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What Nigerians must do to defeat COVID-19 By Ezrel Tabiowo

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World Bank debtors’ list

Barely days to the end of a four-week lockdown declared by President Muhammadu Buhari to stem the spread of the coronavirus disease in Nigeria, I’ve seen a few number of “pots and pan protests” on various social media platforms. 


This left me with some questions, amongst which is why a few Nigerians would choose to protest in the face of a pandemic that has shaken the very foundations of advanced healthcare systems in developed countries of the world. 


I also wondered why some other desperate few felt the need to trend online by politicising the COVID-19 situation through unwarranted criticisms of government initiatives and directives. Could this be due to lack of patriotism from a preference to feed the ego over putting the country first? 


My observation from the videos I’ve seen so far is that those championing this protest are not even hungry and poor. 
The reality on ground is that the poor ones still go about making their daily earnings. Just yesterday morning, my electrician came all the way from the Lugbe axis – a satellite town not far away from the Abuja metropolis – to fix an electrical problem I had in my house. Three days ago, my plumber also came to attend to a plumbing problem in my kitchen. 


Somehow, the poor have been able to find their way around despite the lockdown. At least, I can say this with all certainty about those I know personally with a source of income, but not the unemployed. It, therefore, becomes imperative for the Federal Government and citizens to identify the unemployed so as to ensure that government’s palliative trickles down rightly.  


Where this has not been done properly, those superintending over the local government councils must immediately engage their representatives at the State Houses of Assembly and the National Assembly to ensure that the poor are beneficiaries of the scheme. 


Reverting to my assessment on the impact of the lockdown, it is common knowledge that markets are open to the public, and I can tell you that some businesses have found a way of rendering online services that deliver goods, ranging from electronics supply to furniture at your doorstep. So, what is the protest for, really? 


We are at a time when we need to contain the spread of a disease. So far, those behind this protest are just calling out the government without even coming up with suggestions and proposals needed to address the fear of community spread of the dreaded virus should the lockdown be lifted. To be candid, this reeks of hypocrisy and puts to question the motive behind the protest. 


In any case, I think on another count that this swings both ways. If President Buhari decides to lift the lockdown and we see a significant increase in number of infections and deaths, I can guarantee you that these same persons would be handy to advance another anti-government scheme to discredit the administration. Who knows, they would most probably come up with a ‘head-pan and cement’ protest to denigrate the government over the insufficient number of isolation centres and ventilators in the country. And the condemnation goes on in a vicious cycle that helps no one. 


In my view, this moment of emergency calls for collective cooperation and mutual understanding on the part of citizens and the Federal Government, and not attempts to disrupt the activities or sabotage the efforts of the latter. 


Nobody is finding it easy at this time, including myself, but we must continue to harbour optimism that the decision of the Federal Government to be conveyed in a nationwide broadcast by the President on Monday, would again grant us some weeks of reprieve in the face of the grave danger the world currently faces. 


As it stands, the only available and efficient option in the fight against the pandemic for now is the introduction of a partial lockdown to reduce the rapid spread of the disease, while allowing government time to identify infected persons and isolate them from the population.


To compliment government’s initiatives, let us get on board to propose ways in which the fight against COVID-19 can be made more effective. The Presidential Task Force is there to take note of concerns and observations made by Nigerians, and the National Centre for Disease Control helplines are equally available for this purpose. 


It is my hope that we all make it out of this pandemic without recording high number of deaths, whilst at the same time noting the need to develop our health institutions to sufficiently deal with a reoccurrence in the future.

Ezrel Tabiowo, MBSC, Fsca, wrote this piece from Abuja
April 26, 2020

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Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”

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Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”

Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”

Rising music artist Kevin David Kaydee has released a powerful new single titled Oluwa Settle Me, a soulful Afro-inspired anthem that blends heartfelt prayer with modern rhythm.

 

“Oluwa Settle Me” captures the everyday cry of many believers seeking breakthrough, peace, and divine favour. With emotionally rich melodies and uplifting instrumentation, the song expresses a sincere plea to God for complete answers to life’s pressing questions—career, destiny, relationships, and spiritual fulfilment.

 

Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”
Drawing from Afrocentric sounds and contemporary gospel influences, the track stands out for its simplicity, sincerity, and spiritual depth. Kevin David Kaydee delivers the message with passion, creating a worshipful atmosphere that resonates across age groups and cultures.

 

The song’s message of hope and dependence on God positions it as more than just music,it is a prayer set to melody. By fusing spirituality with modern lifestyle rhythms, “Oluwa Settle Me” reflects the growing wave of gospel music that speaks directly to real-life struggles while pointing listeners back to faith.

 

As gospel music continues to evolve across Africa and beyond, Kevin David Kaydee’s latest release reinforces music as a powerful tool for encouragement, reflection, and spiritual connection.

 

“Oluwa Settle Me” is now gaining attention among gospel music lovers for its relatable message and soulful sound, marking another significant step in the artist’s growing musical journey.

https://ditto.fm/oluwa-settle-me

https://ditto.fm/oluwa-settle-me

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Another Feather for Nollywood Icon Fidelis Duker

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**Another Feather for Nollywood Icon Fidelis Duker

 

*Lagos, Nigeria* — In a remarkable celebration of artistic achievement, renowned Nollywood figure Fidelis Duker received yet another prestigious accolade last weekend, solidifying his role as a key player in the growth of the Nigerian and African film industries. The award was presented in a ceremony held at Duker’s Lagos office by esteemed film and theatre director, Mr. Alex Eyengho, founder of the Warri International Film Festival, alongside Marketing and Strategy Director, Mrs. Matel Eyengho.

The recent recognition builds upon Duker’s previous achievement at last year’s ECOFEST in Dakar, where he was honored with a Lifetime Achievement Award. This latest accolade is a testament to his unwavering dedication and substantial contributions to the cinematic landscape.

“I am truly humbled by this recognition,” Duker expressed during the event. In his speech, Alex Eyengho lauded Duker’s pioneering efforts in establishing significant film festivals in Nigeria, particularly the Abuja International Film Festival, which has played a vital role in promoting local talent and storytelling.

Eyengho emphasized, “Fidelis has not only paved the way for emerging filmmakers but has also helped elevate Nigerian cinema on the global stage. His creative vision and commitment inspire all of us in the industry.”

As Duker reflects on this honor, he acknowledges the importance of teamwork and collaboration in achieving success. “This acknowledgment reaffirms to my team and me that our work is being observed, and it motivates us to continue contributing to the development of our sector,” he stated.

With numerous projects on the horizon, Duker remains a relentless advocate for the growth and recognition of African cinema. His latest recognition is yet another testament to the vibrant and evolving landscape of Nollywood, as industry leaders like him continue to inspire future generations.

As the film industry anticipates the next phase of development, Duker’s continued influence signals a promising future for filmmakers in Nigeria and across the continent.

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E‑Money’s Grand Gesture: A Closer Look at the SUV Gift to Chinedu “Aki” Ikedieze

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E‑Money’s Grand Gesture: A Closer Look at the SUV Gift to Chinedu “Aki” Ikedieze

By George Omagbemi Sylvester | Published by SaharaWeeklyNG

 

“Public Generosity, Celebrity Loyalty and the Symbolism of Wealth in Nigeria’s Entertainment Elite.”

 

On Tuesday, February 17, 2026, Nigerian billionaire and entrepreneur Emeka Okonkwo, widely known as E‑Money, once again captured national attention with a lavish and highly publicised act of generosity, gifting a brand‑new 2024/2025 Ford SUV to veteran Nollywood actor Chinedu Ikedieze, affectionately called Aki, during his high‑profile birthday celebration.

 

The event, held in Lagos amidst a constellation of entertainers, business figures and socialites, was itself part of an annual tradition in which E‑Money marks his birthday (on February 18) with large‑scale giveaways and spectacular shows of material philanthropy. This year, he announced the gift of over 30 cars to friends, staff and family, a gesture that quickly went viral as videos and images circulated across social media platforms.

 

In the case of Ikedieze, E‑Money’s gift appeared to be deeply personal. During the festivities, E‑Money stood beside his elder brother, Grammy‑nominated musician KCee and recounted how Ikedieze stood by him at his 2007 wedding. The billionaire explained that the SUV was a “token of appreciation” for the enduring support the actor had shown over the years which is a narrative that blends friendship with public celebration.

 

Ikedieze, a Nollywood staple with a career spanning more than two decades and over 150 film credits, including the iconic Aki na Ukwa franchise, visibly reacted with humble surprise as he received the vehicle, bowing his head in respect and gratitude. The actor later shared the moment on his Instagram account with a caption celebrating the gift, further fuelling online engagement around the event.

 

Beyond the spectacle, this incident underscores evolving dynamics in Nigerian celebrity culture and the intersection of wealth, influence and reciprocity. Sociologist Dr. Chinedum Uche of the University of Lagos, speaking on the broader implications of such high‑profile gifts, notes: “Philanthropy that is highly publicised can reinforce social bonds, but it also reflects a culture where generosity is intertwined with reputation economy; where giving becomes as much a social signal as it is an act of kindness.” The quote highlights how public acts of wealth transfer among elites serve layered social functions that extend beyond pure altruism.

 

Critics of such displays argue that ostentatious giveaways, particularly in a country with stark economic disparities, risk amplifying social envy and exacerbating perceptions of inequality. Economist Dr. Ifunanya Nwosu from the Lagos Business School observes: “In societies marked by economic stratification, celebrity largesse may inspire admiration, but it can also inadvertently highlight structural inequities; prompting questions about systemic investment in public welfare versus individual generosity.”

 

Still, supporters maintain that E‑Money’s annual tradition (which has in past years included cash gifts to his brother KCee, comedians and even domestic staff) reflects genuine gratitude and a commitment to uplifting his immediate circle, albeit within the private sphere.

 

For Ikedieze, the SUV stands both as a heartfelt gesture from a longtime friend and a public affirmation of their enduring relationship. As the video of the moment continues to circulate, the broader narrative has ignited discussions about the role of private wealth in public life, celebrity culture and how acts of giving are interpreted in contemporary Nigerian society.

 

In a landscape where influence and generosity often play out in equal measure on public stages, E‑Money’s gift to Aki is more than a headline, it is a flashpoint in ongoing debates about wealth, friendship and visibility in Nigeria’s entertainment and entrepreneurial ecosystem.

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