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BETWEEN SAINT OBI’s MARRIAGE AND HIS DEATH

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BETWEEN SAINT OBI’s MARRIAGE AND HIS DEATH

SAINT OBI– His social life was blunted. Perhaps by his reticent disposition.His persona, two dimensional.  To a distant public, he was upscale and cool .
His manly bearing spoke loud. His onscreen image ironically amplified some idiosyncrasies ;  heroics, romantic adventures and traits that did not gel with the mortal  privacy that eerily define his quiet and lonely life.
Saint Obi, real name, Obinna Nwafor, was shy, almost bordering on timidity and insecurity. He cherished the pleasantly tranquil interractions among a few friends. He would vanish at any outburst that could upset the poise of such small meetings. As he repeatedly told me, he just wanted to live a cool, quiet and fulfilled life.
But, has he lived  this cool and fulfilled life he envisioned ? I have my doubts.
I tell Saint’s story here with painful tears in my eyes ; because he was a star, a super star whose life turned out a gleam of irony .
 Yet, it was this stardom that fetched him his much professed financially strong and powerful wife . And their wedding, that solemn ritual  of love would drastically alter the cause of his life and tragically yank him off the creative community that threw him up for the wife to capture and indeed conquer.
 Their marriage was at best a  dramatization of love. It was quick. He barely told us that he found a wife . Then, the marriage happened.  It was something of a mystique, only those involved understood the histrionics that played out .  None of us who were his closest pals, who walked with him through the crucible to the crest of his career in Nollywood, none of us was invited. The distance between us and the guy I admirably called Saint of the Storm had begun . This gulf would widen with each year. We saw him perhaps once in a year after this marriage.
  
And life actually seemed to have given him a fair shake of the dice. He dressed well, drove big cars and  even his skin, in literal lingo, spelt wellness.
The Saint would be blessed with three beautiful children. But not on one occasion were his friends in Nollywood invited for christening or birthday. We were told that his wife was of the topmost hierachy in telecom giant, MTN . But even if their celebrations were designed to be a rendezvous of the elites of the technocracies that his wife chiefly belonged, you expected that Saint would reach out to a few of his fellow creatives, for even if they would  herald his small beginnings , there could be no tinge of shame to it because we all have our journeys and our stories. And even at that, the actor or cineaste in Nollywood is by no means poor.
But more tragic is the fact that his marriage did not only take away Obinna from his friends, it took him away from Nollywood.  Saint stopped acting, absconded from his career and perhaps his calling.
It would seem prognostic now. Yes, because I recall leaving my house in Lagos Mainland for his massive office in Lekki, Victoria Island, Lagos. It was about six years ago. There, I demanded to know why my friend abandoned our industry. He told me with his usual shy expressions that he wanted to focus on some other businesses and also to work behind the camera. Because his visage was unconvincing to me, I told him in stark terms, that whatever his new vision and pursuits, he must not abandon the trade that made him who he was.
It took another three years for Saint to return to his homies. But when he did, some of the deeply disappointed ones sniggered behind him. This was because the simmering rumours of cracks in his marriage had hit home. And though secretive in his ways, he knew it was time to open up. And he did. ” I do not know why my wife’s sibblings see me as a gold digger. They confront me, harass and fight me in my own matrimony. And my wife did nothing to stop them. I work hard, I earn my money . I have never depended on my wife “, he lamented, eyes blurred with tears. You could tell he was in deep pain. By the next visit, the Saint returned with a deep cut from knife on his left eye. His wife’s brothers, he said , scaled the wall fence of their house to attack him. They were captured by hidden closed-circuit television,  CCTV, installed for surveillance and security, he revealed.
He reported them at the police station and subsequently acquired a gun to defend himself. This effectively marked the beginning of the end of his marriage and perhaps Saint Obi’s long walk to a sad end. He moved out of his marital home to a new house to begin the reconstruction of his destiny, alone without his wife and worse still without his three beautiful children.
Meanwhile, his wife went to the police to defend her sibblings using her financial power to manipulate the cause of justice, Saint stated unequivocally. The wife also sued for divorce, not in Lagos, but in Ogun state. As Saint put it, ” It was to make the journey difficult for me. But I will not bend neither will I break. I will fight with my last blood to take custody of my children. They love me and they know it will be hard for me to live without them.The divorce is not an issue. My marriage has long been over “, he said with a mix of courage and a quaky heart that betrayed his distress.
BETWEEN SAINT OBI's MARRIAGE AND HIS DEATH
About mid last year, however, Obinna took ill. But he told no one. He simply became scarce. He was in and out of hospital, we would later learn. He sold two of his three big SUVs to take proper care of his health and to acquire six camry cars he’d use for Uber. But his vanishing health continued unabated. He seemed to have a premonition of his own passing as he wept repeatedly about not seeing his children. He emaciated. Life took a grim picture. When I saw him by chance in January 2023, the dude called Saint looked 15 years older than his age. His macho cut had shrunk. His fat wallet was gone. What was left was only his fat will. His eyes seemed lost in their socket. This would be the last time I would see him.
Saint snuck out of Lagos to hang in with his sister in Jos. He told no one.
But a month ago, in April precisely,  the once delightful actor who brought joy to many a home broke his icy silence. He called our mutual friend in US to give him a devastating message. He was on a deathbed, he  said and wanted our friend to pray for him. ” It’s not looking good, pray, pray for me “, he appealed passionately. His next call came on  May 1, 2023. This time to his mentor, the man who made him a star with his productions,  Zeb Ejiro, OON.  He told him with a wavering voice that he had had three surgeries but was still in hospital in Jos. He    averred again that his situation was not looking good,  that he is also in a deep pain, distressed that he could not see his children. But still he begged him not to tell anyone about his ailment. Such was the life of this creative hermit, a lonely trouper.
I was the first to hear the news of his death late on Sunday, May 7. Having confirmed it, I called Zeb Ejiro . ” I have a very bad news my brother, Zeb “, I began. ” What is it, what is it, “, he asked anxiously.  “A big star has fallen in Nollywood “. Zeb broke down in tears. I hadn’t said who it was. But sobbing helplessly now, he said, ” Don’t tell me it is Saint Obi “.
Sadly,  he was right.
May his soul find peace.
 *Zik Zulu Okafor, veteran journalist, Nigeria Media Merit Award Winner and multiple award winning film maker wrote from Abuja.*

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Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”

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Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”. By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com

Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”.

By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com

 

Former President Goodluck Jonathan’s birthday visit to Gen. Ibrahim Badamasi Babangida (IBB) in Minna (where he hailed the octogenarian as a patriotic leader committed to national unity) was more than a courtesy call. It was a reminder of a peculiar constant in Nigerian politics: the steady pilgrimage of power-seekers, bridge-builders and crisis-managers to the Hilltop mansion. Jonathan’s own words captured it bluntly: IBB’s residence “is like a Mecca of sorts” because of the former military president’s enduring relevance and perceived nation-first posture.

Babangida turned 84 on 17 August 2025. That alone invites reflection on a career that has shaped Nigeria’s political architecture for four decades; admired by some for audacious statecraft, condemned by others for controversies that still shadow the republic. Born on 17 August 1941 in Minna, he ruled as military president from 1985 to 1993, presiding over transformative and turbulent chapters: the relocation of the national capital to Abuja in 1991; the creation of political institutions for a long, complex transition; economic liberalisation that cut both ways; and the fateful annulment of the 12 June 1993 election. Each of these choices helps explain why the Hilltop remains a magnet for Nigerians who need counsel, cover or calibration.

 

A house built on influence; why the visits never stop.

 


Let’s start with the obvious: access. Nigeria’s political class prizes proximity to the men and women who can open doors, soften opposition, broker peace and read the hidden currents. In that calculus, IBB’s network is unmatched. He cultivated a reputation for “political engineering,” the reason the press christened him “Maradona” (for deft dribbling through complexity) and “Evil Genius” (for the strategic cunning his critics decried). Whether one embraces or rejects those labels, they reflect a reality: Babangida is still the place where many politicians go to test ideas, seek endorsements or secure introductions. Even the mainstream press has described him as a consultant of sorts to desperate or ambitious politicians, an uncomfortable description that nevertheless underlines his gravitational pull.

Though it isn’t only political tact that draws visitors; it’s statecraft with lasting fingerprints. Moving the seat of government from Lagos to Abuja in December 1991 was not a cosmetic relocation, it re-centred the federation and signaled a symbolic neutrality in a country fractured by regional suspicion. Abuja’s founding logic (GEOGRAPHIC CENTRALITY and ETHNIC NEUTRALITY) continues to stabilise the national imagination. This is part of the reason many leaders, across party lines, still defer to IBB: he didn’t just rule; he rearranged the map of power.

 

Then there’s the regional dimension. Under his watch, Nigeria led the creation and deployment of ECOMOG in 1990 to staunch Liberia’s bloody civil war, a bold move that announced Abuja as a regional security anchor. The intervention was imperfect, contested and costly, but it helped define West Africa’s collective security posture and Nigeria’s leadership brand. When neighboring states now face crises, the memory of that precedent still echoes in diplomatic corridors and Babangida’s counsel retains currency among those who remember how decisions were made.

Jonathan’s praise and the unity argument.
Jonathan’s tribute (stressing Babangida’s non-sectional outlook and commitment to unity) goes to the heart of the Hilltop mystique. For a multi-ethnic federation straining under distrust, figures who can speak across divides are prized. Jonathan’s point wasn’t nostalgia; it was a live assessment of a man many still call when Nigeria’s seams fray. That’s why the parade to Minna continues: the anxious, the ambitious and the statesmanlike alike seek an elder who can convene rivals and cool temperatures.

The unresolved shadow: June 12 and the ethics of influence.


No honest appraisal can skip the hardest chapter: the annulment of the 12 June 1993 election (judged widely as free and fair) was a rupture that delegitimised the transition and scarred Nigeria’s democratic journey. Political scientist Larry Diamond has repeatedly identified June 12 as a prime example of how authoritarian reversals corrode democratic legitimacy and public trust. His larger warning (“few developments are more destructive to the legitimacy of new democracies than blatant and pervasive political corruption”) captures the moral crater that followed the annulment and the years of drift that ensued. Those wounds are part of the Babangida legacy too and they complicate the reverence that a steady stream of visitors displays.

Max Siollun, a leading historian of Nigeria’s military era, has observed (provocatively) that the military’s “greatest contribution” to democracy may have been to rule “long and badly enough” that Nigerians lost appetite for soldiers in power. It’s a stinging line, yet it helps explain the paradox of IBB’s status: the same system he personified taught Nigeria costly lessons that hardened its democratic reflexes. Today’s generation visits the Hilltop not to revive militarism but to harvest hard-won insights about managing a fragile federation.

What sustains the pilgrimage.
1) Institutional memory: Nigeria’s politics often suffers amnesia. Babangida offers a living archive of security crises navigated, regional diplomacy attempted, volatile markets tempered and power-sharing experiments designed. Whether one applauds or condemns specific choices, the muscle memory of governing a complex federation is rare and urgently sought.

2) Convening power: In a season of polarisation, the ability to sit warring factions in the same room is not small capital. Babangida’s imprimatur remains a safe invitation card few refuse it, fewer ignore it. That convening power explains why movements, parties and would-be presidents keep filing up the long driveway. Recent delegations have explicitly cast their courtesy calls in the language of unity, loyalty and patriotism ahead of pivotal elections.

3) Signals to the base: Visiting Minna telegraphs seriousness to party structures and funders. It says: “I have sought counsel where history meets experience.” In Nigeria’s coded political theatre, that signal still matters. Outlets have reported for years that many aspirants treat the Hilltop as an obligatory stop an unflattering reality, perhaps, but a revealing one.

4) The man and the myth: The mansion itself, with its opulence and aura, has become a set piece in Nigeria’s story of power, admired by some, resented by others, but always discussed. The myth feeds the pilgrimage; the pilgrimage feeds the myth.

The balance sheet at 84.
To treat Babangida solely as a sage is to forget the costs of his era; to treat him only as a villain is to ignore the architecture that still holds parts of Nigeria together. Abuja’s relocation stands as a stabilising bet that paid off. ECOMOG, for all its flaws, seeded a habit of regional responsibility. Conversely, June 12 remains a national cautionary tale about elite manipulation, civilian marginalisation and the brittleness of transitions managed from above. These are not contradictory truths; they are the double helix of Babangida’s place in Nigerian memory.

Jonathan’s homage tried to distill the better angel of IBB’s record: MENTORSHIP, BRIDGE-BUILDING and a POSTURE that (at least in his telling) RESISTS SECTIONAL ISM. “That is why today, his house is like a Mecca of sorts,” he said, praying that the GENERAL continues to “mentor the younger ones.” Whether one agrees with the full sentiment, it accurately describes the lived politics of Nigeria today: Minna remains a checkpoint on the road to relevance.

The scholar’s verdict and a citizen’s challenge.
If Diamond warns about legitimacy and Siollun warns about the perils of soldier-politics, what should Nigerians demand from the Hilltop effect? Three things.

First, use influence to open space, not close it. Counsel should tilt toward rules, institutions and credible elections not kingmaking for its own sake. The lesson of 1993 is that subverting a valid vote haunts a nation for decades.

Second, mentor for unity, but insist on accountability. Unity cannot be a euphemism for silence. A truly patriotic elder statesman sets a high bar for conduct and condemns the shortcuts that tempt new actors in old ways. Diamond’s admonition on corruption is not an abstraction; it’s a roadmap for rebuilding trust.

Third, convert nostalgia into institutional memory. If Babangida’s house is a classroom, then Nigeria should capture, publish and debate its lessons in the open: on peace operations (what worked, what failed), on capital relocation (how to plan at scale), and on transitions (how not to repeat 1993). Only then does the pilgrimage serve the republic rather than personalities.

At 84, Ibrahim Babangida remains a paradox that Nigeria cannot ignore: a man whose legacy straddles NATION-BUILDING and NATION-BRUISING, whose doors remain open to those seeking power and those seeking peace. Jonathan’s visit (and his striking “Mecca” metaphor) reveals a simple, stubborn fact: in a country still searching for steady hands, the Hilltop’s shadow is long. The task before Nigeria is to ensure that the shadow points toward a brighter constitutional daybreak, where influence is finally subordinated to institutions and where mentorship hardens into norms that no single mansion can monopolise. That is the only pilgrimage worth making.

 

Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”.
By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com

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Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK

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Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK

Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK

Nigerian Juju music legend, Otunba Femi Fadipe, popularly known as FemoLancaster, is being celebrated today in London as he clocks 50 years of age.

Ambassador Olufemi Ajadi Oguntoyinbo, a frontline politician and businessman, led tributes to the Ilesa-born maestro, describing him as a timeless cultural icon whose artistry has enriched both Nigeria and the world.

“FemoLancaster is not just a musician, he is a legend,” Ambassador Ajadi said in his birthday message. “For decades, his classical Juju sound has remained a reminder of the beauty of Yoruba heritage. Today, as he turns 50, I celebrate a cultural ambassador whose music bridges generations and continents.”

While FemoLancaster is highly dominant in Oyo State and across the South-West, his craft has also taken him beyond Nigeria’s borders.

FemoLancaster’s illustrious career has seen him thrill audiences across Nigeria and beyond, with performances in the United Kingdom, Canada, United States of America, and other parts of the world. His dedication to Juju music has projected Yoruba traditional sounds to international stages, keeping alive the legacy of icons like King Sunny Ade and Chief Ebenezer Obey while infusing fresh energy for younger audiences
He further stressed the significance of honoring artistes who have remained faithful to indigenous music while taking it global. “In an era where modern sounds often overshadow tradition, FemoLancaster stands as a beacon of continuity and resilience. He has carried Yoruba Juju music into the global space with dignity, passion, and excellence,” he added.

Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK
The golden jubilee celebration in London has drawn fans, friends, and colleagues, who all describe FemoLancaster as a gifted artist whose contributions over decades have earned him a revered place in the pantheon of Nigerian music legends.

“As FemoLancaster marks this milestone,” Ajadi concluded, “I wish him many more years of good health, wisdom, and global recognition. May his music continue to echo across generations and continents.”

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Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration

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Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration By Aderounmu Kazeem Lagos

Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration

By Aderounmu Kazeem Lagos

 

Lagos, Nigeria — The gospel music scene is aglow today as the “Duchess of Gospel Music,” Esther Igbekele, marks another milestone in her life, celebrating her birthday on Saturday, August 16, 2025.

Known for her powerful voice, inspirational lyrics, and unwavering dedication to spreading the gospel through music, Esther Igbekele has become one of Nigeria’s most respected and beloved gospel artistes. Over the years, she has graced countless stages, released hit albums, and inspired audiences across the world with her uplifting songs.

Today’s celebration is expected to be a joyful blend of music, prayers, and heartfelt tributes from family, friends, fans, and fellow artistes. Sources close to the singer revealed that plans are in place for a special praise gathering in Lagos, where she will be joined by notable figures in the gospel industry, church leaders, and admirers from home and abroad.

Speaking ahead of the day, Igbekele expressed deep gratitude to God for His mercy and the opportunity to use her gift to touch lives. “Every birthday is a reminder of God’s faithfulness in my journey. I am thankful for life, for my fans, and for the privilege to keep ministering through music,” she said.

Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
By Aderounmu Kazeem Lagos

From her early beginnings in the Yoruba gospel music scene to her rise as a celebrated recording artiste with a unique fusion of contemporary and traditional sounds, Esther Igbekele’s career has been marked by consistency, excellence, and a strong message of hope.

As she adds another year today, her fans have flooded social media with messages of love, appreciation, and prayers — a testament to the profound impact she continues to make in the gospel music ministry.

For many, this birthday is not just a celebration of Esther Igbekele’s life, but also of the divine inspiration she brings to the Nigerian gospel music landscape.

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