celebrity radar - gossips
How Oluwo Of Iwo Was Jailed In The US By Tunde Odesola
Nestling aboard an incoming Delta Airline flight from Atlanta, Georgia on May 10, 2024, the window-seat view of the landscape and skyscape of Ikeja cityscape was gloomy. The giant American bird called Boeing glided through the clouds before swooping down intently like a hawk in hunt. There were no trees, no greenery in sight from my Skyview as Lagos spread out like a ghetto cast in concrete, iron, rubble and filth.
“Where are all the trees the Babatunde Fashola administration planted,” I asked myself. I answered myself, “Felled by the Godfather and his mafia who were happy to throw the baby out with the bathwater.” Like the Champions League is to Real Madrid, Lagos has become a political trophy belonging to the MD – Master Dribbler – who has dribbled his way to the Centre, and Nigeria now lies unconsciously at his feet.
The plane touched down around 10 a.m. Welcome to Nigeria! After about eight years, it felt good to be back home. A national anthem war would soon rage between ‘nationalists’ and ‘colonialists’, amid chants of ‘Arise, O Compatriots’ and shouts of ‘Nigeria, we hail thee’. The national anthem war was avoidable if leadership had a meaning in Nigeria. But leisurely, Captain Bourdillon draws hard on his cigar, steering the wheel of the sinking Nigerian ship back into slavery waters. The controversial descriptions of Nigeria as Fatherland and Motherland in the two national anthems show that Nigeria urgently needs a DNA test to confirm its legitimacy.
As passengers disgorged from the belly of the bird, I caught a whiff of the perennial Nigerian virus when a dirty-looking lady in mufti, whose wrinkled skin betrays bleaching cream overuse, held a ‘gentleman’ in suit by the hand, and led him from the back of the queue towards the front. Ironically, the queue was fast-moving.
I raised my voice in protest. “Una no even allow the plane land before una begin una madness! You, yeye man, you fit jump queue for US? You, (pointing at the ‘immigration’ woman), take that man back to the end of the queue from where you took him!”
I heard the yeye man tell the clutchy lady, ‘I told you it’s wrong, I don’t like causing a scene’ but the woman held his hand and led him on, all the same, prompting me to raise my voice louder, cussing and embarrassing them both.
An old man at my back in the queue said, “Young man, when last did you come to Nigeria?” I told him I didn’t understand his question. He continued, “Nigeria is not America. That’s the way we are here o.” I told him, “Every society needs eternal vigilance to oil the wheels of justice and fairness.” He shrugged, “Well, I agree.”
In no time, I was done with immigration and I landed at the carousel for my luggage. My luggage didn’t arrive on the plane: come tomorrow. Ok. No wahala. Tomorrow is a stone’s throw.
I hopped into a taxi. Portable omo Olalomi hopped in with me. The car stereo blared: “Ara adugbo (Zeh) /Tuntun ti de o (Zeh) /Zazoo (Zeh) /O po leti (Zeh) /O ye ke ti ma gbo (Zeh)… /Baddo sneh (Zeh) /Pepper sneh (Zeh) /Many many were wa n le (Zeh) /Ahh, repete (Zeh) /Unruly (Zeh) /Baddo Lee (Zeh) /Hacker (Zeh) /Ika (Zeh) /Te s’oju e (Zeh)… /Eje loju bi t’Abacha (Zeh) /Run’ju pa (Zeh) /Le’ju pa (Zeh) /Ma rerin (Zeh) /Kala (Zeh) /Daju (Zeh) /Hu wa ika (Zeh)… If you don’t understand these Yoruba lyrics, just imagine Adolf Hiler, ogres, members of Nigeria’s political class, together with Satan and his angels in a dark hall – you’ll understand the level of mercilessness Portable portrays in Zazoo.
‘Zazoo’ is the story of Nigeria’s degeneration. Though it has a multiplicity of meanings, a central theme of the song includes the glorification of internet fraud expressed in ‘Hacker’, ‘Kolu to n bo kaadi o’. It also praises extreme wickedness in the referenced stanza. Most of the song is street nonsense.
I smiled wryly. The taxi driver didn’t know why. He asked, “You too like Portable, sir?” I kept the plastic smile on and fetched my phone from my pocket. WhatsApp was my first port of call. I scrolled. A senior colleague had sent me news links. They were about the Oluwo of Iwo, Oba Abdulrasheed Adewale Akanbi.
The senior colleague wrote, “See what you caused.” I skimmed through the texts and thought he was talking about the Oluwo’s aso òkè, which was similar to the one I wore during my father’s burial on Friday, May 17, 2024, in Lagos. I replied, “I’m not royal, I’m a hunter,” asking if he was talking about the aso òkè. My relentless senior highlighted to me the links to a story on the Oluwo done by two British tabloids, The Sun, and The Mail on Sunday.
Both British newspapers called the Oluwo a thief, a misfit, 419 king, Yahoo kingpin, ‘Kolu to n bo kaadi’ and jailbird.
Metaphorically, the reports of the newspapers intone that lacking royalty, honesty, loyalty, pedigree and bíbí ire – a Yoruba word for honour – the life of Abdulrasheed Adewale Akanbi and his emergence as the Oluwo of Iwo was a plot in the drama of the absurd, where a felon grabbed a crown to desecrate a town.
Specifically, on its May 19, 2024 cover, The Mail on Sunday splashed the picture of Akanbi in a close-up handshake with the Duke of Sussex, Prince Harry. The handshake, however, went beyond the elbow when the newspaper befouled the picture with the headline, “Royal Exclusive: Harry and conman Nigerian king twice deported from US.”
The description of the Oluwo as a criminal is the view and product of investigation of the British media, not mine. In a three-part series, ‘Oluwo and the glorification of ignorance’, Tunde the son of Odesola, expressed his views about Oluwo Akanbi in 2022 when he described the conman as a con-king transmuting into a king-kong.
In its publication on May 19, 2024, THE SUN was extensively brutal. The headline of the paper’s story reads, “Dodgy Royal: Nigerian King who Harry called his ‘in-law’ is ‘CONMAN jailed and deported after trying to cash stolen £247k cheque’, with the rider, ‘The ‘Funky King’ (Oluwo) was jailed 15 months in 1998”.
Reporting the three-day visit of the 39-year-old Harry and his 42-year-old wife, Meghan, to Nigeria, THE SUN reveals Akanbi had been deported twice from the US and banned twice for life from entering the US.
THE SUN story reads, “But the Nigerian royal (Oluwo) is a convicted fraudster who was twice kicked out of America. He was allegedly first arrested in Boston in 1998 after he tried to cash a stolen cheque for £247,000 from aviation company Boeing.
“Akanbi posed as a successful businessman called Joseph Pigott but cops were alerted by a suspicious bank teller at BankBoston. The conman (Oluwo) was also charged for forging a cheque for £59,000 using the name Thomas Eyring. He was also reportedly jailed for 15 months and deported to Nigeria in April 1999.
“His £1,500 fine was waived ‘because of an inability to pay’. Despite being banned from re-entering the US, he was then said to have been caught attempting to cross the border in March 2011. Akanbi was with his then-wife Rakiya Saidu and young son and claimed they were going to New York to shop.
“Facing the prospect of a maximum prison sentence of 20 years and a £197,000 fine, Akanbi pleaded guilty. He was sentenced to time served, deported and banned from the US for life a second time.”
If Akanbi had been jailed for 20 years, Iwo would never have witnessed these years of the locust nor would this big calabash of shame hang on the community’s neck. Iwo would’ve remained famous for the honour earned by former Oluwos, including Oba Parin, Oba Lamuye, Oba Samuel Abimbola, and Oba Olatunbosun Tadase among others. The sacred name of Iwo wouldn’t have been stained with dishonour.
If you’re close to Iwo, you could’ve heard their sons and daughters eulogise the impregnable security of the land, saying “Iwo ti o ni ilekun, ti o ni kokoro; eru wewe ni iran baba won fi n de ile.”
O ye descendants of Iwo, is it a mistake that your forebears left the city gateless and keyless? O ye children of Iwo, is it not too late now that a virus has crept onto the throne? Where were the ‘eru wewe’ small slaves sentineled at the gate when Akanbi crept into town? Sé wón gbà’bòdè ni? Did they sabotage?
Then-Governor of Ondo State, Dr Olusegun Mimiko, stood up for integrity when he kicked out the Deji of Akure, Oba Oluwadare Adepoju, from the palace in 2010, for beating his wife, Olori Bolanle.
From Ife to Oyo, Lagos, Ijebu, Abeokuta, Ede, Owo, Benin, Warri, Sokoto, Kano, Bauchi, Gwandu etc, monarchs had been dethroned. Sadly, none of the deposed kings in Nigeria’s history parades the kind of criminal credentials as the Oluwo. Governor Adeleke, ICPC, EFCC, National Council of Traditional Rulers, Yoruba Council of Obas, Iwo kingmakers, Iwo people, over to you. Oluwo must go!
Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”.
By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com
Former President Goodluck Jonathan’s birthday visit to Gen. Ibrahim Badamasi Babangida (IBB) in Minna (where he hailed the octogenarian as a patriotic leader committed to national unity) was more than a courtesy call. It was a reminder of a peculiar constant in Nigerian politics: the steady pilgrimage of power-seekers, bridge-builders and crisis-managers to the Hilltop mansion. Jonathan’s own words captured it bluntly: IBB’s residence “is like a Mecca of sorts” because of the former military president’s enduring relevance and perceived nation-first posture.
Babangida turned 84 on 17 August 2025. That alone invites reflection on a career that has shaped Nigeria’s political architecture for four decades; admired by some for audacious statecraft, condemned by others for controversies that still shadow the republic. Born on 17 August 1941 in Minna, he ruled as military president from 1985 to 1993, presiding over transformative and turbulent chapters: the relocation of the national capital to Abuja in 1991; the creation of political institutions for a long, complex transition; economic liberalisation that cut both ways; and the fateful annulment of the 12 June 1993 election. Each of these choices helps explain why the Hilltop remains a magnet for Nigerians who need counsel, cover or calibration.
A house built on influence; why the visits never stop.
Let’s start with the obvious: access. Nigeria’s political class prizes proximity to the men and women who can open doors, soften opposition, broker peace and read the hidden currents. In that calculus, IBB’s network is unmatched. He cultivated a reputation for “political engineering,” the reason the press christened him “Maradona” (for deft dribbling through complexity) and “Evil Genius” (for the strategic cunning his critics decried). Whether one embraces or rejects those labels, they reflect a reality: Babangida is still the place where many politicians go to test ideas, seek endorsements or secure introductions. Even the mainstream press has described him as a consultant of sorts to desperate or ambitious politicians, an uncomfortable description that nevertheless underlines his gravitational pull.
Though it isn’t only political tact that draws visitors; it’s statecraft with lasting fingerprints. Moving the seat of government from Lagos to Abuja in December 1991 was not a cosmetic relocation, it re-centred the federation and signaled a symbolic neutrality in a country fractured by regional suspicion. Abuja’s founding logic (GEOGRAPHIC CENTRALITY and ETHNIC NEUTRALITY) continues to stabilise the national imagination. This is part of the reason many leaders, across party lines, still defer to IBB: he didn’t just rule; he rearranged the map of power.
Then there’s the regional dimension. Under his watch, Nigeria led the creation and deployment of ECOMOG in 1990 to staunch Liberia’s bloody civil war, a bold move that announced Abuja as a regional security anchor. The intervention was imperfect, contested and costly, but it helped define West Africa’s collective security posture and Nigeria’s leadership brand. When neighboring states now face crises, the memory of that precedent still echoes in diplomatic corridors and Babangida’s counsel retains currency among those who remember how decisions were made.
Jonathan’s praise and the unity argument.
Jonathan’s tribute (stressing Babangida’s non-sectional outlook and commitment to unity) goes to the heart of the Hilltop mystique. For a multi-ethnic federation straining under distrust, figures who can speak across divides are prized. Jonathan’s point wasn’t nostalgia; it was a live assessment of a man many still call when Nigeria’s seams fray. That’s why the parade to Minna continues: the anxious, the ambitious and the statesmanlike alike seek an elder who can convene rivals and cool temperatures.
The unresolved shadow: June 12 and the ethics of influence.
No honest appraisal can skip the hardest chapter: the annulment of the 12 June 1993 election (judged widely as free and fair) was a rupture that delegitimised the transition and scarred Nigeria’s democratic journey. Political scientist Larry Diamond has repeatedly identified June 12 as a prime example of how authoritarian reversals corrode democratic legitimacy and public trust. His larger warning (“few developments are more destructive to the legitimacy of new democracies than blatant and pervasive political corruption”) captures the moral crater that followed the annulment and the years of drift that ensued. Those wounds are part of the Babangida legacy too and they complicate the reverence that a steady stream of visitors displays.
Max Siollun, a leading historian of Nigeria’s military era, has observed (provocatively) that the military’s “greatest contribution” to democracy may have been to rule “long and badly enough” that Nigerians lost appetite for soldiers in power. It’s a stinging line, yet it helps explain the paradox of IBB’s status: the same system he personified taught Nigeria costly lessons that hardened its democratic reflexes. Today’s generation visits the Hilltop not to revive militarism but to harvest hard-won insights about managing a fragile federation.
What sustains the pilgrimage.
1) Institutional memory: Nigeria’s politics often suffers amnesia. Babangida offers a living archive of security crises navigated, regional diplomacy attempted, volatile markets tempered and power-sharing experiments designed. Whether one applauds or condemns specific choices, the muscle memory of governing a complex federation is rare and urgently sought.
2) Convening power: In a season of polarisation, the ability to sit warring factions in the same room is not small capital. Babangida’s imprimatur remains a safe invitation card few refuse it, fewer ignore it. That convening power explains why movements, parties and would-be presidents keep filing up the long driveway. Recent delegations have explicitly cast their courtesy calls in the language of unity, loyalty and patriotism ahead of pivotal elections.
3) Signals to the base: Visiting Minna telegraphs seriousness to party structures and funders. It says: “I have sought counsel where history meets experience.” In Nigeria’s coded political theatre, that signal still matters. Outlets have reported for years that many aspirants treat the Hilltop as an obligatory stop an unflattering reality, perhaps, but a revealing one.
4) The man and the myth: The mansion itself, with its opulence and aura, has become a set piece in Nigeria’s story of power, admired by some, resented by others, but always discussed. The myth feeds the pilgrimage; the pilgrimage feeds the myth.
The balance sheet at 84.
To treat Babangida solely as a sage is to forget the costs of his era; to treat him only as a villain is to ignore the architecture that still holds parts of Nigeria together. Abuja’s relocation stands as a stabilising bet that paid off. ECOMOG, for all its flaws, seeded a habit of regional responsibility. Conversely, June 12 remains a national cautionary tale about elite manipulation, civilian marginalisation and the brittleness of transitions managed from above. These are not contradictory truths; they are the double helix of Babangida’s place in Nigerian memory.
Jonathan’s homage tried to distill the better angel of IBB’s record: MENTORSHIP, BRIDGE-BUILDING and a POSTURE that (at least in his telling) RESISTS SECTIONAL ISM. “That is why today, his house is like a Mecca of sorts,” he said, praying that the GENERAL continues to “mentor the younger ones.” Whether one agrees with the full sentiment, it accurately describes the lived politics of Nigeria today: Minna remains a checkpoint on the road to relevance.
The scholar’s verdict and a citizen’s challenge.
If Diamond warns about legitimacy and Siollun warns about the perils of soldier-politics, what should Nigerians demand from the Hilltop effect? Three things.
First, use influence to open space, not close it. Counsel should tilt toward rules, institutions and credible elections not kingmaking for its own sake. The lesson of 1993 is that subverting a valid vote haunts a nation for decades.
Second, mentor for unity, but insist on accountability. Unity cannot be a euphemism for silence. A truly patriotic elder statesman sets a high bar for conduct and condemns the shortcuts that tempt new actors in old ways. Diamond’s admonition on corruption is not an abstraction; it’s a roadmap for rebuilding trust.
Third, convert nostalgia into institutional memory. If Babangida’s house is a classroom, then Nigeria should capture, publish and debate its lessons in the open: on peace operations (what worked, what failed), on capital relocation (how to plan at scale), and on transitions (how not to repeat 1993). Only then does the pilgrimage serve the republic rather than personalities.
At 84, Ibrahim Babangida remains a paradox that Nigeria cannot ignore: a man whose legacy straddles NATION-BUILDING and NATION-BRUISING, whose doors remain open to those seeking power and those seeking peace. Jonathan’s visit (and his striking “Mecca” metaphor) reveals a simple, stubborn fact: in a country still searching for steady hands, the Hilltop’s shadow is long. The task before Nigeria is to ensure that the shadow points toward a brighter constitutional daybreak, where influence is finally subordinated to institutions and where mentorship hardens into norms that no single mansion can monopolise. That is the only pilgrimage worth making.
Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK
Nigerian Juju music legend, Otunba Femi Fadipe, popularly known as FemoLancaster, is being celebrated today in London as he clocks 50 years of age.
Ambassador Olufemi Ajadi Oguntoyinbo, a frontline politician and businessman, led tributes to the Ilesa-born maestro, describing him as a timeless cultural icon whose artistry has enriched both Nigeria and the world.
“FemoLancaster is not just a musician, he is a legend,” Ambassador Ajadi said in his birthday message. “For decades, his classical Juju sound has remained a reminder of the beauty of Yoruba heritage. Today, as he turns 50, I celebrate a cultural ambassador whose music bridges generations and continents.”
While FemoLancaster is highly dominant in Oyo State and across the South-West, his craft has also taken him beyond Nigeria’s borders.
FemoLancaster’s illustrious career has seen him thrill audiences across Nigeria and beyond, with performances in the United Kingdom, Canada, United States of America, and other parts of the world. His dedication to Juju music has projected Yoruba traditional sounds to international stages, keeping alive the legacy of icons like King Sunny Ade and Chief Ebenezer Obey while infusing fresh energy for younger audiences
He further stressed the significance of honoring artistes who have remained faithful to indigenous music while taking it global. “In an era where modern sounds often overshadow tradition, FemoLancaster stands as a beacon of continuity and resilience. He has carried Yoruba Juju music into the global space with dignity, passion, and excellence,” he added.
The golden jubilee celebration in London has drawn fans, friends, and colleagues, who all describe FemoLancaster as a gifted artist whose contributions over decades have earned him a revered place in the pantheon of Nigerian music legends.
“As FemoLancaster marks this milestone,” Ajadi concluded, “I wish him many more years of good health, wisdom, and global recognition. May his music continue to echo across generations and continents.”
celebrity radar - gossips
Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
By Aderounmu Kazeem Lagos
Lagos, Nigeria — The gospel music scene is aglow today as the “Duchess of Gospel Music,” Esther Igbekele, marks another milestone in her life, celebrating her birthday on Saturday, August 16, 2025.
Known for her powerful voice, inspirational lyrics, and unwavering dedication to spreading the gospel through music, Esther Igbekele has become one of Nigeria’s most respected and beloved gospel artistes. Over the years, she has graced countless stages, released hit albums, and inspired audiences across the world with her uplifting songs.
Today’s celebration is expected to be a joyful blend of music, prayers, and heartfelt tributes from family, friends, fans, and fellow artistes. Sources close to the singer revealed that plans are in place for a special praise gathering in Lagos, where she will be joined by notable figures in the gospel industry, church leaders, and admirers from home and abroad.
Speaking ahead of the day, Igbekele expressed deep gratitude to God for His mercy and the opportunity to use her gift to touch lives. “Every birthday is a reminder of God’s faithfulness in my journey. I am thankful for life, for my fans, and for the privilege to keep ministering through music,” she said.
From her early beginnings in the Yoruba gospel music scene to her rise as a celebrated recording artiste with a unique fusion of contemporary and traditional sounds, Esther Igbekele’s career has been marked by consistency, excellence, and a strong message of hope.
As she adds another year today, her fans have flooded social media with messages of love, appreciation, and prayers — a testament to the profound impact she continues to make in the gospel music ministry.
For many, this birthday is not just a celebration of Esther Igbekele’s life, but also of the divine inspiration she brings to the Nigerian gospel music landscape.
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