celebrity radar - gossips
The Ooni and his beautiful queen By Tunde Odesola
The Ooni and his beautiful queen By Tunde Odesola
Since the sun of social media appeared in cyberspace during the second half of the 1990s, it hasn’t ceased to blaze the dark closets of myths and tradition, exposing their cobwebs, warts and all.
And humanity is excited. At last, an answer has come to the bi-directional communication telephony of the era, welcoming the world to the age of technology where mass communication via networking travels at the speed of light, faster than the horse, ahead of the postman.
Without control, power is anarchy. When unsheathed, the sword of social media cuts with both edges. Ma se loogun ma mo: nothing is hidden from the big eye of the sun.
The only protection against getting caught by social media constabulary is either to be above board or to commit your sin silently in your mind, away from the prying watch of a gazillion and one cameras that make the internet omnipresent.
Even if you’re reckless on a boat at sea like the popular female singer recently caught pants down, but who never had the decency to apologise to her fans, especially children, the World Wide Web may still Savage you anytime in the future. Social media, together with its mom and dad, the internet and the World Wide Web, do not forget.
The world of social media is paradoxical, you may call it twisted, if you’re blunt. The beauty of social media is also its blight: private, yet public; individual, yet social; village, yet global.
On the superhighway called the internet, hailing and wailing are unmistakable sounds, depending on if the road user got a pat on the back or a kick in the teeth from social media’s untraceable troops.
The internet is no respecter of class, creed or colour. This is why one faceless Alani, who’s a farmer in the Oke Ogun area of Oyo State, would pick up his phone, go on social media, and query the military credentials and sincerity of Major General Muhammadu Buhari (retd.) anytime Fulani herdsmen wreak havoc on farmlands in the South-West community.
It’s also the same reason why an anonymous Okafor, a pensioner in violence-ravaged Orlu, Imo State, would condemn online, using exasperation emojis, the blundering Buhari regime, which promoted 233 soldiers to various cadres of General in one fell swoop, last week, when the world’s strongest military force, the US Army, has only 231 generals.
Similarly, an obscure artisan in the Jos killing field of Plateau State, Latifah, would casually stroll into discussions on social media and call military authorities names, rightly pointing out that cronyism and thoughtlessness were the reasons why Africa’s fourth strongest Army, Nigeria, with a budget of $1.39 billion (using CBN exchange rate), could have more generals than the US Army with a budget of $610 billion.
Then Ahmed, an amputee in war-torn Borno, would not only like Yakubu’s comment, but make his contribution to the online conversation in these words, “Why govt dey dash soldiers wey no fit fight Boko Haram terrorists promotion yanfu yanfu like dis? Even US wey bi No 1 strongest nation no dey distribute promotion to generals like COVID-19. Now, Nigerians supoz don see di reason why a whole Nigerian Army go dey run helter-skelter because say one NYSC corper propose to one female soldier. E no go beta for idleness, walahi!”
Oh yeah, that’s the classless new world we live in today. A world where peasants call the king stupid, where the wretched call Messi, the highest-paid soccer player on earth, ‘my boy’, where illiterates call professors untaught. It’s a doorless and nameless world of equality and freedom. It’s a good world, albeit.
For the three years and three months their marriage endured, the Ooni of Ife, Oba Adeyeye Ogunwusi, the Ojaja 1, and his estranged queen, Silekunola Moronke Naomi, enjoyed the ubiquitous advantage of social media, which splashed their faces and stories across the world.
But when the vinyl record broke and the love music went croaky, social media did not turn a blind eye in awe of royal pomp. Rather, it went into the sacred shrines of the gods and sank its teeth into juicy stories, gobbling up the facts, rumours and falsehoods.
As goldfishes, Adeyeye and Naomi had no hiding place in the classless world of social media. The rumour mill went agog: How can the delectable Naomi from Akure Oloyemekun, wake up to her phone, go on social media, write an e-divorce, and walk away from the oldest crown in Yoruba land, the crown Oduduwa himself wore? Abomination!
Journalism didn’t fold its hands and leave the conversation to wailers, hailers and watchers on social media. Journalism also went to work, using social media as a tool for news gathering in the fulfilment of a sacred ethical obligation of informing, educating and entertaining the masses.
While wailers say it was stupid of journalism to pry into the private affairs of the royal couple, hailers say what is sauce for the goose (poor) is sauce for the gander (rich). For journalism, ultimately, news, which is the factual report of a notable event, must be fairly disseminated, no matter whose ox is gored.
While hailers of the Ooni on the internet condemn Naomi, the mother of one-year-old prince Tadenikawo, for allegedly using and dumping the 47-year-old monarch after finding fame, wailers against him say only an incurable playboy would fail thrice in marriage within 12 years, stressing that any EPL striker that misses a penalty thrice in a row should abandon football for bricklaying.
Online wailers against the 28-year-old Naomi recall how she voluntarily came all the way from Akure, like one of the Three Wise Men, to the Palace of Oduduwa, a year after the king’s marriage to Edo-born Queen Zaynab Otiti Obano had crashed, bearing a birthday present of a Bible on September 10, 2018 – ahead of the king’s birthday on October 17, 1974.
That was when the king set his eyes on prophetess Naomi, who was born on October 12, 1993 in Akure, Ondo State, and a sizzling romance led to marriage in October 2018.
Bloggers, as unprofessional as they come, also latched onto the story, wailing and hailing, as the case may be. Some of the news videos from various blogs include allegations of a contract in Ondo State which the Ooni purportedly gave to Naomi’s family member to execute, but which wasn’t executed to the satisfaction of the monarch, and fights among family members of the Ooni and Naomi, who lived with them in various chalets in the palace.
Many wailers and hailers in online comments and videos, alleged that the cohabitation of Naomi’s mom and relatives, together with the Ooni’s siblings, in the expansive palace was a taut string at breaking point.
I’ll neither gloat over the crash of the Adeyeye-Naomi marriage nor bemoan it. It is what it is: our greatest glory is not in never falling, but in rising every time we fall. I wish both Adeyeye and Naomi the best life can offer as they both try to rise from the ruins of this marriage.
I ask, like Whitney Houston, where do broken hearts go?
Email: [email protected]
Facebook: @tunde odesola
Twitter: @tunde_odesola
TundeOdesola.com
celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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