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Rivers Imbroglio: Real Reasons Wike, Fubara Are at Loggerheads
Rivers Imbroglio: Real Reasons Wike, Fubara Are at Loggerheads
Amid the festering political crisis in Rivers State, the National Coordinator, South-South Leadership Forum, Chief Anabs Sara-Igbe, on Saturday said Governor Siminalayi Fubara offered to resign his position before the crisis in the state escalated to the level it currently is.
He said it took the intervention of some Peoples Democratic Party leaders to prevail on him to shelve the idea.
Sara-Igbe, a former spokesperson for the Pan-Niger Delta Forum (PANDEF), said the governor opted to resign because apart from the way forces above him prevented him from asserting his independence, he didn’t have enough control over the state’s funds and had difficulty running his government.
Fubara and his political godfather, Nyesom Wike, who is the current Minister of the Federal Capital Territory, have been at war over the control of the state, plunging the state into political crisis.
Speaking in an interview on Channels TV, Sara-Igbe, who is a former Security Adviser to former governor Peter Odili, predicted that more commissioners would leave Fubara’s cabinet because Wike’s loyalists dominated the cabinet, which he said was evident in the way the commissioners had resigned their positions.
He alleged that even after leaving office, Wike still had a say in government operations and how the governor was managing the affairs of the state.
He stated, “What is the problem? Wike has come to tell the world that he was fighting Sim because Sim wanted to take his structure. What is the structure six months after elections; we are not close to elections, so what has structure got to do?
“Let me tell you about the structure; before Wike left the government, the state was making over N10bn internally generated revenue (monthly). When he left, the IGR came down to N6bn. And the governor, a former Accountant General of the state, asked questions and in the process he engaged somebody to look at the books, and the commissioner of finance reported to Wike and the former governor got angry. That is the structure.
“Secondly, the money coming from the federation account, Wike tied the money to one project or the other. So, when the money comes, it goes to the banks and they collect theirs from it and pay the contractors. Of course, we didn’t even know the cost of the contracts, so when this governor felt, ‘how will I run a government when I don’t have the resources’, the minister became hostile to the governor and the governor said ‘okay, let me resign if that is the case’. The PDP elders prevailed on him not to resign, thinking it would be messy.
“As soon as that ended, I came on air and advised Nyesom Wike to leave this man alone to govern, allow him, even if he’s your son’. I even went as far as giving him references like the Sarakis. Dr Olusola Saraki brought the son, Bukola, to that seat but when their ideologies did not agree, the son told him to go and rest.”
Sara-Igbe said it was difficult to make a governor subservient in Nigeria, because of the huge influence and power available to the occupiers of the office.
He added, “You cannot make somebody a governor; a very important seat in Nigeria – that was the seat Odili sat and he almost became the president; that was the seat (former governor Rotimi) Amaechi sat and he connived with others to remove a sitting president; that is the seat Wike himself sat and became a superman – and you are asking somebody who is on that seat to be subservient. But the governor is still loyal.
He said the former governor knew about the defection of the 27 PDP Assembly lawmakers to the APC, “he (Wike) is a lawyer, he ought to know that such a move would cost the Assembly members their seats”.
When reminded that the lawmakers had said openly that their defection was not engineered by the minister, Sara-Igbe noted, “I am a father to some of them. I know their personal grievances, but they cannot do what they did without the support of their godfather. They believe Wike and Sim were having problems and because of that they leveraged that to get at him (Sim).
“Even before the impeachment saga, some were threatening the governor that if he did rubbish they would get him removed from office. But the governor is a calm person, and I believe strongly that this is one man who loves Wike so much and has sacrificed so much for him before he became governor and even after.
“Today, the governor is not disposed to making trouble with the minister. He still sees it as a father-and-son relationship, but the minister, because of greed, is someone who wants to get everything, trying to take over the two parties, APC and PDP. When somebody is in control and wants power at all cost, it’s not the best, and that is what is leading to some of his problems.”
celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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