celebrity radar - gossips
The Ooni and his beautiful queen By Tunde Odesola
The Ooni and his beautiful queen By Tunde Odesola
Since the sun of social media appeared in cyberspace during the second half of the 1990s, it hasn’t ceased to blaze the dark closets of myths and tradition, exposing their cobwebs, warts and all.
And humanity is excited. At last, an answer has come to the bi-directional communication telephony of the era, welcoming the world to the age of technology where mass communication via networking travels at the speed of light, faster than the horse, ahead of the postman.
Without control, power is anarchy. When unsheathed, the sword of social media cuts with both edges. Ma se loogun ma mo: nothing is hidden from the big eye of the sun.
The only protection against getting caught by social media constabulary is either to be above board or to commit your sin silently in your mind, away from the prying watch of a gazillion and one cameras that make the internet omnipresent.
Even if you’re reckless on a boat at sea like the popular female singer recently caught pants down, but who never had the decency to apologise to her fans, especially children, the World Wide Web may still Savage you anytime in the future. Social media, together with its mom and dad, the internet and the World Wide Web, do not forget.
The world of social media is paradoxical, you may call it twisted, if you’re blunt. The beauty of social media is also its blight: private, yet public; individual, yet social; village, yet global.
On the superhighway called the internet, hailing and wailing are unmistakable sounds, depending on if the road user got a pat on the back or a kick in the teeth from social media’s untraceable troops.
The internet is no respecter of class, creed or colour. This is why one faceless Alani, who’s a farmer in the Oke Ogun area of Oyo State, would pick up his phone, go on social media, and query the military credentials and sincerity of Major General Muhammadu Buhari (retd.) anytime Fulani herdsmen wreak havoc on farmlands in the South-West community.
It’s also the same reason why an anonymous Okafor, a pensioner in violence-ravaged Orlu, Imo State, would condemn online, using exasperation emojis, the blundering Buhari regime, which promoted 233 soldiers to various cadres of General in one fell swoop, last week, when the world’s strongest military force, the US Army, has only 231 generals.
Similarly, an obscure artisan in the Jos killing field of Plateau State, Latifah, would casually stroll into discussions on social media and call military authorities names, rightly pointing out that cronyism and thoughtlessness were the reasons why Africa’s fourth strongest Army, Nigeria, with a budget of $1.39 billion (using CBN exchange rate), could have more generals than the US Army with a budget of $610 billion.
Then Ahmed, an amputee in war-torn Borno, would not only like Yakubu’s comment, but make his contribution to the online conversation in these words, “Why govt dey dash soldiers wey no fit fight Boko Haram terrorists promotion yanfu yanfu like dis? Even US wey bi No 1 strongest nation no dey distribute promotion to generals like COVID-19. Now, Nigerians supoz don see di reason why a whole Nigerian Army go dey run helter-skelter because say one NYSC corper propose to one female soldier. E no go beta for idleness, walahi!”
Oh yeah, that’s the classless new world we live in today. A world where peasants call the king stupid, where the wretched call Messi, the highest-paid soccer player on earth, ‘my boy’, where illiterates call professors untaught. It’s a doorless and nameless world of equality and freedom. It’s a good world, albeit.
For the three years and three months their marriage endured, the Ooni of Ife, Oba Adeyeye Ogunwusi, the Ojaja 1, and his estranged queen, Silekunola Moronke Naomi, enjoyed the ubiquitous advantage of social media, which splashed their faces and stories across the world.
But when the vinyl record broke and the love music went croaky, social media did not turn a blind eye in awe of royal pomp. Rather, it went into the sacred shrines of the gods and sank its teeth into juicy stories, gobbling up the facts, rumours and falsehoods.
As goldfishes, Adeyeye and Naomi had no hiding place in the classless world of social media. The rumour mill went agog: How can the delectable Naomi from Akure Oloyemekun, wake up to her phone, go on social media, write an e-divorce, and walk away from the oldest crown in Yoruba land, the crown Oduduwa himself wore? Abomination!
Journalism didn’t fold its hands and leave the conversation to wailers, hailers and watchers on social media. Journalism also went to work, using social media as a tool for news gathering in the fulfilment of a sacred ethical obligation of informing, educating and entertaining the masses.
While wailers say it was stupid of journalism to pry into the private affairs of the royal couple, hailers say what is sauce for the goose (poor) is sauce for the gander (rich). For journalism, ultimately, news, which is the factual report of a notable event, must be fairly disseminated, no matter whose ox is gored.
While hailers of the Ooni on the internet condemn Naomi, the mother of one-year-old prince Tadenikawo, for allegedly using and dumping the 47-year-old monarch after finding fame, wailers against him say only an incurable playboy would fail thrice in marriage within 12 years, stressing that any EPL striker that misses a penalty thrice in a row should abandon football for bricklaying.
Online wailers against the 28-year-old Naomi recall how she voluntarily came all the way from Akure, like one of the Three Wise Men, to the Palace of Oduduwa, a year after the king’s marriage to Edo-born Queen Zaynab Otiti Obano had crashed, bearing a birthday present of a Bible on September 10, 2018 – ahead of the king’s birthday on October 17, 1974.
That was when the king set his eyes on prophetess Naomi, who was born on October 12, 1993 in Akure, Ondo State, and a sizzling romance led to marriage in October 2018.
Bloggers, as unprofessional as they come, also latched onto the story, wailing and hailing, as the case may be. Some of the news videos from various blogs include allegations of a contract in Ondo State which the Ooni purportedly gave to Naomi’s family member to execute, but which wasn’t executed to the satisfaction of the monarch, and fights among family members of the Ooni and Naomi, who lived with them in various chalets in the palace.
Many wailers and hailers in online comments and videos, alleged that the cohabitation of Naomi’s mom and relatives, together with the Ooni’s siblings, in the expansive palace was a taut string at breaking point.
I’ll neither gloat over the crash of the Adeyeye-Naomi marriage nor bemoan it. It is what it is: our greatest glory is not in never falling, but in rising every time we fall. I wish both Adeyeye and Naomi the best life can offer as they both try to rise from the ruins of this marriage.
I ask, like Whitney Houston, where do broken hearts go?
Email: [email protected]
Facebook: @tunde odesola
Twitter: @tunde_odesola
TundeOdesola.com
celebrity radar - gossips
Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”
Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”.
By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com
Former President Goodluck Jonathan’s birthday visit to Gen. Ibrahim Badamasi Babangida (IBB) in Minna (where he hailed the octogenarian as a patriotic leader committed to national unity) was more than a courtesy call. It was a reminder of a peculiar constant in Nigerian politics: the steady pilgrimage of power-seekers, bridge-builders and crisis-managers to the Hilltop mansion. Jonathan’s own words captured it bluntly: IBB’s residence “is like a Mecca of sorts” because of the former military president’s enduring relevance and perceived nation-first posture.
Babangida turned 84 on 17 August 2025. That alone invites reflection on a career that has shaped Nigeria’s political architecture for four decades; admired by some for audacious statecraft, condemned by others for controversies that still shadow the republic. Born on 17 August 1941 in Minna, he ruled as military president from 1985 to 1993, presiding over transformative and turbulent chapters: the relocation of the national capital to Abuja in 1991; the creation of political institutions for a long, complex transition; economic liberalisation that cut both ways; and the fateful annulment of the 12 June 1993 election. Each of these choices helps explain why the Hilltop remains a magnet for Nigerians who need counsel, cover or calibration.
A house built on influence; why the visits never stop.

Let’s start with the obvious: access. Nigeria’s political class prizes proximity to the men and women who can open doors, soften opposition, broker peace and read the hidden currents. In that calculus, IBB’s network is unmatched. He cultivated a reputation for “political engineering,” the reason the press christened him “Maradona” (for deft dribbling through complexity) and “Evil Genius” (for the strategic cunning his critics decried). Whether one embraces or rejects those labels, they reflect a reality: Babangida is still the place where many politicians go to test ideas, seek endorsements or secure introductions. Even the mainstream press has described him as a consultant of sorts to desperate or ambitious politicians, an uncomfortable description that nevertheless underlines his gravitational pull.
Though it isn’t only political tact that draws visitors; it’s statecraft with lasting fingerprints. Moving the seat of government from Lagos to Abuja in December 1991 was not a cosmetic relocation, it re-centred the federation and signaled a symbolic neutrality in a country fractured by regional suspicion. Abuja’s founding logic (GEOGRAPHIC CENTRALITY and ETHNIC NEUTRALITY) continues to stabilise the national imagination. This is part of the reason many leaders, across party lines, still defer to IBB: he didn’t just rule; he rearranged the map of power.
Then there’s the regional dimension. Under his watch, Nigeria led the creation and deployment of ECOMOG in 1990 to staunch Liberia’s bloody civil war, a bold move that announced Abuja as a regional security anchor. The intervention was imperfect, contested and costly, but it helped define West Africa’s collective security posture and Nigeria’s leadership brand. When neighboring states now face crises, the memory of that precedent still echoes in diplomatic corridors and Babangida’s counsel retains currency among those who remember how decisions were made.
Jonathan’s praise and the unity argument.
Jonathan’s tribute (stressing Babangida’s non-sectional outlook and commitment to unity) goes to the heart of the Hilltop mystique. For a multi-ethnic federation straining under distrust, figures who can speak across divides are prized. Jonathan’s point wasn’t nostalgia; it was a live assessment of a man many still call when Nigeria’s seams fray. That’s why the parade to Minna continues: the anxious, the ambitious and the statesmanlike alike seek an elder who can convene rivals and cool temperatures.
The unresolved shadow: June 12 and the ethics of influence.

No honest appraisal can skip the hardest chapter: the annulment of the 12 June 1993 election (judged widely as free and fair) was a rupture that delegitimised the transition and scarred Nigeria’s democratic journey. Political scientist Larry Diamond has repeatedly identified June 12 as a prime example of how authoritarian reversals corrode democratic legitimacy and public trust. His larger warning (“few developments are more destructive to the legitimacy of new democracies than blatant and pervasive political corruption”) captures the moral crater that followed the annulment and the years of drift that ensued. Those wounds are part of the Babangida legacy too and they complicate the reverence that a steady stream of visitors displays.
Max Siollun, a leading historian of Nigeria’s military era, has observed (provocatively) that the military’s “greatest contribution” to democracy may have been to rule “long and badly enough” that Nigerians lost appetite for soldiers in power. It’s a stinging line, yet it helps explain the paradox of IBB’s status: the same system he personified taught Nigeria costly lessons that hardened its democratic reflexes. Today’s generation visits the Hilltop not to revive militarism but to harvest hard-won insights about managing a fragile federation.
What sustains the pilgrimage.
1) Institutional memory: Nigeria’s politics often suffers amnesia. Babangida offers a living archive of security crises navigated, regional diplomacy attempted, volatile markets tempered and power-sharing experiments designed. Whether one applauds or condemns specific choices, the muscle memory of governing a complex federation is rare and urgently sought.
2) Convening power: In a season of polarisation, the ability to sit warring factions in the same room is not small capital. Babangida’s imprimatur remains a safe invitation card few refuse it, fewer ignore it. That convening power explains why movements, parties and would-be presidents keep filing up the long driveway. Recent delegations have explicitly cast their courtesy calls in the language of unity, loyalty and patriotism ahead of pivotal elections.
3) Signals to the base: Visiting Minna telegraphs seriousness to party structures and funders. It says: “I have sought counsel where history meets experience.” In Nigeria’s coded political theatre, that signal still matters. Outlets have reported for years that many aspirants treat the Hilltop as an obligatory stop an unflattering reality, perhaps, but a revealing one.
4) The man and the myth: The mansion itself, with its opulence and aura, has become a set piece in Nigeria’s story of power, admired by some, resented by others, but always discussed. The myth feeds the pilgrimage; the pilgrimage feeds the myth.
The balance sheet at 84.
To treat Babangida solely as a sage is to forget the costs of his era; to treat him only as a villain is to ignore the architecture that still holds parts of Nigeria together. Abuja’s relocation stands as a stabilising bet that paid off. ECOMOG, for all its flaws, seeded a habit of regional responsibility. Conversely, June 12 remains a national cautionary tale about elite manipulation, civilian marginalisation and the brittleness of transitions managed from above. These are not contradictory truths; they are the double helix of Babangida’s place in Nigerian memory.
Jonathan’s homage tried to distill the better angel of IBB’s record: MENTORSHIP, BRIDGE-BUILDING and a POSTURE that (at least in his telling) RESISTS SECTIONAL ISM. “That is why today, his house is like a Mecca of sorts,” he said, praying that the GENERAL continues to “mentor the younger ones.” Whether one agrees with the full sentiment, it accurately describes the lived politics of Nigeria today: Minna remains a checkpoint on the road to relevance.
The scholar’s verdict and a citizen’s challenge.
If Diamond warns about legitimacy and Siollun warns about the perils of soldier-politics, what should Nigerians demand from the Hilltop effect? Three things.
First, use influence to open space, not close it. Counsel should tilt toward rules, institutions and credible elections not kingmaking for its own sake. The lesson of 1993 is that subverting a valid vote haunts a nation for decades.
Second, mentor for unity, but insist on accountability. Unity cannot be a euphemism for silence. A truly patriotic elder statesman sets a high bar for conduct and condemns the shortcuts that tempt new actors in old ways. Diamond’s admonition on corruption is not an abstraction; it’s a roadmap for rebuilding trust.
Third, convert nostalgia into institutional memory. If Babangida’s house is a classroom, then Nigeria should capture, publish and debate its lessons in the open: on peace operations (what worked, what failed), on capital relocation (how to plan at scale), and on transitions (how not to repeat 1993). Only then does the pilgrimage serve the republic rather than personalities.
At 84, Ibrahim Babangida remains a paradox that Nigeria cannot ignore: a man whose legacy straddles NATION-BUILDING and NATION-BRUISING, whose doors remain open to those seeking power and those seeking peace. Jonathan’s visit (and his striking “Mecca” metaphor) reveals a simple, stubborn fact: in a country still searching for steady hands, the Hilltop’s shadow is long. The task before Nigeria is to ensure that the shadow points toward a brighter constitutional daybreak, where influence is finally subordinated to institutions and where mentorship hardens into norms that no single mansion can monopolise. That is the only pilgrimage worth making.
celebrity radar - gossips
Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK
Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK
Nigerian Juju music legend, Otunba Femi Fadipe, popularly known as FemoLancaster, is being celebrated today in London as he clocks 50 years of age.
Ambassador Olufemi Ajadi Oguntoyinbo, a frontline politician and businessman, led tributes to the Ilesa-born maestro, describing him as a timeless cultural icon whose artistry has enriched both Nigeria and the world.
“FemoLancaster is not just a musician, he is a legend,” Ambassador Ajadi said in his birthday message. “For decades, his classical Juju sound has remained a reminder of the beauty of Yoruba heritage. Today, as he turns 50, I celebrate a cultural ambassador whose music bridges generations and continents.”
While FemoLancaster is highly dominant in Oyo State and across the South-West, his craft has also taken him beyond Nigeria’s borders.
FemoLancaster’s illustrious career has seen him thrill audiences across Nigeria and beyond, with performances in the United Kingdom, Canada, United States of America, and other parts of the world. His dedication to Juju music has projected Yoruba traditional sounds to international stages, keeping alive the legacy of icons like King Sunny Ade and Chief Ebenezer Obey while infusing fresh energy for younger audiences
He further stressed the significance of honoring artistes who have remained faithful to indigenous music while taking it global. “In an era where modern sounds often overshadow tradition, FemoLancaster stands as a beacon of continuity and resilience. He has carried Yoruba Juju music into the global space with dignity, passion, and excellence,” he added.

The golden jubilee celebration in London has drawn fans, friends, and colleagues, who all describe FemoLancaster as a gifted artist whose contributions over decades have earned him a revered place in the pantheon of Nigerian music legends.
“As FemoLancaster marks this milestone,” Ajadi concluded, “I wish him many more years of good health, wisdom, and global recognition. May his music continue to echo across generations and continents.”
celebrity radar - gossips
Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
By Aderounmu Kazeem Lagos
Lagos, Nigeria — The gospel music scene is aglow today as the “Duchess of Gospel Music,” Esther Igbekele, marks another milestone in her life, celebrating her birthday on Saturday, August 16, 2025.
Known for her powerful voice, inspirational lyrics, and unwavering dedication to spreading the gospel through music, Esther Igbekele has become one of Nigeria’s most respected and beloved gospel artistes. Over the years, she has graced countless stages, released hit albums, and inspired audiences across the world with her uplifting songs.
Today’s celebration is expected to be a joyful blend of music, prayers, and heartfelt tributes from family, friends, fans, and fellow artistes. Sources close to the singer revealed that plans are in place for a special praise gathering in Lagos, where she will be joined by notable figures in the gospel industry, church leaders, and admirers from home and abroad.
Speaking ahead of the day, Igbekele expressed deep gratitude to God for His mercy and the opportunity to use her gift to touch lives. “Every birthday is a reminder of God’s faithfulness in my journey. I am thankful for life, for my fans, and for the privilege to keep ministering through music,” she said.
From her early beginnings in the Yoruba gospel music scene to her rise as a celebrated recording artiste with a unique fusion of contemporary and traditional sounds, Esther Igbekele’s career has been marked by consistency, excellence, and a strong message of hope.
As she adds another year today, her fans have flooded social media with messages of love, appreciation, and prayers — a testament to the profound impact she continues to make in the gospel music ministry.
For many, this birthday is not just a celebration of Esther Igbekele’s life, but also of the divine inspiration she brings to the Nigerian gospel music landscape.
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