AFCRD 2026: FG Recognises Buratai’s Reforms, Sacrifice and National Service

The Federal Government has placed former Chief of Army Staff, Lieutenant General Tukur Yusuf Buratai (rtd), at the heart of the 2026 Armed Forces Celebration and Remembrance Day (AFCRD) honours, recognising his enduring legacy of service, sacrifice and institutional reforms within the Nigerian Army.

Buratai was conferred with the Legacy (Service and Sacrifice) Award at the AFCRD Gala Night held on Tuesday, 13 January 2026, at the Banquet Hall of the State House, Abuja. The award acknowledges his far-reaching reforms between 2015 and 2021, which expanded the Army’s operational capacity, strengthened counter-insurgency architecture, and repositioned the force for modern asymmetric warfare. It also recognises his post-service contribution as Nigeria’s Ambassador to the Republic of Benin.

Alongside Buratai, the Chief of Army Staff, Lieutenant General Waidi Shaibu, received the Service and Sacrifice Award for decisive leadership and selfless service in counter-insurgency and internal security operations across multiple theatres.

Other recipients in the same category include Major General Abdulsalami Enesi Abubakar, Theatre Commander, Operation HADIN KAI, and Major General Faruk Mijinyawa, former General Officer Commanding, 81 Division, Lagos, for exceptional operational leadership and commitment to duty.

The Gallantry Award was presented to Brigadier General Misa Uba for leading troops from the front during counter-insurgency operations in Borno State. Brigadier General Usman Ahmad received the Mission Success Award for repelling repeated terrorist attacks and sustaining operational effectiveness under intense pressure.

In the area of innovation, Colonel Ibrahim Mohammed Gero was honoured with the Innovation Award for designing and deploying a redesigned ballistic gunboat that significantly enhanced operations under Operation DELTA SAFE.

The late Colonel B. Umaru was posthumously awarded the Intelligence, Surveillance and Reconnaissance (ISR) Excellence Award for outstanding intelligence leadership during Operation HADIN KAI. The late Lieutenant Colonel Thomas Ebisingha Alari received the Fallen Heroes Award for gallantry and pivotal roles in major counter-terrorism operations in the North-East

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Beyond Buratai, several retired senior officers were honoured for sustained national contributions. Brigadier General Sani Kukasheka Usman (rtd) received the Sentinel of Freedom Award for strategic military communication, peacekeeping and advocacy for veterans’ welfare and national security.

Major General Mohammed Sadiq Aliyu (rtd) was presented with the Phoenix Award for resilience and continued service despite being wounded in action during counter-insurgency operations.

Colonel Olubunmi Oyekola (rtd) received the Entrepreneurial Spirit Award for successfully transitioning military discipline into a thriving hospitality enterprise, while Colonel Bartholomew Chukwuemeka Ogbonna (rtd) was honoured with the Community Champion Award for grassroots development, healthcare support and youth mobilisation.

Master Warrant Officer Manu Garba was awarded the Distinguished Citizen Service Medal for 35 years of meritorious service and sustained post-retirement community development initiatives.

Remembering Sacrifice, Celebrating Legacy

The Armed Forces Celebration and Remembrance Day remains Nigeria’s annual platform for honouring fallen heroes, celebrating serving personnel and recognising veterans whose courage and professionalism continue to safeguard the nation’s sovereignty, with Buratai’s recognition standing as a defining symbol of long-term military leadership and national service.

Legacy Is Not a Meme: Why Comparing Wizkid to Fela Kuti Is a Cultural Disservice.

By George Omagbemi Sylvester | For saharaweeklyng.com

“Seun Kuti’s Fiery Rebuttal and What It Reveals About Nigerian Music, History and Respect for Cultural Icons.”

In a moment that ignited fervent debate across social media, Grammy-nominated musician Seun Kuti delivered a blunt and unapologetic rebuke to fans who have taken to comparing contemporary Afrobeats star Wizkid to his father, legendary Afrobeat pioneer Fela Anikulapo-Kuti. In a viral Instagram livestream, Seun Kuti described the comparison not merely as inaccurate, but as “DISRESPECTFUL”, rooted in “IGNORANCE,” and symptomatic of a cultural trend that conflates popularity with historical relevance, a trend that risks trivialising one of Nigeria’s most revolutionary artistic legacies.

Seun’s remarks, passionate and raw, were not a simple defence of family honour. They were a clarion call to cultural literacy, a demand that Nigerians, especially music lovers and artists, distinguish between sound and substance; fame and legacy.

Roots of the Controversy.
The debate stems from persistent online claims (largely emanating from segments of Wizkid’s fanbase (“Wizkid FC”) that the singer represents a modern incarnation of Fela Kuti, or even that he has “SURPASSED” the Afrobeat legend in global influence. Seun Kuti responded emphatically:

“Wizkid FC, keep Fela’s name out of your mouths. You try to claim that your fake artiste is the new Fela, It’s an insult to Fela to call Wizkid the new Fela.”

These words, incendiary as they are, underscore a deeper debate: What does it mean to carry a legacy? And can commercial success ever be equated with revolutionary cultural impact?

Fela Kuti: More Than Music — A Movement.
To understand why Seun’s outburst resonates with many cultural historians and music scholars, we must revisit the magnitude of Fela Anikulapo-Kuti’s contributions.

Fela was not just a musician; he was the founder of Afrobeat, a genre combining jazz, funk, highlife, traditional Yoruba rhythms, and potent political commentary. His compositions were long, hypnotic, socially charged, and unapologetically defiant — songs like Zombie, Expensive Shit, and Water No Get Enemy were soundtracks of resistance against military dictatorship, corruption, and social injustice in Nigeria.

More than that, Fela’s music became a social movement; inspiring consciousness, unity, and defiance. The late scholar and critic Robert Farris Thompson once noted that Afrobeat was “a creative revolution that fused music with social transformation,” something few genres in world history have achieved with such potency. This was not merely performance art and it was performance protest.

His life was a campaign against oppression, resulting in repeated arrests, the notorious military attack on his Kalakuta Republic commune, and relentless persecution and yet he persisted, turning every struggle into artistic fuel. This context is crucial: Fela’s legacy is not measured by chart positions; it is inscribed in the political memory of a nation.

Wizkid: A Global Star, But in a Different Arena.
There is no denying Wizkid’s achievements. Emerging from Ojuelegba to global prominence, Wizkid has performed on legendary stages, collaborated with international icons, and brought Nigerian music to unprecedented commercial heights. He is a brand, a cultural ambassador, and a global export of Nigerian artistry.

Yet, there is a critical distinction: Wizkid’s influence is predominantly commercial and cultural, not overtly political or revolutionary in the mould of Fela Kuti’s mission.

Many of Wizkid’s songs (energetic, melodic, and deeply appealing) serve celebration more than revolution. They resonate with love, lifestyle, and Afrocentric swagger, but do not directly confront the systemic failings or power structures that shaped Fela’s oeuvre. This is not a diminishment of Wizkid’s craft, but a categorical difference, not hierarchy.

Wizkid himself acknowledged this nuance years ago, stating in an interview that “You cannot compare me with Fela, Fela is an inspiration.” He emphasised respect for Fela’s influence without equating their artistic identities.

Why the Comparison Is Misguided; And Harmful.
Seun Kuti’s criticism points to several key issues:

1. Ignorance of Historical Context
Seun labelled the ongoing comparisons as stemming from a lack of understanding of Fela’s historical struggle. Fela’s work was deeply embedded in political activism — something modern pop stardom rarely demands of artists today.

2. Erasure of Cultural Complexity
Reducing Fela to a brand name for hype disregards the layers of resistance and African identity he championed. As cultural theorist Paul Gilroy once said: “The politics of music cannot be separated from the politics of power.” By flattening Fela into a buzzword, we lose that textured insight.

3. Fueling Toxic Fan Culture
Seun also pointed to how fan rivalries (particularly online) can stifle genuine artistic collaboration. He cautioned that comparing one artist to another in combative terms leads to division rather than celebration of diverse musical contributions.

4. Conflating Commercial Success with Revolutionary Impact
This is perhaps the most salient point: global streaming numbers and sold-out shows are not the same as challenging oppressive systems. Fela’s legacy is measured not just in acclaim, but in societal change. Online popularity cannot mirror that.

Voices from Scholars and Cultural Critics.
Renowned ethnomusicologist Dr. E. Taylor Atkins once argued that “Afrobeat was fundamentally an intellectual and political project before it was a musical genre.” It was a language of dissent. In contrast, modern Afrobeats (while sonically rich) thrives within global pop structures and commercial ecosystems, rather than outside them.

Similarly, music historian Ingrid Monson has observed that “legends are not born from applause alone; they are forged in resistance and resonance with the people’s struggles.” In this light, Fela becomes a figure not easily paralleled.

A Cultural Reckoning : Honour Without Diminishment.
The debate ignited by Seun Kuti is more than a social media sensation. It is a cultural reckoning and a reminder that Nigerian music history is rich, layered, and deserves nuanced appreciation.

This is not to say that Wizkid’s achievements are irrelevant. They are monumental in their own right. But to elevate a contemporary pop star into the lineage of a revolutionary icon without context is, as Seun Kuti correctly pointed out, a disservice to history, to artistry, and to cultural memory.

In the words of acclaimed philosopher Kwame Anthony Appiah: “A culture that forgets its foundations forfeits its future.” Let us celebrate Wizkid for what he has achieved, and honour Fela Kuti for what he fought for, without conflating the two into a false equivalence.

For genuine cultural growth, Nigerian music must embrace its past, honour its icons, and encourage artistic excellence across all fronts; commercial, cultural, and political.

Living Authentically, Leading with Purpose: Lindie Motswaeng

Lindie Motswaeng is a 28-year-old Mathematics and Economics graduate from one of Africa’s leading institutions, the University of Botswana. She is currently completing an Executive Secretary (Finance) qualification at Boston City Campus in Pretoria. A woman of depth and versatility, Lindie enjoys cooking, travelling, exploring new ideas, spending time with family, and commanding the stage. Outspoken, open-minded, and deeply curious, she lives by a simple yet powerful motto: to live life on her own terms, unconfined by limitations.

As an aspiring economist, Lindie is passionate about women’s economic empowerment, particularly for women facing abuse, and about raising awareness around mental health—an often-silenced issue in many communities. She envisions a future where individuals are free to thrive beyond cycles of abuse and mental health challenges. Recently crowned Miss Classic Queen International, she shares her journey, values, and vision for her reign.

Congratulations on your crowning. How does it feel to emerge as the new Miss Classic Queen International?

It honestly feels surreal. It is always amazing when your hard work and dedication are finally recognised. I truly believe this organisation is going to help me make a meaningful impact during my year of reign.

Can you take us back to the moment your name was announced as the winner? What went through your mind?

I was quite blank at first—I simply could not believe it in that moment. Shortly after, it turned into overwhelming joy, especially seeing people, including the other ladies, cheering me on. It was such a beautiful and affirming moment.

What does the title Miss Classic Queen International represent to you personally and culturally?

For me, it is about being an inspiration in my own authentic way. It is important to seek your own unique path. We are all different for a reason, and Classic Queen International embraces that diversity. More importantly, it highlights the beauty in our differences and uses them to open doors and create opportunities.

How has your journey in the pageant world shaped the woman you are today?

My pageant journey has taught me to appreciate my abilities and to use them responsibly to create change in my community. This is a role I believe every human being has. Most importantly, it has taught me the value of sisterhood. In every competition, you meet women from different walks of life who always have something to teach you. Although it is a competition, it is vital to remember that there is life after it. Someone you meet may become a destiny helper or a lifelong sister.

Beyond beauty and poise, what core values do you believe this crown stands for?

As beautiful as the crown is, it symbolises duty. With such a platform, it becomes possible to make an impact on a much larger scale. It is also important to remember that you do not always need a crown or title to do good or to champion a cause close to your heart. When you genuinely have a heart for people and a willingness to be a voice for others, the responsibilities of the crown do not feel heavy.

Many young women look up to you already. What message do you hope to pass on to girls who aspire to follow in your footsteps?

The journey is never easy. There will be moments of doubt and discouragement, but it is important to remember why you started. Having a teachable spirit is also key—you can learn incredible things when you are surrounded by different personalities. Lastly, comparison can be tempting in competitions, but it is important to focus on your strengths and work on your weaknesses. Authenticity is essential; real growth cannot happen if you are constantly pretending to be someone else.

What were some of the biggest challenges you faced during the competition, and how did you overcome them?

I became ill on the second day, which is not ideal when activities require high energy and full dedication. Fortunately, I was part of an organisation that truly cares about its contestants. They ensured I received proper medical care and were very understanding. Maintaining a positive mindset also helped, because everything starts in the mind.

Pageantry today goes beyond glamour. What social cause or humanitarian project are you most passionate about championing during your reign?

I plan to continue my Art for Awareness project, which I started in 2021. The project uses art as a medium of communication and a form of release for people facing mental health challenges. In our culture, people are often silenced when they try to speak about their struggles, which causes them to withdraw. Art is universal and not age-specific, making it a powerful tool for expression.

How do you plan to use your platform as Miss Classic Queen International to create meaningful global impact?

I hope to expand my cause to other parts of Africa. This brand represents the continent, and with that comes the opportunity to partner with other organisations for wider reach and influence.

In your view, how can pageantry contribute to empowering women and promoting positive change in society?

We sometimes become too fixated on popularity and physical beauty, losing sight of what pageantry is meant to achieve. Beauty goes beyond the physical and is subjective. Women should be allowed to represent themselves authentically, without a single definition of beauty. We should also focus on developing their attributes, as these ultimately benefit society. A pageant queen has a voice and a platform, which requires humility, courage, and empathy.

Who or what inspired you most on your journey?

The love and support from my family, friends, and my country carried me throughout this journey. It truly takes a village. I was intentional when I started this path, knowing there would be challenges. When you set your mind and heart on something you are deeply passionate about, you will achieve it.

How do you balance confidence and humility while carrying such a prestigious international title?

I was raised with the principle of Botho, a core value in my country that embraces kindness, dignity, respect, and humility. When I stand on stage, I understand that I represent not only myself, but also my family and my nation. My character must reflect that. While humility is important, I should never shrink myself. As Nelson Mandela said, playing small does not serve the world.

What role do culture, elegance, and tradition play in the Classic Queen brand?

African culture plays a vital role in shaping character. This platform celebrates Africanism by allowing women from different African countries to showcase their cultures and talents on a continental stage. It fosters cultural exchange, promotes unity, and deepens understanding. Embracing our diversity as Africans allows us to see beauty instead of division. I learned so much from the other ladies—it was inspiring to see glamour fused with Africanism.

What should the public expect from you during your reign as Miss Classic Queen International?

I hope we can work together in championing this cause, because collaboration is essential. While I hold the title, greater impact can be achieved when we unite. I am grateful to be part of an organisation that supports and guides me throughout my reign to ensure we create positive change.

Finally, where do you see yourself after your reign, and how do you hope to be remembered?

I hope to be remembered as proof that anything is possible when you set your mind to it. I want to leave a legacy that inspires the next queen to do even more with the platform. Ultimately, I hope to help build a strong and enduring Classic Queen International family that extends beyond my reign.