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YEYEMOLU; Olori #1, Ooni of Ile-Ife

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There has been tales and stories which one may have taken as mere hearsay or some myth about the so called Yeyemolu of Ile-Ife.

Today, I shall be TELLING about this mysterious and symbolic Yeyemolu, her personality and relationship with the Arole Oduduwa; Ooni Adeyeye Enitan Babatunde Ogunwusi, Ojaja II.

According to the number one citizen of Oduduwa race, Alase Orisa! His Imperial Majesty (H.I.M), Yeyemolu is the first wife of the first Oonirisa and she remains the first wife of subsequent Oonirisas including himself as the incumbent and subsequent kings that would reign thereafter. He stated that Yeyemolu was his first contact in the Palace having ascended the throne of his fore-fathers and he had performed such rights as would be expected of an Oonirisa to his beloved Olori on entering the palace.

H.I.M majesty further explains that, he holds conversation and deliberates with Yeyemolu on a daily basis as he would a wife. Together as couple they deliberate on his activities and decide on steps to be taken. The revered monarchs explained that Yeyemolu is a god-sent wife to the Oonirisa. Any other Olori in the Palace of the Ooni must accord Yeyemolu the expected respect and would have to a take cue from her otherwise; she would be an unwelcomed guest at the palace.

Yeyemolu is often celebrated in the month of April in Ile-Ife as a deity (messenger of God). The celebration is seen as the king’s prerogative owing to the fact that she is the revered wife that must be honoured. Although, she is now with Olodumare (God) and no longer physically visible in human to us but she has been immortalised in the form of living spring, that is a “well” right there in the palace. The water from this well is used in carrying out all water-required activity of the Oonirisa in the palace.  H.I.M claims that it is imperative to celebrate the legend Yeyemolu; she is “oro” that is, ‘a must-to-do sacrifice’.

 Kabiyesi gave us an insight as to the distinction between culture and religion when explaining the concept of oro. He said “oro” is obeisance to formal rights of the Yoruba people. For instance, it is mandatory for a properly raised Yoruba to pay homage to the elders by kneeling or prostrating when greeting them. Kabiyesi made it clear that, culture is distinct from religion; irrespective of one’s religion, it would be an abomination to disrespect an elder and this goes to show that culture cannot be undermined as it is the way by which people live. In like manner, it is important to celebrate Yeyemolu and other cultural festivals. H.I.M believes this cannot be far-fetched for the reason why the South-West people of Nigeria live in one accord; it owns to the fact that we respect our culture and appreciate our individual differences in terms of religion.

Kabiyesi reiterated that we must always endeavour to promote our culture as a people with beautiful heritage as this will in-turn benefit us as a nation in the area of tourism.

Another spectacular sight at the well is the fact that, Yeyemolu is uncovered and yet remains spotless clean when drawn. Kabiyesi stated that, it is the wish of Yeyemolu to be left open as she seeks to look unto God, the author and finisher of her faith. No wonder it is called “O to ro ro omi a le Ife. Ara yi to mu nibe ko wopo o….” this implies that, ‘Yeyemolu is such clean and supernatural water full of purity and without blemish. Those who drink from it are so few……….’ It is also referred to as the spring of absolute truth.

Yeyemolu was said to be a kind, loving and supportive wife to her husband but as fate would have it, she could not conceive and bring forth a child for her husband despite all effort. As a result, she insisted that her husband, the king should marry another woman who would bare him children. The then Oonirisa therefore, married a new wife who gave birth to a child. Everyone including Yeyemolu was delighted for the new addition to the family.

Shortly after the birth, Yeyemolu told the king that she was up to surprise the Ooni; the king laughed and indeed was expecting a nicely packaged surprise from Olori at the appointed time. Days later, Yeyemolu went missing in the palace; no one could tell about her disappearance. Whilst in search for Yeyemolu, an Emese (king’s helper) found a strange sight in the palace; a freshly dug well. He reported to the king who also sighted the well. That was a surprise for the king as well as a mystery, due to the fact that, he had not ordered a well to be dug.

Therefore, the king invited Babalawo (an Ifa priest) who in-turn sought the face of Orunmila by consulting the oracle regarding the circumstances. Orumila, the Orisa (diety) of wisdom, knowledge and divination, who understands the human form and purity as the premodial diety (orisa abalaye), ibikeji Olodumare (next to God in hierarchy) and the eleri ipin (witness of fate) vividly told Kabiyesi how the well had appeared on the spot. “Yeyemolu had turned herself into the living well.”

The Babalawo made it possible for the Ooni to see and have a conversation with her beloved Olori. Yeyemolu said, “It was her wish to continue her life as a well so she could be a blessing unto the king and others. She would always be there any time she is needed; she promised to support the king or whoever comes to ask her for a favour in good faith, she would remain a pillar of support forever.” All that need to be done is to speak to Yeyemolu and also drink from the well; all problems are considered resolved by Olodumare through the living deity, Yeyemolu.

Indeed, Yeyemolu seem compassionate but regardless, she is jealous. She could not stand the rivalry and act of sharing her man with another woman; hence the decision to let go of her home in the physical realm. This decision however, had left her in a vulnerable position. Countless rulers of Ile-Ife had pitched their tent in her bosom. The numbers of rulers from the first to second dynasty are innumerable to us but we know of the third dynasty of which she is in her 51st matrimony to my king, Alaka Omo Apaara! Otiti Arikilemi! Ooni Adeyeye Enitan Babatunde Ogunwusi. Kabiyesi oooooooo…………O yo omo loko lala sonu!

Gbemisola ‘Bisi-Taiwo.

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy By Alhaji Arems

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy By Alhaji Arems

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy

By Alhaji Arems

 

In the vibrant world of Fuji music, where the artistry of storytelling and cultural commentary thrive, Saheed Osupa has carved out a unique role as both an artist and an influencer of thought. Recently, his name has been lighting up social media discussions and generating significant buzz—not just because of his music but because of the depth of his words. Osupa’s trending status is rooted in his ability to subtly address pressing issues, particularly those surrounding the ongoing tension between fellow Fuji musicians Taye Currency and Pasuma Wonder.

 

 

Osupa’s recent contributions to this situation have not been straightforward; rather, he has adopted an artistic approach, using parables and proverbs—sometimes through complex storytelling—to impart wisdom. These nuanced messages, often hidden within his lyrics, resonate with fans who appreciate the clever way he brings age-old Yoruba wisdom into contemporary issues. One notable example involves a story about an animal (traditionally symbolizing patience and resilience) that many believe reflects Osupa’s thoughts on rivalry and pride. Through this parable, he seems to suggest the importance of self-reflection and restraint, especially in the heat of conflict.

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy

By Alhaji Arems

In a genre that values not only musicality but also the power of words, Osupa has long been seen as a master of *itan*, or storytelling. His recent songs echo the traditional Yoruba way of imparting wisdom through tales that serve as lessons. This is a skill that few artists have mastered, making his approach particularly impactful in today’s fast-paced digital world, where nuanced messages can often be overlooked.

Beyond the Taye Currency-Pasuma Wonder issue, Osupa’s trending status is also due to his reputation as a voice of reason and maturity in Fuji music. As a genre that is often vibrant and full of competitive spirit, Fuji has its share of rivalries. Yet, Osupa has often stood out by promoting unity and peaceful dialogue among Fuji artists. By sharing these reflective stories in his music, he adds layers of meaning that fans continue to unpack and discuss, drawing new audiences who appreciate both the artistry and wisdom behind his words.

The charm of Saheed Osupa lies in his timeless approach. In a world where trends are fleeting, he reminds fans of the importance of timeless values, urging reflection, humility, and understanding. As fans interpret and share his latest stories, Osupa’s message continues to resonate widely—proof that, in Fuji, the power of words can be as influential as the beat of the drum.

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

 

Mustapha Ololade Sholagbade, born on January 1, 1989, in Ebute Metta, Lagos, is an accomplished Nigerian actor, producer, and filmmaker with a deep passion for Yoruba cinema. Originally from Abeokuta, Ogun State, he is the first child in his family. Sholagbade began his education at Kadara Primary School and continued at Sojomen Talabi High School, Akute, and Nawairudeen Secondary School, Ebute Metta. He later earned an Ordinary Narional Diploma in Business Administration from the Lagos State Polytechnic. Pursuing his passion for acting, he trained at Odunfa Caucus, where he graduated in 2010.

Sholagbade launched his acting career in 2005, making a name for himself in Yoruba-language films. His portfolio includes roles in popular films like Olowo Ghetto, Alaimo, Ebun Mi, Esi, Gold and Treasure, Liam, Emilomo Babaolowo, Oko Aunty Mi, Broken Bond (Tude), and Last Born. In addition to acting, he has also produced several films, further cementing his influence in the industry.

Beyond the entertainment world, Sholagbade is a versatile professional with experience in railway engineering, IT support, and site management in the UK. He is also a farmer and general merchant, demonstrating his entrepreneurial spirit and diverse skill set.

Throughout his career, Sholagbade has collaborated with top figures in Yoruba cinema, such as Yinka Quadri, Taiwo “Ogogo” Hassan, Funke Akindele, Femi Adebayo, Odun Adekola, Oga Bello, Baba Wande, Jide Kosoko, Funsho Adeolu, Fathia William Balogun, Saidi Balogun, Wunmi Toriola, and Mide Martins.

Sholagbade’s hobbies include traveling, business, football, filmmaking, and meeting new people, reflecting his dynamic and outgoing personality.

Sholagbade’s talent and dedication to his craft have earned him numerous accolades, including: Best Actor Yoruba – BON Awards, 2024, Best Supporting Actor– Afro Nollywood Awards, UK, 2019, Best Supporting Actor– Heritage Awards, Atlanta, USA, Best Supporting Actor of the Year (Yoruba) – City People Movie Awards, Best New Actor of the Year (Yoruba) – City People Movie Awards.

With his achievements and versatility, Mustapha Ololade Sholagbade remains a notable force in the Nigerian film industry and a proud ambassador of Yoruba cinema worldwide.

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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Coalition Congratulates Oluyede on Appointment as Acting COAS

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Coalition Congratulates Oluyede on Appointment as Acting COAS

Coalition Congratulates Oluyede on Appointment as Acting COAS

 

The Coalition of Civil Society Groups against Terrorism in Nigeria has congratulated Major-General Olufemi Oluyede on his appointment as the acting Chief of Army Staff, (Ag COAS, Nigerian Army).

Coalition Congratulates Oluyede on Appointment as Acting COAS

The Convener of the Coalition, Comrade Oladimeji Odeyemi, in a statement, said General Oluyede has the responsibility to consolidate the success achieved by the Nigerian Army under General Taoreed Lagbaja.

President Bola Tinubu had on Wednesday, October 30, appointed Oluyede as acting COAS pending the return of the indisposed substantive Chief of Army Staff, General Taoreed Lagbaja.

The Coalition said his appointment is a welcome development. It said: “Major-General Olufemi Oluyede is well qualified for the position. He was a member of the 39th regular course and commissioned as an officer in 1987. Aged 56, he was promoted to the rank of Major-General in September 2020. A professional and top-notch security expert, he brings a lot of hope and inspiration to younger officers as acting chief of Army Staff.

“His appointment is the way to go. As the acting Chief of Army Staff, Oluyede has the responsibility to lead an army that will administratively manage the institution, consolidate on the success achieved by General Lagbaja and his team to mop up remnants of insurgents, bandits and the ragtag criminal elements in the North, and dismantle the ethnic militias in the Southeast to bring peace in the country.

“The 56-year-old Oluyede shares a long history with General Lagbaja, with a track record and excellent service to the nation. Both are members of the 39th Regular Course and were commissioned as officers in 1987.

“Oluyede’s meritorious career began as a Platoon commander and adjutant at 65 Battalion, advancing to Company commander at 177 Guards Battalion and later Staff Officer at the Guards Brigade and commandant of Amphibious Training School.

“Oluyede has been part of many notable operations, including the ECOMOG Mission in Liberia, Operation HARMONY IV in Bakassi, and Operation HADIN KAI in the Northeast, where he commanded the 27 Task Force Brigade.

“He has received honours, including the Corps Medal of Honour, and Grand Service Star, all recognition for passing the Staff Course and membership in the National Institute, and his dedication and achievements in service.”

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