswear and bridal couture that reinterprets traditional fabrics through architectural tailoring and precision construction.

 

Born in Ibadan, Oyo State, Adeosun’s fashion journey began at home, seated beside her mother’s sewing machine. What started as childhood curiosity, sometimes jamming the machine just to understand its mechanics—evolved into a disciplined design practice now operating between Nigeria and the United Kingdom.

 

During an interview with journalists the fifi Stitches once mentioned “I was fascinated by how flat fabric could transform into something structured and meaningful”.

 

In her Story , early designs made for her family, though imperfectly finished, were worn with pride—an encouragement that laid the foundation for her professional confidence.

 

Today, Fifi Stitches is recognised for sculpted bodices, controlled tailoring, corsetry construction, and the contemporary reinterpretation of Ankara, Aso Oke, and Adire textiles.

 

The brand challenges the long-held perception that African fabrics belong solely in ceremonial contexts, instead positioning them within global luxury and modern design spaces.

 

Adeosun’s training reflects this dual perspective. She studied Fashion Design and Entrepreneurship at the Institute for Entrepreneurship and Development Studies, Obafemi Awolowo University, and earned a Diploma in Fashion Design through Alison Online.

 

In the UK, she undertook industry-focused technical training with Fashion-Enter Ltd and gained fashion business exposure through Fashion Capital UK.

 

Her technical expertise spans pattern drafting, draping, garment technology, structured tailoring, corsetry, and bespoke fittings—skills she describes as central to credibility in fashion. “Precision builds trust,” she says. “A designer must understand construction as deeply as creativity.”

 

Fifi Stitches has showcased collections at the Suffolk Fashion Show, Liverpool Fashion Show – FB Fashion Ball, Red Carpet Fashion Event in London, and through editorial features in London Runway Magazine.

 

The brand has also received coverage in The Guardian Nigeria and Vanguard Allure, expanding its visibility across markets.

Beyond couture, Adeosun integrates community impact into her practice.

 

She has facilitated garment construction workshops, draping sessions, and introductory training programmes for women and emerging creatives, promoting fashion as both artistic expression and vocational empowerment.

 

 

Fifi Stcithes Boss operates between Nigeria and the UK, in order to continue to shape her brand identity.

 

 

According to her “Nigeria provides cultural richness and expressive textile traditions, while the UK offers structured production systems, sustainability conversations, and institutional frameworks”.

 

Looking ahead, Adeosun said she plan to establish a fully structured fashion house spanning Africa and the UK, develop scalable production partnerships, launch capsule collections, and expand independent editorial visibility.

 

Her broader ambition is clear: to position African textile craftsmanship within global contemporary design conversations—through structure, discipline, and technical excellence.

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