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Megan Thee Stallion, Galloping Into Greatness

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Megan Thee Stallion, Galloping Into Greatness
On YouTube, you can still see one of Megan Thee Stallion’s early appearances at a 2016 rap cypher in Houston.  It’s a very telling performance. Twenty-one years old and still an unknown student (“Support the artists,” pleads the accompanying text, “this is only the beginning of their journey”) she’s vastly outnumbered by male counterparts who don’t seem to be taking her terribly seriously. It could be that they’re laughing and high-fiving while she performs because they’re incredulous at her skills, but it doesn’t really look that way. Yet she seems impossibly confident and self-possessed, ending her performance with the salacious, tongue-out taunt of “ahhh” that has since become her trademark. It isn’t just the benefit of hindsight that makes her seem the artist most likely to.  
Megan Thee Stallion, Galloping Into Greatness
Listening to her debut album four years on, it’s tempting to say that not much has changed. It drops with the same confidence you see in the video of her freestyling on that Houston rooftop. But then, why wouldn’t it? She ends 2020 on the cover of Time magazine, one of its 100 most influential people of the year. It caps off 12 months during which she has enjoyed viral ubiquity on TikTok thanks to a dance challenge based on her single Savage, which sold 3m copies in the US alone; been granted a temporary restraining order against her record label, which she claimed were preventing her from releasing the music she wanted to; created a vast storm – involving everyone from Republican congressional candidates to Russell Brand – with her Cardi B collaboration WAP,  none of which harmed the single’s record-breaking commercial success; delivered a speech about racism in the middle of a performance on Saturday night Live; and managed not merely to ride out the misogynistic online fallout from an incident in which she was shot, allegedly by a rapper Tory Lanez, but skillfully turn it into a conversation about the protection of black woman.  
Megan Thee Stallion, Galloping Into Greatness
 Good News therefore has something of the victory lap about it, but its contents also highlight something basic that’s occasionally been drowned out by the hubbub of controversy and social media chatter: she’s phenomenal at what she does. The internet is filled with memes in which grumpy middle-aged hip-hop fans bemoan the state of the art in recent years, but Megan Thee Stallion is a traditionally gifted rapper: her flow crisp and punchy, her lyrics teeming with sharp and funny lines – “invest in this pussy, boy – support black business”; “all them bitches scary cats, I call ’em Carole Baskin” – and shriveling put-downs. Whatever the outcome of the forthcoming court case over the shooting incident, the opening track, Shots Fired, dispenses its own kind of justice, ripping her (unnamed) assailant to bits along with their online supporters: “They hate me, but watch my videos beating’ their dicks.” She has a fantastic line in inviting male rappers to guest and then deftly undercutting them. “Tell her shake it, drop her friends off and take her pants off,” suggests Lil Durk on Movie. “Tell him spend it – you ain’t got no money, keep your hands off,” she counters. He responds by bragging about the cost of his jewellery. “I’m a boss,” she sniffs in response, “I could buy the same thing that my man bought.”
 
 
While there are pop-facing moments here, not least the slightly too toothsome Don’t Rock Me to Sleep, it’s an album that blithely ignores a lot of prevalent trends in hip-hop: it is 11 tracks in before anyone breaks out the AutoTune, and even then it’s guest star Popcaan. Instead, its USP involves setting its author up in a lineage of classic rap artists. You lose count of the musical references to hip-hop’s past. Shots Fired is based on Notorious BIG’s Who Shot Ya? While Girls in the Hood reworks Eazy-E’s Boyz-n-the-Hood. The production by Juicy J of Three 6 Mafia (favourites of Megan Thee Stallion’s late mother, who was also a rapper) on Freaky Girls is audibly rooted in early 90s G-funk, and the sound of Go Crazy contains a sweet nod to Naughty By Nature’s 1991 hit opp.
 Other samples appear pointed in their intent. The gorgeous electric piano motif on Outside comes from Something in My Heart by Michel’le, the R&B singer-songwriter who endured a Physically abusive relationship  with Dr Dre: among a variety of assaults, he once shot at her.

More often they serve to demonstrate that Megan Thee Stallion’s talents are a moveable feast – she sounds as at home snarling over the minimal 80s gangsta rap of Girls in the Hood as she does with Beyoncé’s voice weaving around hers on Savage Remix. And, of course, they imply that these artists are her forebears: in its own way, that’s as ballsy as SoundCloud rappers’ penchant for dismissing hip-hop history – but, as we’ve established, confidence isn’t really an issue for Megan Thee Stallion. Time will tell whether her implication is right. For the moment, Good News is more than good enough.

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Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

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Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV By Alhaji Arems (Baba Fuji)

Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

By Alhaji Arems (Baba Fuji)

The Nigerian music scene is mourning the loss of Afeez Adeshina Ayinde, popularly known as Destiny Boy, whose passing has left a deep sense of grief among family, friends, and fans. Though his life was brief, his story is one marked by determination, creativity, and a steady rise driven by passion rather than noise. Destiny Boy passed away on January 17, 2026, at the age of 22, cutting short a journey that many believed was only just beginning.

 

Early Life And Background :

Afeez Adeshina was born on june 24, 2003, into the Adeshina family of Odo Rori Compound, Ayetoro Yewa, Ogun State, Nigeria. He was the son of Mr. Adeshina Kamorudeen and Mrs. Saidat Adeshina, raised within a close-knit family environment that shaped his values and character.

 

From an early age, Afeez was known for his calm demeanor and respectful nature. Those who grew up around him often describe him as gentle, focused, and quietly ambitious. Music became an outlet through which he expressed himself, long before public recognition followed. What began as interest and experimentation gradually turned into purpose.

 

Music Career And Creative Journey :

Known professionally as Destiny Boy, Afeez carved out his place in music through persistence rather than spectacle. He was deeply passionate about his craft and committed to growth, often collaborating and featuring in songs and music videos across Nigeria and beyond.

 

While he may not have been the loudest voice in the room, Destiny Boy earned respect for his work ethic and humility. He approached music with seriousness, seeing it not just as entertainment but as a path to building something meaningful. Colleagues and collaborators consistently describe him as hardworking, disciplined, and eager to learn — traits that set him apart in an industry often defined by fast success and fleeting attention.

 

His presence in multiple projects across different platforms reflected a steady upward movement. For many young creatives, Destiny Boy represented the quiet grind: showing up, improving, and letting the work speak.

 

Family Life And Personal Milestones :

Beyond music, Afeez embraced responsibility early in life. He got married to Oluwatoyin Adeshina, and their union was blessed with a son, Adeshina Usman Obatide, born on November 12, 2024. Becoming a husband and father added new depth to his life, grounding him further and reshaping his priorities.

 

Those close to him speak of his devotion to family and his desire to build a stable future. Balancing personal life with creative ambition was not always easy, but Afeez carried these responsibilities with maturity well beyond his years.

 

His Passing :

The news of Destiny Boy’s death on January 17, 2026, came as a shock to many. At just 22 years old, his passing raised a collective sense of loss — not only for what he had achieved, but for the potential that remained unrealized.

 

While details surrounding his death have been kept private, the impact has been deeply felt across his immediate community and within creative circles. Tributes have highlighted not only his music but his character: kind-hearted, respectful, and sincere.

 

Burial Arrangements :

The Adeshina family has announced that Afeez Adeshina Ayinde (Destiny Boy) will be laid to rest on:

 

Friday, January 23, 2026 :

Time : 2:00 PM

Venue :  His father’s residence, Odo Rori Compound, Ayetoro Yewa, Ogun State

Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

By Alhaji Arems (Baba Fuji)

Family members, friends, colleagues, and well-wishers are expected to gather to pay their final respects and celebrate a life that, though short, left a meaningful imprint.

 

A Legacy Beyond Numbers :

Destiny Boy’s story is not one measured by chart positions or awards, but by consistency, humility, and quiet influence. He represented a generation of young Nigerian creatives navigating ambition, responsibility, and identity in real time.

 

In remembering Afeez Adeshina, many will recall a young man who showed up for his craft, valued his family, and treated people with respect. His journey serves as a reminder that impact is not always loud — sometimes, it is built patiently, one step at a time.

 

As he is laid to rest, his music, memories, and the lives he touched remain.

 

May his soul rest in perfect peace.

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Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

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Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

 

The Chairman-in-Council of the Benin Summit Group, Earl Osaro Onaiwu, has congratulated celebrated music stars Rema and Shallipopi for their outstanding achievements at the recently concluded AFRIMMA Awards, where they emerged as shining ambassadors of the Benin Kingdom on the global entertainment stage.
Rema, ( Divine Justice Ikubor) the internationally acclaimed Afrobeats sensation of Benin extraction, carted home three prestigious awards, while fast-rising artiste Shallipopi ( Crown Uzama) also clinched one award, marking a moment of pride not just for Edo State but for the entire Benin Kingdom.

In a statement issued by the Benin Summit Group, Osaro Onaiwu described their victories as a powerful demonstration of Benin excellence, creativity, and global relevance.

“I commend and congratulate Rema and Shallipopi for putting the Benin Kingdom firmly in the global space through their talent, hard work, and discipline. Their achievements are a source of pride to our people and an inspiration to our youths,” Onaiwu said.

He noted that the success of Benin sons in the global entertainment industry reinforces the importance of nurturing creativity and supporting young talents across music, film, fashion, and other creative arts.

“These accomplishments show what is possible when talent meets opportunity and determination. Benin land is rich in creativity, and the world is beginning to take notice,” he added.

Osaro Onaiwu further urged other Benin sons and daughters, particularly those in the creative and entertainment sectors, to remain focused and strive for excellence, emphasizing that global recognition comes through consistency, hard work, and commitment to craft.

“I urge others to strive harder to excel. Let the achievements of Rema and Shallipopi motivate the next generation to dream bigger, work harder, and represent Benin with dignity and pride wherever they find themselves,” he said.

He reaffirmed the commitment of the Benin Summit Group to promoting unity, culture, and development, including the creative arts, which he described as a powerful tool for projecting the Benin heritage and identity to the world.

According to Onaiwu, celebrating the successes of Benin sons and daughters across various fields remains central to the group’s mission of fostering unity, pride, and collective progress within the Benin Kingdom and the diaspora.

 

Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

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Why Everyone Is Talking About GICANA: The New Nigerian Drama Shaking YouTube

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Why Everyone Is Talking About GICANA: The New Nigerian Drama Shaking YouTube

 

A powerful new Nigerian drama, GICANA, has made its debut during the Yuletide season, sending a strong social message while keeping audiences glued to their screens. The film, now streaming on Mustapha Sholagbade Television (MSTV) on YouTube, explores the dangerous consequences of transacting one’s body for money, portraying it as a risky game with far-reaching emotional and moral implications.

 

Produced by Almatin Limited, GICANA is directed by the creative duo of Olayemi Adeodu and Ayanbode Simon. The directors bring depth and realism to the story, carefully unpacking themes of desperation, survival, greed, and the silent battles faced by individuals pushed to the edge by circumstance.

 

The movie, which was shot in Canada and Nigeria, boasts a rich ensemble of industry talents who delivered compelling performances, including Remi Surutu, Dotun Adebanjo, Mustapha Sholagbade, Bukola Kiitan, Temidayo (Starboy), Dare Melody, Jumoke Fadipe, Queen Blessing Ebigieson, Adejoke Adesokan, and several others. Their performances added emotional weight and authenticity to the storyline, making GICANA both engaging and thought-provoking.

 

Behind the scenes, the production quality of GICANA stands out. Cinematography was handled by Director Keny and Abiodun Bukola, while Mr Perfect served as script supervisor. Sound was recorded by Idrissound, with lighting by Tomcity. Makeup was expertly done by Ifeoluwa Adejumo, and Muhammed Hussein brought the film’s environments to life as set designer.

 

Released at a time traditionally associated with celebration and reflection, GICANA uses the Yuletide season to challenge viewers to think deeply about societal pressures and the hidden dangers of quick money. The film is already generating conversations online, with viewers praising its message, performances, and strong moral undertone.

 

With its timely release and compelling narrative, GICANA is more than just a movie, it is a cautionary tale and a must-watch drama for audiences seeking meaningful African storytelling this new year.

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