celebrity radar - gossips
Tommy Lasorda dies at 93
Sadly, growing more and more frail, Tommy Lasorda looked on from a suite at Globe Life Field in Texas, watching as the Los Angeles Dodgers clinched the World Series in Game 6 against the Tampa Bay Rays.
Surrounded by family and friends, Lasorda celebrated the team’s first championship in 32 years that October evening amid the coronavirus pandemic. While his mobility was slowed, his mind was still sharp.
Fittingly, it was the last game he ever attended.
“He always said he wanted 2 things, to live to be 100 and to see another championship brought to the city of LA,” Dodgers third baseman Justin Turner tweeted. “Although he fought like hell to hit triple digits, I couldn’t be more proud to know he got to see the Dodgers on top again, where he knew we belonged”
The Hall of Fame manager who was true blue to the Dodgers for more than seven decades died Thursday night after having a heart attack at his home in Fullerton, California, the team said Friday. Lasorda was 93. He had just returned home Tuesday after being hospitalized since Nov. 8 with heart issues.
Lasorda had been the oldest living baseball Hall of Famer — that distinction now belongs to Willie Mays, who turns 90 in May.
Flags at Dodger Stadium were being lowered to half-staff and Lasorda’s No. 2 was painted in the outfield. A jersey with his number hung in the dugout and fans showed up with flowers, candles and Dodgers memorabilia at the ballpark.
Lasorda had a history of heart problems, including a heart attack in 1996 that hastened the end of his managerial career and another in 2012 that required him to have a pacemaker.
“It feels appropriate that in his final months, he saw his beloved Dodgers win the World Series for the first time since his 1988 team,” commissioner Rob Manfred said.
Lasorda spent 71 years in the Dodgers organization, starting as a player when the team was still based in Brooklyn. He later coached and then became its best-known manager for 21 years in Los Angeles, leading the franchise to two World Series championships. After stepping down in 1996, he became an ambassador for the sport he loved.
Alternately fiery, comforting, profane and full of flair, Lasorda used to say, “I bleed Dodger blue.”
Lasorda was a master motivator among his players, always knowing just the right amount of confidence or candor required to induce stellar performances.
“He believed all that stuff that he said, he really did,” said former Dodgers second baseman Steve Sax, who played on both of Lasorda’s championship teams and was a five-time All-Star. “He really believed that you were better if you wore a Dodger uniform. He was all in. And because he believed it, we did, too.”
Lasorda served as special adviser to team owner and chairman Mark Walter for the last 14 years, and maintained a frequent presence at games sitting in Walter’s box.
“In a franchise that has celebrated such great legends of the game, no one who wore the uniform embodied the Dodger spirit as much as Tommy Lasorda,” said Stan Kasten, team president and CEO.
Lasorda compiled a 1,599-1,439 record as manager from 1977-96. He won World Series titles in 1981 and ’88, four National League pennants and eight division titles as the skipper.
Lasorda kept a bronze plaque on his desk reading: “Dodger Stadium was his address, but every ballpark was his home.″
He was elected to baseball’s Hall of Fame in 1997 as a manager. He guided the U.S. to a baseball gold medal at the 2000 Sydney Olympics.
Lasorda was the franchise’s longest-tenured active employee since Hall of Fame broadcaster Vin Scully retired in 2016 after 67 years.
“There are two things about Tommy I will always remember,” Scully said. “The first is his boundless enthusiasm. Tommy would get up in the morning full of beans and maintain that as long as he was with anybody else. The other was his determination. He was a fellow with limited ability and he pushed himself to be a very good Triple-A pitcher. He never quite had that something extra that makes a major leaguer, but it wasn’t because he didn’t try.”
As a pitcher, Lasorda had a limited career at the major league level, going 0-4 with a 6.48 ERA and 13
strikeouts from 1954-56.
He made only one start for the Dodgers — in 1955, the only year they won the crown while in Brooklyn, he threw three wild pitches against the Cardinals and was pulled after the first inning.
Overall, he pitched eight games for the Dodgers and compiled a 7.62 ERA.
Who would’ve ever guessed then that he would wind up meaning so much to the franchise?
Born Thomas Charles Lasorda on Sept. 22, 1927, in Norristown, Pennsylvania, his pro career began when he signed with the Philadelphia Phillies as an undrafted free agent in 1945. He missed the 1946 and ’47 seasons while serving in the Army.
Lasorda returned in 1948 and once struck out 25 in a 15-inning game. In his next two starts, he struck out 15 and 13, gaining the attention of the Dodgers, who drafted him from the Phillies. He played in Panama and Cuba before making his major league debut on Aug. 5, 1954, for the Brooklyn Dodgers. Although he didn’t play in the 1955 World Series, he won a ring as a member of the team.
Lasorda pitched for the Dodgers for two seasons but lost his roster spot when Brooklyn had to make room for another lefty — young Sandy Koufax.
The Kansas City Athletics bought Lasorda’s contract and was traded to the Yankees in during the 1956 season. Sent down to the Triple-A Denver Bears, he was sold back to the Dodgers in 1957.
Lasorda stayed on with the Dodgers as a scout after they released him in 1960. That was the beginning of a steady climb through the Dodgers’ system that culminated in his 1973 promotion to the big league staff under longtime Hall of Fame manager Walter Alston.
Lasorda spent four seasons as third base coach while considered to be the heir apparent to Alston, who retired in September 1976. Lasorda’s 21 years as manager was second-only to Alston.
Lasorda’s gregarious personality was in stark contrast to his restrained predecessor. He was known for his enthusiasm and outspoken opinions about players. He would jump around and pump his arms in the air after Dodgers victories and embrace players in the dugout after home runs or other good plays.
In L.A., Lasorda found many of the players he had managed in the minors, including Steve Garvey, Ron Cey, Davey Lopes, Bill Russell, Bobby Valentine and Bill Buckner.
As beloved as Lasorda was publicly, behind the scenes he was known for cussing a blue streak with reporters, rendering many of his quotes unusable.
Some of his most memorable rants live on via the internet, notably one from July 1982 involving Kurt Bevacqua of the San Diego Padres, who called Lasorda “that fat little Italian″ after Dodgers pitcher Tom Niedenfuer was fined $500 for beaning Joe Lefebvre, Bevacqua’s teammate.
Lasorda denied ordering Niedenfuer to hit Lefebvre while unleashing a series of F-bombs.
“If I ever did,″ Lasorda said, his voice rising, “I certainly wouldn’t make him throw at a (expletive) .130 hitter like Lefebvre or (expletive) Bevacqua who couldn’t hit water if he fell out of a (expletive) boat.″
In 1978, Dave Kingman of the Chicago Cubs hit three homers and drove in eight runs in a 10-7, extra-inning victory over the Dodgers and a reporter asked Lasorda what he thought of Kingman’s performance.
“I think it was (expletive) (expletive). Put that in,″ Lasorda said. “He beat us with three (expletive) home runs. How could you ask me a question like that?”
Or just read his lips in a clip where has Youppi!, the furry mascot of the old Montreal Expos, tossed from pranking around atop the Dodgers dugout at Olympic Stadium.
Lasorda was known for his friendship with Frank Sinatra and other Hollywood stars. Sinatra sang the national anthem on opening day of the 1977 season to mark Lasorda’s debut as manager. The faux-wood paneled walls of Lasorda’s office were crowded with black-and-white autographed photos of his celebrity friends, the framed glass stained by red sauce from the pasta served in large foil trays after games.
Lasorda’s appetite for winning and eating was equally voracious. His weight ballooned throughout his years as manager, and he explained, “When we won games, I’d eat to celebrate. And when we lost games, I’d eat to forget.″
Lasorda managed nine National League Rookie of the Year winners, including Fernando Valenzuela, Steve Sax, Steve Howe, Mike Piazza, Eric Karros and Hideo Nomo.
“You have to know who to pat on the back, when to pat him on the back, when you have to kick them in the butt and when you have to stroke them a little bit,” said Mike Scioscia, former Dodgers catcher and major league manager. “And Tommy had that gift, to know what players needed what.”
Lasorda managed in four All-Star games. He was serving as third base coach in the 2001 game when he tumbled backward while trying to avoid the shattered barrel of Vladimir Guerrero’s bat in a comical scene.
In 1998, Lasorda became interim general manager after Fred Claire was fired in the middle of the season. He resigned from that job after the season and was appointed senior vice president. After the team was sold in 2004 to Frank McCourt, Lasorda became special adviser to the chairman.
He is survived by Jo, his wife of 70 years. The couple lived in the same modest home in Fullerton for 68 years. They have a daughter Laura and a granddaughter Emily. The couple’s son, Tom Jr., died in 1991 of AIDS-related complications.
Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”.
By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com
Former President Goodluck Jonathan’s birthday visit to Gen. Ibrahim Badamasi Babangida (IBB) in Minna (where he hailed the octogenarian as a patriotic leader committed to national unity) was more than a courtesy call. It was a reminder of a peculiar constant in Nigerian politics: the steady pilgrimage of power-seekers, bridge-builders and crisis-managers to the Hilltop mansion. Jonathan’s own words captured it bluntly: IBB’s residence “is like a Mecca of sorts” because of the former military president’s enduring relevance and perceived nation-first posture.
Babangida turned 84 on 17 August 2025. That alone invites reflection on a career that has shaped Nigeria’s political architecture for four decades; admired by some for audacious statecraft, condemned by others for controversies that still shadow the republic. Born on 17 August 1941 in Minna, he ruled as military president from 1985 to 1993, presiding over transformative and turbulent chapters: the relocation of the national capital to Abuja in 1991; the creation of political institutions for a long, complex transition; economic liberalisation that cut both ways; and the fateful annulment of the 12 June 1993 election. Each of these choices helps explain why the Hilltop remains a magnet for Nigerians who need counsel, cover or calibration.
A house built on influence; why the visits never stop.
Let’s start with the obvious: access. Nigeria’s political class prizes proximity to the men and women who can open doors, soften opposition, broker peace and read the hidden currents. In that calculus, IBB’s network is unmatched. He cultivated a reputation for “political engineering,” the reason the press christened him “Maradona” (for deft dribbling through complexity) and “Evil Genius” (for the strategic cunning his critics decried). Whether one embraces or rejects those labels, they reflect a reality: Babangida is still the place where many politicians go to test ideas, seek endorsements or secure introductions. Even the mainstream press has described him as a consultant of sorts to desperate or ambitious politicians, an uncomfortable description that nevertheless underlines his gravitational pull.
Though it isn’t only political tact that draws visitors; it’s statecraft with lasting fingerprints. Moving the seat of government from Lagos to Abuja in December 1991 was not a cosmetic relocation, it re-centred the federation and signaled a symbolic neutrality in a country fractured by regional suspicion. Abuja’s founding logic (GEOGRAPHIC CENTRALITY and ETHNIC NEUTRALITY) continues to stabilise the national imagination. This is part of the reason many leaders, across party lines, still defer to IBB: he didn’t just rule; he rearranged the map of power.
Then there’s the regional dimension. Under his watch, Nigeria led the creation and deployment of ECOMOG in 1990 to staunch Liberia’s bloody civil war, a bold move that announced Abuja as a regional security anchor. The intervention was imperfect, contested and costly, but it helped define West Africa’s collective security posture and Nigeria’s leadership brand. When neighboring states now face crises, the memory of that precedent still echoes in diplomatic corridors and Babangida’s counsel retains currency among those who remember how decisions were made.
Jonathan’s praise and the unity argument.
Jonathan’s tribute (stressing Babangida’s non-sectional outlook and commitment to unity) goes to the heart of the Hilltop mystique. For a multi-ethnic federation straining under distrust, figures who can speak across divides are prized. Jonathan’s point wasn’t nostalgia; it was a live assessment of a man many still call when Nigeria’s seams fray. That’s why the parade to Minna continues: the anxious, the ambitious and the statesmanlike alike seek an elder who can convene rivals and cool temperatures.
The unresolved shadow: June 12 and the ethics of influence.
No honest appraisal can skip the hardest chapter: the annulment of the 12 June 1993 election (judged widely as free and fair) was a rupture that delegitimised the transition and scarred Nigeria’s democratic journey. Political scientist Larry Diamond has repeatedly identified June 12 as a prime example of how authoritarian reversals corrode democratic legitimacy and public trust. His larger warning (“few developments are more destructive to the legitimacy of new democracies than blatant and pervasive political corruption”) captures the moral crater that followed the annulment and the years of drift that ensued. Those wounds are part of the Babangida legacy too and they complicate the reverence that a steady stream of visitors displays.
Max Siollun, a leading historian of Nigeria’s military era, has observed (provocatively) that the military’s “greatest contribution” to democracy may have been to rule “long and badly enough” that Nigerians lost appetite for soldiers in power. It’s a stinging line, yet it helps explain the paradox of IBB’s status: the same system he personified taught Nigeria costly lessons that hardened its democratic reflexes. Today’s generation visits the Hilltop not to revive militarism but to harvest hard-won insights about managing a fragile federation.
What sustains the pilgrimage.
1) Institutional memory: Nigeria’s politics often suffers amnesia. Babangida offers a living archive of security crises navigated, regional diplomacy attempted, volatile markets tempered and power-sharing experiments designed. Whether one applauds or condemns specific choices, the muscle memory of governing a complex federation is rare and urgently sought.
2) Convening power: In a season of polarisation, the ability to sit warring factions in the same room is not small capital. Babangida’s imprimatur remains a safe invitation card few refuse it, fewer ignore it. That convening power explains why movements, parties and would-be presidents keep filing up the long driveway. Recent delegations have explicitly cast their courtesy calls in the language of unity, loyalty and patriotism ahead of pivotal elections.
3) Signals to the base: Visiting Minna telegraphs seriousness to party structures and funders. It says: “I have sought counsel where history meets experience.” In Nigeria’s coded political theatre, that signal still matters. Outlets have reported for years that many aspirants treat the Hilltop as an obligatory stop an unflattering reality, perhaps, but a revealing one.
4) The man and the myth: The mansion itself, with its opulence and aura, has become a set piece in Nigeria’s story of power, admired by some, resented by others, but always discussed. The myth feeds the pilgrimage; the pilgrimage feeds the myth.
The balance sheet at 84.
To treat Babangida solely as a sage is to forget the costs of his era; to treat him only as a villain is to ignore the architecture that still holds parts of Nigeria together. Abuja’s relocation stands as a stabilising bet that paid off. ECOMOG, for all its flaws, seeded a habit of regional responsibility. Conversely, June 12 remains a national cautionary tale about elite manipulation, civilian marginalisation and the brittleness of transitions managed from above. These are not contradictory truths; they are the double helix of Babangida’s place in Nigerian memory.
Jonathan’s homage tried to distill the better angel of IBB’s record: MENTORSHIP, BRIDGE-BUILDING and a POSTURE that (at least in his telling) RESISTS SECTIONAL ISM. “That is why today, his house is like a Mecca of sorts,” he said, praying that the GENERAL continues to “mentor the younger ones.” Whether one agrees with the full sentiment, it accurately describes the lived politics of Nigeria today: Minna remains a checkpoint on the road to relevance.
The scholar’s verdict and a citizen’s challenge.
If Diamond warns about legitimacy and Siollun warns about the perils of soldier-politics, what should Nigerians demand from the Hilltop effect? Three things.
First, use influence to open space, not close it. Counsel should tilt toward rules, institutions and credible elections not kingmaking for its own sake. The lesson of 1993 is that subverting a valid vote haunts a nation for decades.
Second, mentor for unity, but insist on accountability. Unity cannot be a euphemism for silence. A truly patriotic elder statesman sets a high bar for conduct and condemns the shortcuts that tempt new actors in old ways. Diamond’s admonition on corruption is not an abstraction; it’s a roadmap for rebuilding trust.
Third, convert nostalgia into institutional memory. If Babangida’s house is a classroom, then Nigeria should capture, publish and debate its lessons in the open: on peace operations (what worked, what failed), on capital relocation (how to plan at scale), and on transitions (how not to repeat 1993). Only then does the pilgrimage serve the republic rather than personalities.
At 84, Ibrahim Babangida remains a paradox that Nigeria cannot ignore: a man whose legacy straddles NATION-BUILDING and NATION-BRUISING, whose doors remain open to those seeking power and those seeking peace. Jonathan’s visit (and his striking “Mecca” metaphor) reveals a simple, stubborn fact: in a country still searching for steady hands, the Hilltop’s shadow is long. The task before Nigeria is to ensure that the shadow points toward a brighter constitutional daybreak, where influence is finally subordinated to institutions and where mentorship hardens into norms that no single mansion can monopolise. That is the only pilgrimage worth making.
Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK
Nigerian Juju music legend, Otunba Femi Fadipe, popularly known as FemoLancaster, is being celebrated today in London as he clocks 50 years of age.
Ambassador Olufemi Ajadi Oguntoyinbo, a frontline politician and businessman, led tributes to the Ilesa-born maestro, describing him as a timeless cultural icon whose artistry has enriched both Nigeria and the world.
“FemoLancaster is not just a musician, he is a legend,” Ambassador Ajadi said in his birthday message. “For decades, his classical Juju sound has remained a reminder of the beauty of Yoruba heritage. Today, as he turns 50, I celebrate a cultural ambassador whose music bridges generations and continents.”
While FemoLancaster is highly dominant in Oyo State and across the South-West, his craft has also taken him beyond Nigeria’s borders.
FemoLancaster’s illustrious career has seen him thrill audiences across Nigeria and beyond, with performances in the United Kingdom, Canada, United States of America, and other parts of the world. His dedication to Juju music has projected Yoruba traditional sounds to international stages, keeping alive the legacy of icons like King Sunny Ade and Chief Ebenezer Obey while infusing fresh energy for younger audiences
He further stressed the significance of honoring artistes who have remained faithful to indigenous music while taking it global. “In an era where modern sounds often overshadow tradition, FemoLancaster stands as a beacon of continuity and resilience. He has carried Yoruba Juju music into the global space with dignity, passion, and excellence,” he added.
The golden jubilee celebration in London has drawn fans, friends, and colleagues, who all describe FemoLancaster as a gifted artist whose contributions over decades have earned him a revered place in the pantheon of Nigerian music legends.
“As FemoLancaster marks this milestone,” Ajadi concluded, “I wish him many more years of good health, wisdom, and global recognition. May his music continue to echo across generations and continents.”
celebrity radar - gossips
Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
By Aderounmu Kazeem Lagos
Lagos, Nigeria — The gospel music scene is aglow today as the “Duchess of Gospel Music,” Esther Igbekele, marks another milestone in her life, celebrating her birthday on Saturday, August 16, 2025.
Known for her powerful voice, inspirational lyrics, and unwavering dedication to spreading the gospel through music, Esther Igbekele has become one of Nigeria’s most respected and beloved gospel artistes. Over the years, she has graced countless stages, released hit albums, and inspired audiences across the world with her uplifting songs.
Today’s celebration is expected to be a joyful blend of music, prayers, and heartfelt tributes from family, friends, fans, and fellow artistes. Sources close to the singer revealed that plans are in place for a special praise gathering in Lagos, where she will be joined by notable figures in the gospel industry, church leaders, and admirers from home and abroad.
Speaking ahead of the day, Igbekele expressed deep gratitude to God for His mercy and the opportunity to use her gift to touch lives. “Every birthday is a reminder of God’s faithfulness in my journey. I am thankful for life, for my fans, and for the privilege to keep ministering through music,” she said.
From her early beginnings in the Yoruba gospel music scene to her rise as a celebrated recording artiste with a unique fusion of contemporary and traditional sounds, Esther Igbekele’s career has been marked by consistency, excellence, and a strong message of hope.
As she adds another year today, her fans have flooded social media with messages of love, appreciation, and prayers — a testament to the profound impact she continues to make in the gospel music ministry.
For many, this birthday is not just a celebration of Esther Igbekele’s life, but also of the divine inspiration she brings to the Nigerian gospel music landscape.
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