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Kakanfo my foot! (1&2)

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Just in case you have not heard of the latest hits in town then you are on a long thing, Gbera is the new hit loaded with lots of thriller produced by your one and only Baraka Fuji, Alhaji Alabi PASUMA featuring the young talent artist D'Dollar.

 

Tunde Odesola

(Published in 2017)

The Alaafin of Oyo, Oba Lamidi Adeyemi, to me, is the greatest Yoruba oba alive today. Greatest in terms of his intellectual capacity and his understanding of the responsibilities culture has placed on his divine shoulders.

 

 

Although the vault of the late Ooni of Ife, Oba Sijuwade Okunade, bespoke on riches untold, Alaafin’s unspeakable wealth lies in his unequalled understanding of the Yoruba’s resplendent history, mores and culture.

 

 

He exemplified his matchless repertoire of Yoruba history during the inauguration of the incumbent Timi of Ede, Oba Munirudeen Adesola Lawal, as the Laminisa I, in 2008. During the ceremony, which held in Ede, Ooni Okunade missed the point when he told the audience that the new Timi wasn’t the first from the Laminisa ruling house to be installed as Timi. This position wasn’t, of course, in tandem with the reality presented by the Laminisa ruling house on the occasion.

 

When it was the turn of the Alaafin to speak, he took the audience, which I was part of, down historical path, painting a vivid picture of how Ede was founded even as he traced, off the cuff, the names and dates of installation of all the Timis of Ede. A resounding applause greeted his great insight.

 

 

I have followed, at a distance, the life of the Alaafia. I know that the Iku Baba Yeye has not forgotten all he learnt about boxing, a sport he picked up as youth – watching the online video of his pugilistic skills that went viral a few years ago. The paramount ruler is also a world-acclaimed dancer and drummer.

 

 

Death pursued the Oodua Peoples Congress to my doorstep in Akure where I was a correspondent of PUNCH newspapers around 2000. It was Ogundamisi, Adam’s able lieutenant that lay ‘lifeless’ on the ground floor of the two-storey building that housed PUNCH newspapers’ outstation office at Adegbola Junction along the popular Oyemekun Road in Akure.

 

 

I had looked at the almost lifeless and bloodied man on the floor and taken him for a vagrant, sidestepping him unto the stairway en route to the topmost floor, where my office was. I think I saw one or two other OPC members on the ground floor, battered and tattered.

 

 

After I had worked for a while in the office on that particular Sunday morning, Ogundamisi, the bloodied man downstairs came knocking on my door. The sun ray must have woken him up. Being a Sunday, and for fear of attack, I always locked the iron burglarproof at the door.

 

 

When I heard the knock, I went to the door where I saw Ogundamisi, (I’ve forgotten his first name now), laboring to breathe. He introduced himself in impeccable English, and that got me to open the burglarproof for him.

 

 

 

He then related the story of how himself and Gani Adams in company with hundreds of OPC members – in a convoy of several vehicles – were attacked in Owo en route to Arigidi Akoko. Scores of OPC members were killed. The incident became the lead story of The PUNCH, the next day. The morgue of the Federal Medical Centre, Owo, could not take the dead as they were taken to other health facilities in the state.

 

 

Particularly, Ogundamisi was deeply worried about the safety of Adams. He said all the OPC members in the convoy fled in different directions during the night attack.

 

 

 

When PUNCH transferred me to Lagos in 2002, I followed the OPC in the media.
I should recall that during the actualization of the June 12 struggle, it was NADECO and not the OPC that mobilized the Yoruba, nay Nigerians, against military dictatorship headed by General Sani Abacha. It wasn’t the OPC.

 

 

 

Over the years, the OPC has grown from a money-for-security organization to becoming a monster in the South-West. A visit to police stations in any part of the South-West would reveal how mainly illiterate OPC members have been taking the law into their own hands, maiming and killing members of the society in the guise of providing security and settling dispute.
What is chivalrous in an organization that collects money and extorts to provide service? What is noble in an organization whose members are noted for raping, robbery, killing and ritualism?

 

 

 

Gani Adams, the headship of this the type of organisation has risen today to become the Aare Ona Kakanfo of the Yoruba.

 

 

When Nnamdi Kanu emerged as the new voice of Igbo leadership, I laughed and asked one of my friends, Joel Nwokeoma, ‘is this how low the Igbo nation has sunk’? Joel is having the last laugh now.

 

Let’s wait and see who the Hausa/Fulani would throw up.

I read someone saying that in ancient Oyo kingdom, the position of the Kakanfo is meant for miscreants. There is nothing father from the truth than this. In the old Oyo Empire of the 17th and 18th centuries, the Kakanfo was the head of the Eso, who were, according to Wikipedia, ‘70 junior war chiefs nominated by the Oyo Mesi and confirmed by the Alaafin. He later rose to become the supreme military commander and was required to live in a frontier province to keep an eye on the enemy, and to keep him from usurping the government. Forces inside metropolitan Oyo were commanded by the Bashorun, who is a leading member of the Oyo Mesi’.

 

 

 

Which war has Gani Adams fought on behalf of the Yoruba? I only remember Gani to have won for himself multi-billion pipeline contract from the clueless Goodluck Jonathan government. I also remember Gani Adams unleashed terror on Nigerians in Lagos when the OPC marched for Jonathan during the countdown to the 2015 presidential election.

The Alaafin got it wrong this time round!

-/-/-/-/-/-/-/-/-/

Kakanfo my foot! (2)

By Tunde Odesola

I heard their babble, those who bayed for my blood and canvassed support for the Aare Ona Kakanfo-designate, Gani Adams, on the basis of his relative young age and perceived accomplishments.

Spanish-American philosopher, essayist, poet and novelist, George Santayana, in a moment of elucidation on the primacy of history, reasoned, “Those who cannot remember the past are condemned to repeat it.” According to Samuel Johnson’s book, ‘The History of the Yoruba’, “In war, they (Kakanfo) carry no weapon but a baton known as the ‘king’s invincible staff.’”

Unmmhh? So, the Kakanfo carried no weapon? Why then the prattle about the need for a young, aggressive person to occupy the post?

In the not-too-distant past, after the colonial era, to be precise, the Yoruba have fought and won political battles in the Nigerian political space using their intellectual range of vision and not through bloodletting.

Historically, the Yoruba have never run away from a war. For them, it is not the acme of excellence or the celebration of the ‘Omoluabi’ ethos to uphold the ridiculous and the vile. Employing their international connections and links across the nation, the Yoruba, during the June 12 crisis, spearheaded the war against the smiling ‘agbako’ (gnome) and rogue general, chasing him to a faraway hilltop cove. They also stopped the dark-goggled dimwit, who wore the uniform of a general but had no balls to visit the South-West, from leaving the Ass-o-Rock, where he was holed in his dying days.

“Talo sope ao ni baba, kai, a ni baba!” goes a popular Yoruba chant. It means, “Who says we don’t have a leader; hold it!, we have a leader!” Yes, the Yoruba have qualified leaders who can be Aare Ona Kakanfo. They don’t necessarily need to be young, says the history book as they do not have to bear arms but must be steeped in ‘oogun abenugongo’ (juju).

If you’re looking for authentic babalawos, the Awise Agbaye, Prof Wande Abimbola; and the Araba of Osogbo, Chief Ifayemi Elebuibon, are time-tested. If you are looking for a war general, the Yoruba have a former Chief of Defence Staff, Lt.-Gen. Alani Akinrinade (retd.). The Yoruba also have the National Leader, All Progressives Congress, Asiwaju Bola Tinubu; Senior Advocate of Nigeria, Chief Afe Babalola; a former Ogun State governor, Aremo Olusegun Osoba; human rights activist, Chief Femi Falana (SAN), just to mention a few – who, by their antecedents, are much more qualified than the factional leader of the Oodua Peoples Congress, Adams – to be the next Kakanfo.

Because he is mischievous, I never know what to expect whenever my friend, Adeolu Adeyemo, calls. Last week, I picked his call and held my breath, “Deolu, bawo ni, (how are you)?” I greeted.

By the way, Adeyemo is the chief correspondent, New Telegraph newspaper in Osun State. He cleared his throat, “Jo, (please) Tunde, I need your reaction on the Aare Ona Kakanfo issue.” “Why my reaction, I asked,” suspecting he had something up his sleeve. “I used your WhatsApp reaction yesterday, and I was directed by my head office to get a more comprehensive reaction on the issue,” he said. “Oh, I see. You have to give me some time to put something down,” I said. Thus, the article, “Kakanfo my foot!” was birthed.

When I finished writing the piece, the man who has the most profound influence on my career as a journalist, Mr Adeyeye Joseph, a former Editor, The PUNCH, read it on Whatsapp, and said, “You must be ready for trouble after this is published.” The article caught fire on the social media as soon as it was published in The PUNCH of October 18, 2017, instantly setting the tone for discourse on the impropriety of Gani becoming the 15th Aare Ona Kakanfo of Yoruba land.

So, when I saw Kayode Ogundamisi, whose name I mentioned in the article, shooting from the hips – in reaction to the article a few hours after its publication, I smiled and remembered the warning of my mentor.

As soon as the day broke, a neighbour in my Agege suburb of Lagos State, Rosemary Ayenero, who now resides in the UK, woke me up with a call. “Boda Tunde, kilo se eyin ati Kayode Ogundamisi (what’s the matter between you and Kayode Ogundamisi)?” she asked agitated. “Kayode Ogundamisi,” I yawned, trying to shake off sleep. “Yes, Kayode said you lied against him; that he was never in Ondo State in 2000,” Rosemary stressed. “An almost lifeless man came to my office and said he was the secretary general of the OPC. He said he was the second-in-command to Gani Adams. At the time, the only secretary general of the OPC I knew was Kayode Ogundamisi; that was why I took him for Ogundamisi,” I said. “Ah, omo adugbo leyin mejeji o. (The two of you are from the same neighbourhood, you shouldn’t fight),” Rosemary advised. “You know me, would I cook up a lie against him,” I asked my neighbour. “But Kayode too doesn’t lie,” she said.

The die was cast. Who was in the wrong? It was me. But did I deliberately bring Ogundamisi into the story to malign him or make my story credible? No, because the story, without his name, remains very, very credible. But, would it be honourable to keep quiet in the face of Ogundamisi’s denial? No! Ogundamisi has the right to be angry, I apologize.

I went through the online reactions praising and condemning the article. Notably, most of the reactions condemning the write-up did not answer the eternal truths I raised. Gani must just be the next Kakanfo, whether or not Orunmila approves of it.

Mainly, those who condemned the article latched onto the denial by Ogundamisi, throwing out the baby, the bathwater and the mother. But the Kakanfo-in-waiting has not come out to deny that he fled when his convoy was attacked in 2000, in Ondo State. He has not denied that several members of the OPC on his entourage were killed in the attack.

Among the truths I raised in the article was the murderous and violent nature of the OPC led by Adams. I also pointed at the uncountable number of exploitation, rape, extortion cases by OPC members in various police stations and courts across the South-West. The article went on to underscore the fact that the OPC was not ‘securing’ our land for free. It was collecting money for the services rendered and thus, should not be seen in the light of Rotary or Lion clubs. I recalled that the OPC got a multi-billion naira contract from the Goodluck Jonathan administration to secure oil pipelines when Nigeria has a standing army, navy, air force, police, Department of State Services, Customs, Immigrations, etc. I noted that in order to show gratitude for the juicy contract, Adams led his OPC members on the rampage along the Ikorodu Road in Lagos, a few days to the 2015 presidential election.

In a telephone discussion on Monday, Professor of History and Fellow, Historical Society of Nigeria, Siyan Oyeweso, said the Kakanfo must be stubborn and courageous, traits he said Gani possesses to a hilt. He said Gani had grown from being a carpenter to acquiring higher education, stressing that the Yoruba need Gani to ward off the Hausa/Fulani herdsmen attacks and other such threats. In response, I told the scholar that the post is too big for Gani, who lacks the elocution and erudition to speak on behalf of an educated race such as the Yoruba.

We should allow King Ajagbo, whom Samuel Johnson said introduced the Kakanfo title, to rest on peacefully in his grave by installing a befitting candidate, please. ‘E je ka se bi won se nse, koba le ri bi o se nri’.

If the Yoruba need a chief ‘maiguard’, we know where to look.

Email:
[email protected]
Facebook: @tunde odesola
Twitter: @tunde_odesola

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy By Alhaji Arems

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy By Alhaji Arems

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy

By Alhaji Arems

 

In the vibrant world of Fuji music, where the artistry of storytelling and cultural commentary thrive, Saheed Osupa has carved out a unique role as both an artist and an influencer of thought. Recently, his name has been lighting up social media discussions and generating significant buzz—not just because of his music but because of the depth of his words. Osupa’s trending status is rooted in his ability to subtly address pressing issues, particularly those surrounding the ongoing tension between fellow Fuji musicians Taye Currency and Pasuma Wonder.

 

 

Osupa’s recent contributions to this situation have not been straightforward; rather, he has adopted an artistic approach, using parables and proverbs—sometimes through complex storytelling—to impart wisdom. These nuanced messages, often hidden within his lyrics, resonate with fans who appreciate the clever way he brings age-old Yoruba wisdom into contemporary issues. One notable example involves a story about an animal (traditionally symbolizing patience and resilience) that many believe reflects Osupa’s thoughts on rivalry and pride. Through this parable, he seems to suggest the importance of self-reflection and restraint, especially in the heat of conflict.

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy

By Alhaji Arems

In a genre that values not only musicality but also the power of words, Osupa has long been seen as a master of *itan*, or storytelling. His recent songs echo the traditional Yoruba way of imparting wisdom through tales that serve as lessons. This is a skill that few artists have mastered, making his approach particularly impactful in today’s fast-paced digital world, where nuanced messages can often be overlooked.

Beyond the Taye Currency-Pasuma Wonder issue, Osupa’s trending status is also due to his reputation as a voice of reason and maturity in Fuji music. As a genre that is often vibrant and full of competitive spirit, Fuji has its share of rivalries. Yet, Osupa has often stood out by promoting unity and peaceful dialogue among Fuji artists. By sharing these reflective stories in his music, he adds layers of meaning that fans continue to unpack and discuss, drawing new audiences who appreciate both the artistry and wisdom behind his words.

The charm of Saheed Osupa lies in his timeless approach. In a world where trends are fleeting, he reminds fans of the importance of timeless values, urging reflection, humility, and understanding. As fans interpret and share his latest stories, Osupa’s message continues to resonate widely—proof that, in Fuji, the power of words can be as influential as the beat of the drum.

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

 

Mustapha Ololade Sholagbade, born on January 1, 1989, in Ebute Metta, Lagos, is an accomplished Nigerian actor, producer, and filmmaker with a deep passion for Yoruba cinema. Originally from Abeokuta, Ogun State, he is the first child in his family. Sholagbade began his education at Kadara Primary School and continued at Sojomen Talabi High School, Akute, and Nawairudeen Secondary School, Ebute Metta. He later earned an Ordinary Narional Diploma in Business Administration from the Lagos State Polytechnic. Pursuing his passion for acting, he trained at Odunfa Caucus, where he graduated in 2010.

Sholagbade launched his acting career in 2005, making a name for himself in Yoruba-language films. His portfolio includes roles in popular films like Olowo Ghetto, Alaimo, Ebun Mi, Esi, Gold and Treasure, Liam, Emilomo Babaolowo, Oko Aunty Mi, Broken Bond (Tude), and Last Born. In addition to acting, he has also produced several films, further cementing his influence in the industry.

Beyond the entertainment world, Sholagbade is a versatile professional with experience in railway engineering, IT support, and site management in the UK. He is also a farmer and general merchant, demonstrating his entrepreneurial spirit and diverse skill set.

Throughout his career, Sholagbade has collaborated with top figures in Yoruba cinema, such as Yinka Quadri, Taiwo “Ogogo” Hassan, Funke Akindele, Femi Adebayo, Odun Adekola, Oga Bello, Baba Wande, Jide Kosoko, Funsho Adeolu, Fathia William Balogun, Saidi Balogun, Wunmi Toriola, and Mide Martins.

Sholagbade’s hobbies include traveling, business, football, filmmaking, and meeting new people, reflecting his dynamic and outgoing personality.

Sholagbade’s talent and dedication to his craft have earned him numerous accolades, including: Best Actor Yoruba – BON Awards, 2024, Best Supporting Actor– Afro Nollywood Awards, UK, 2019, Best Supporting Actor– Heritage Awards, Atlanta, USA, Best Supporting Actor of the Year (Yoruba) – City People Movie Awards, Best New Actor of the Year (Yoruba) – City People Movie Awards.

With his achievements and versatility, Mustapha Ololade Sholagbade remains a notable force in the Nigerian film industry and a proud ambassador of Yoruba cinema worldwide.

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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Coalition Congratulates Oluyede on Appointment as Acting COAS

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Coalition Congratulates Oluyede on Appointment as Acting COAS

Coalition Congratulates Oluyede on Appointment as Acting COAS

 

The Coalition of Civil Society Groups against Terrorism in Nigeria has congratulated Major-General Olufemi Oluyede on his appointment as the acting Chief of Army Staff, (Ag COAS, Nigerian Army).

Coalition Congratulates Oluyede on Appointment as Acting COAS

The Convener of the Coalition, Comrade Oladimeji Odeyemi, in a statement, said General Oluyede has the responsibility to consolidate the success achieved by the Nigerian Army under General Taoreed Lagbaja.

President Bola Tinubu had on Wednesday, October 30, appointed Oluyede as acting COAS pending the return of the indisposed substantive Chief of Army Staff, General Taoreed Lagbaja.

The Coalition said his appointment is a welcome development. It said: “Major-General Olufemi Oluyede is well qualified for the position. He was a member of the 39th regular course and commissioned as an officer in 1987. Aged 56, he was promoted to the rank of Major-General in September 2020. A professional and top-notch security expert, he brings a lot of hope and inspiration to younger officers as acting chief of Army Staff.

“His appointment is the way to go. As the acting Chief of Army Staff, Oluyede has the responsibility to lead an army that will administratively manage the institution, consolidate on the success achieved by General Lagbaja and his team to mop up remnants of insurgents, bandits and the ragtag criminal elements in the North, and dismantle the ethnic militias in the Southeast to bring peace in the country.

“The 56-year-old Oluyede shares a long history with General Lagbaja, with a track record and excellent service to the nation. Both are members of the 39th Regular Course and were commissioned as officers in 1987.

“Oluyede’s meritorious career began as a Platoon commander and adjutant at 65 Battalion, advancing to Company commander at 177 Guards Battalion and later Staff Officer at the Guards Brigade and commandant of Amphibious Training School.

“Oluyede has been part of many notable operations, including the ECOMOG Mission in Liberia, Operation HARMONY IV in Bakassi, and Operation HADIN KAI in the Northeast, where he commanded the 27 Task Force Brigade.

“He has received honours, including the Corps Medal of Honour, and Grand Service Star, all recognition for passing the Staff Course and membership in the National Institute, and his dedication and achievements in service.”

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