Entertainment
DBANJ GOES BANKRUPT
D’BANJ IN DEBT MESS
+ COURT SUMMONS PASTED ON LEKKI HOUSE
– STAFFERS DOWN TOOLS
Things have fallen apart for popular artiste Dapo Oyebanji widely known as D’banj. The Koko master’s empire is riddled with huge controversies that have stunted his status as the most successful singer in recent times.
Information at our disposal divulged that he has gone bankrupt. One of the pointers to this fact is that he is indebted to some of his once upon a time benefactors who are no longer swayed by his charisma and have decided to wash his dirty linens in the public.
It was reported that he might be sued for a bad debt of over $240,000. A technology company, Mindhub technologies headed by Henry Ojogho alleged that he owes them another N15million.
According to our source, effort to parry the fact by him was brushed aside by the latest development in his empire. Some of his staffers have called it quit. They claimed he could mo longer pay their salaries for months.

The last straw that broke the camel’s back was when theNET exclusively obtained copies of Writ of Summons pasted on his house at Osaro Isokpan Street in Lekki Phase 1 over a debt of N60million loan he got in January 2013.
“. All those thinking it was just a case of slander aimed at the Nigerian music superstar can now see the evidence in the matter. With the case filed in court with suit number: LD/ADR/445/14 with hearing expected to commence on Monday, January 26, 2015 at the Multi-door Courthouse in Obalende, Lagos with Justice Mrs Oyebanji as the presiding judge. Already, the writ of summons and other relevant documents in the suit have been posted on D’Banj’s residence on Osaro Isokpan Street in Lekki Phase 1. The pasting was done by the court bailiff on December 17, 2014 at about 1:35p.m, pursuant to order of court made on November 12, 2014 having been satisfied that the defendant was evading been served the notice. However with the on-going strike by the Judiciary Staff Union of Nigeria (JUSUN) which is over 2 weeks old now, the case may be adjourned if the strike is not called off before January 26, 2015, which is the hearing date”.
Insiders claimed the Eja Nla as D’banj is fondly refer to found himself in this mess due to his recless lifestyle and splashing huge money on women both home and abroad.
D’banj was born in Zaria, Kaduna State, Nigeria to a military officer who commanded an artillery regiment and a church dignitary mother who hailed from Shagamu in Ogun State. Due to his father’s profession he moved several times within Nigeria and later moved to England. D’banj was expected to follow his father’s military career and was enrolled to the Nigerian Military School at age eleven. However, D’banj resisted the system and disenrolled from the school after three years. While at the Military school he was a member of the elite drum corp of the Nigerian Army. From the Nigerian Military School he proceeded to another military owned institution Nigerian Navy Secondary School, Ibara, Abeokuta where he completed his secondary school education.
D’banj was introduced to the harmonica by his late older brother, Femi Oyebanjo, who died in a plane crash at age seventeen. With D’banj’s love for music being greater than his parents’ military aspirations, he struggled for his parents’ approval; this can be best heard through an album track, All Da Way from his debut album.
Following the death of his 17-year-old brother, D’banj arranged all his possessions on his bed after they were brought home and just picked up his harmonica. I’d play it to remember him.” Later, at university, he realized what his new skills with the instrument could bring him. “I’d go to the female hostel after lectures, and even if there was no electricity I could play there.” He remembers learning Celine Dion’s “My Heart Will Go On” after Titanic came out – “and that got me a lot of girls!”
Plans to continue his studies as a mechanical engineer in London were derailed when he arrived in the UK in 2001, and met Don Jazzy who was trying to make it as a songwriter and producer. D’Banj started hanging around the studio, making ends meet while working as a security guard. “It was OK, because I did nights,” he says, “so I could listen to music on my headphones.”
Don Jazzy told D’Banj he thought he was a star in the making, and sensing that the music scene in Nigeria was “blossoming”, the pair returned to Lagos in 2004. That same year came the single “Tongolo”; the video was paid for by D’Banj’s mother. His first endorsement was with an energy drink called Power Fist.
D’banj, as an artist of Mo’ Hits Records, is also a member of its collective group, Mo’ Hits Allstars (includes artists Dr SID, Wande Coal, KaySwitch, and D’Prince). He has once been spotted with one of Nigeria’s most talented singers, “Smile Lasisi”. The collective’s debut album, Curriculum Vitae, was released in December 2007. It included hit singles, “Be Close To You”, “Booty Call” and “Move Your Body”, which was the lead single. D’banj was featured in Ikechukwu’s 2008 hit, “Wind Am Well”.
July 2008 saw the release of D’banj’s third album, The Entertainer, with the singles “Gbono Feli Feli”, “Kimon”, “Olorun Maje” and “Entertainer”.[8]
In June 2011, D’banj was signed to Kanye West’s G.O.O.D Music record label as artiste. On 9 June 2011, D’banj wrote on his Twitter account, @iamdbanj, “Just like yesterday, myself and my brother did Tongolo. 7 years later, Mo’Hits signs with GOOD Music. Best Birthday gift ever. God thank you.”[9]
After several months of speculation and wild rumours, ace producer, Don Jazzy confirmed via his Twitter account the break-up of Mo’Hits. After the break-up, Don Jazzy, D’Prince, Dr SID, Wande Coal started Mavin Records while D’banj founded DB Records and as expected, he signed his younger brother Kayswitch to the label alongside two producers, Jaysleek and Deevee.
Entertainment
Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV
Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV
By Alhaji Arems (Baba Fuji)
The Nigerian music scene is mourning the loss of Afeez Adeshina Ayinde, popularly known as Destiny Boy, whose passing has left a deep sense of grief among family, friends, and fans. Though his life was brief, his story is one marked by determination, creativity, and a steady rise driven by passion rather than noise. Destiny Boy passed away on January 17, 2026, at the age of 22, cutting short a journey that many believed was only just beginning.
Early Life And Background :
Afeez Adeshina was born on june 24, 2003, into the Adeshina family of Odo Rori Compound, Ayetoro Yewa, Ogun State, Nigeria. He was the son of Mr. Adeshina Kamorudeen and Mrs. Saidat Adeshina, raised within a close-knit family environment that shaped his values and character.
From an early age, Afeez was known for his calm demeanor and respectful nature. Those who grew up around him often describe him as gentle, focused, and quietly ambitious. Music became an outlet through which he expressed himself, long before public recognition followed. What began as interest and experimentation gradually turned into purpose.
Music Career And Creative Journey :
Known professionally as Destiny Boy, Afeez carved out his place in music through persistence rather than spectacle. He was deeply passionate about his craft and committed to growth, often collaborating and featuring in songs and music videos across Nigeria and beyond.
While he may not have been the loudest voice in the room, Destiny Boy earned respect for his work ethic and humility. He approached music with seriousness, seeing it not just as entertainment but as a path to building something meaningful. Colleagues and collaborators consistently describe him as hardworking, disciplined, and eager to learn — traits that set him apart in an industry often defined by fast success and fleeting attention.
His presence in multiple projects across different platforms reflected a steady upward movement. For many young creatives, Destiny Boy represented the quiet grind: showing up, improving, and letting the work speak.
Family Life And Personal Milestones :
Beyond music, Afeez embraced responsibility early in life. He got married to Oluwatoyin Adeshina, and their union was blessed with a son, Adeshina Usman Obatide, born on November 12, 2024. Becoming a husband and father added new depth to his life, grounding him further and reshaping his priorities.
Those close to him speak of his devotion to family and his desire to build a stable future. Balancing personal life with creative ambition was not always easy, but Afeez carried these responsibilities with maturity well beyond his years.
His Passing :
The news of Destiny Boy’s death on January 17, 2026, came as a shock to many. At just 22 years old, his passing raised a collective sense of loss — not only for what he had achieved, but for the potential that remained unrealized.
While details surrounding his death have been kept private, the impact has been deeply felt across his immediate community and within creative circles. Tributes have highlighted not only his music but his character: kind-hearted, respectful, and sincere.
Burial Arrangements :
The Adeshina family has announced that Afeez Adeshina Ayinde (Destiny Boy) will be laid to rest on:
Friday, January 23, 2026 :
Time : 2:00 PM
Venue : His father’s residence, Odo Rori Compound, Ayetoro Yewa, Ogun State
Family members, friends, colleagues, and well-wishers are expected to gather to pay their final respects and celebrate a life that, though short, left a meaningful imprint.
A Legacy Beyond Numbers :
Destiny Boy’s story is not one measured by chart positions or awards, but by consistency, humility, and quiet influence. He represented a generation of young Nigerian creatives navigating ambition, responsibility, and identity in real time.
In remembering Afeez Adeshina, many will recall a young man who showed up for his craft, valued his family, and treated people with respect. His journey serves as a reminder that impact is not always loud — sometimes, it is built patiently, one step at a time.
As he is laid to rest, his music, memories, and the lives he touched remain.
May his soul rest in perfect peace.
Entertainment
Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards
Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards
The Chairman-in-Council of the Benin Summit Group, Earl Osaro Onaiwu, has congratulated celebrated music stars Rema and Shallipopi for their outstanding achievements at the recently concluded AFRIMMA Awards, where they emerged as shining ambassadors of the Benin Kingdom on the global entertainment stage.
Rema, ( Divine Justice Ikubor) the internationally acclaimed Afrobeats sensation of Benin extraction, carted home three prestigious awards, while fast-rising artiste Shallipopi ( Crown Uzama) also clinched one award, marking a moment of pride not just for Edo State but for the entire Benin Kingdom.
In a statement issued by the Benin Summit Group, Osaro Onaiwu described their victories as a powerful demonstration of Benin excellence, creativity, and global relevance.
“I commend and congratulate Rema and Shallipopi for putting the Benin Kingdom firmly in the global space through their talent, hard work, and discipline. Their achievements are a source of pride to our people and an inspiration to our youths,” Onaiwu said.
He noted that the success of Benin sons in the global entertainment industry reinforces the importance of nurturing creativity and supporting young talents across music, film, fashion, and other creative arts.
“These accomplishments show what is possible when talent meets opportunity and determination. Benin land is rich in creativity, and the world is beginning to take notice,” he added.
Osaro Onaiwu further urged other Benin sons and daughters, particularly those in the creative and entertainment sectors, to remain focused and strive for excellence, emphasizing that global recognition comes through consistency, hard work, and commitment to craft.
“I urge others to strive harder to excel. Let the achievements of Rema and Shallipopi motivate the next generation to dream bigger, work harder, and represent Benin with dignity and pride wherever they find themselves,” he said.
He reaffirmed the commitment of the Benin Summit Group to promoting unity, culture, and development, including the creative arts, which he described as a powerful tool for projecting the Benin heritage and identity to the world.
According to Onaiwu, celebrating the successes of Benin sons and daughters across various fields remains central to the group’s mission of fostering unity, pride, and collective progress within the Benin Kingdom and the diaspora.
Entertainment
Why Everyone Is Talking About GICANA: The New Nigerian Drama Shaking YouTube
Why Everyone Is Talking About GICANA: The New Nigerian Drama Shaking YouTube
A powerful new Nigerian drama, GICANA, has made its debut during the Yuletide season, sending a strong social message while keeping audiences glued to their screens. The film, now streaming on Mustapha Sholagbade Television (MSTV) on YouTube, explores the dangerous consequences of transacting one’s body for money, portraying it as a risky game with far-reaching emotional and moral implications.
Produced by Almatin Limited, GICANA is directed by the creative duo of Olayemi Adeodu and Ayanbode Simon. The directors bring depth and realism to the story, carefully unpacking themes of desperation, survival, greed, and the silent battles faced by individuals pushed to the edge by circumstance.
The movie, which was shot in Canada and Nigeria, boasts a rich ensemble of industry talents who delivered compelling performances, including Remi Surutu, Dotun Adebanjo, Mustapha Sholagbade, Bukola Kiitan, Temidayo (Starboy), Dare Melody, Jumoke Fadipe, Queen Blessing Ebigieson, Adejoke Adesokan, and several others. Their performances added emotional weight and authenticity to the storyline, making GICANA both engaging and thought-provoking.
Behind the scenes, the production quality of GICANA stands out. Cinematography was handled by Director Keny and Abiodun Bukola, while Mr Perfect served as script supervisor. Sound was recorded by Idrissound, with lighting by Tomcity. Makeup was expertly done by Ifeoluwa Adejumo, and Muhammed Hussein brought the film’s environments to life as set designer.
Released at a time traditionally associated with celebration and reflection, GICANA uses the Yuletide season to challenge viewers to think deeply about societal pressures and the hidden dangers of quick money. The film is already generating conversations online, with viewers praising its message, performances, and strong moral undertone.
With its timely release and compelling narrative, GICANA is more than just a movie, it is a cautionary tale and a must-watch drama for audiences seeking meaningful African storytelling this new year.
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