As Nigeria commemorates its 60th Independence anniversary, Gospel singer, IYES DAN has called on the President Muhammad Buhari led Federal Government to review its policies holistically as many average Nigerians are yet to feel the impact of good governance.
The Port Harcourt based young musician, said though the government will as usual brandish figures in bogus speeches, the occasion indeed calls for a sober reflection as the nation is yet to actualise its potentials due to ineffective policies and implementations.
IYES DAN said: “Fellow Nigerians, on this day that we mark the anniversary of our country’s independence from the colonial forces, I dare to address you at this exact time as our supposed servants, who obviously are now too powerful to be spoken to or questioned, will be addressing you in an attempt to whitewash their failures.
“The government will come up with numbers, name projects, celebrate intentions & plans, brandish billions of dollars & Naira claiming these as their account of stewardship to our nation.
He lamented that Nigeria is “A nation that is suffering. A nation where every iota of civilization is gradually eroding. A nation where citizens provide all they need… Water, electricity, security, Roads in some cases, and all the basic essentials that are basic responsibilities of a government. Let’s pause and talk about the sad realities of the average NIGERIAN who is struck with any terminal ailment. We end up raising funds for them to get surgery. Whereas, some people reportedly travels to treat neck pain.”
In a rhetorical mode, IYES DAN asked, ” In 2015, how much was a bag of rice? Why was the unemployment rate then? What were you earning?
“Now let’s compare those with the prices of same commodities right now? Needless to ask what the unemployment rate is. How about we ask hat the salaries are right now. Everything tells us that as a nation we’re worse than we were, with no end in sight.
The big question, just like Wande coal asked in his ever green song, Se Na like this we go dey dey?
Unfortunately, the answer is obvious except we stop practicing the true definition of insanity.
Which is, doing the same thing over & over again, while expectation growth a different result.
Charging the nation to wake up from its slumber, he quipped: “Fellow Nigerians, when are we going to rise up?
When will we truly make our country great?
When are we going to drop the selfishness that has destroyed us thus far?
When are we going to rise to ensure that we hold our leaders accountable?
From north to south, east to west… no one is left out of the pains of the failures of government.
The cry for better governance should not be viewed from the spectacles of ethnicity, after all, the north I can say has been most hit by the deliberate, selfish & personal gratification of the unproductive retention of the security chiefs who head our obviously failed security architecture.
If a leader has failed us, let us with 1 voice speak. In my personal opinion, the president & the current administration has failed our nation woefully in The areas of Economy & Security.
May be a few strides in Agriculture, but the price of commodities you will agree has taken the shine off that.
Fellow Nigerians, one more time, I, IYES DAN ask that we rise to the responsibilities of holding our Servants accountable.
“May I address these servants particularly, with the prefix ‘servants’ as against the obviously mediocre cliche “excellency” Let us make our country great!
IYES DAN is a talented radio personality and gospel/christian singer with his track ” I Love You” on Apple iTunes, BoomPlay and Amazon.
As a film student, my evaluation of Seven Doors, the Netflix mini-series produced and directed by Femi Adebayo and others, may differ from the general audience’s. While the audience is integral to the film’s meaning, my academic perspective allows me to appreciate the cinematic craftsmanship that underlies the narrative.
Unarguably, in the same way that auteur theory highlights the director’s creative vision and Schreiber theory emphasises the screenwriter’s role, mise-en-scène theory underscores the art director/production designer’s contributions to the film’s visual language.
The art director/production designer plays a crucial role in creating the mise-en-scène, encompassing settings and props, costumes, facial and body expressions, lighting and colour, and character positioning within the frame. Therefore, the art director of Seven Doors, Olatunji Afolayan deserves a special recognition for designing visual elements that evoke nostalgia and cultural memory.
That you may know, the vintage chinawares and floral metal bowls in Seven Doors are props and carefully designed elements that contribute to the film’s visual composition and spatial relationships. The mural and sculptural designs are creatively etched on the walls and plotted to depict the period piece seamlessly. The choice of architectural designs (constructed or adapted) is a brainchild of the art director’s attention to detail when selecting these props, which helps create a sense of realism and authenticity.
An art director is said to be a “master of visual storytelling, a weaver of worlds, and a conductor of the cinematic orchestra.” The look, feel, mood, and colour pallets that connect all the departments are designed by an expert—the art director. Olatunji Afolayan’s technical depth and prowess are the apparent signature of Seven Doors. Without Afolayan’s ‘dirtied hands’, Seven Doors would remain bald and bland.
In conclusion, the art director/production designer is an essential member of the filmmaking team, and their contributions to the mise-en-scène deserve recognition. Olatunji Afolayan’s work in Seven Doors is a testament to the importance of the art director/production designer in creating a visually stunning and engaging film.
Undoubtedly, Olatunji Afolayan is the god of mise en scene in Seven Doors.
Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush
The mother of Nigerian Afrobeat sensation Ayra Starr has sent social media into a frenzy with a playful revelation about having a crush on someone who, humorously, calls her “mummy.” In a video that quickly went viral, she expressed her excitement about the possibility of meeting her crush at Ayra Starr’s upcoming show on Christmas Day.
Captioning the video, Ayra Starr’s mother wrote: “Wahala, my crush is calling me mummy. Anyways, we will meet at Ayra’s show on the 25th.” Her candid and lighthearted confession immediately captivated fans, sparking a wave of speculation about the identity of her mystery crush.
Many have taken to social media to guess the individual who has captured Ayra Starr’s mother’s affections. A popular theory among fans is that the crush might be none other than Don Jazzy, the renowned Nigerian music mogul and the boss of Ayra Starr’s record label, Mavin Records. However, Ayra’s mother kept the identity of her crush under wraps, leaving fans to wonder and eagerly anticipate any clues that might surface.
As the excitement for Ayra Starr’s Christmas Day show builds, fans are eagerly awaiting the event, with many now watching closely to see if Ayra’s mother’s cheeky prediction about meeting her crush will indeed come true.
Stay tuned for updates and watch the video below as the mystery continues to unfold!
Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”
Nigerian music sensation Tiwa Savage has opened up about her turbulent divorce from Tunji “TeeBillz” Balogun, sharing deeply personal insights about the emotional toll it took on her life and career.
Speaking candidly on The Receipts Podcast, the 44-year-old Afrobeat star reflected on the heartbreak of her 2018 separation, which she revealed was exacerbated by her struggles with postpartum depression and public backlash.
“I Was Nigeria’s Sweetheart”
Tiwa described how her rise to fame was met with widespread admiration, as she followed what she called the “perfect path” of societal expectations.
“When I started, I was Nigeria’s sweetheart. I could do no wrong. I went to university, got married, had a baby — everything by the book. But then everything came crashing down, and I became the target of criticism,” she said.
The separation, which TeeBillz announced online, marked a turning point in Tiwa’s life. Despite not initiating the breakup, she recalled being vilified in the media and by the public.
“I Was Told I’d Never Win”
Tiwa revealed how the overwhelming criticism pushed her into a dark place. “At the time, my baby was just a few months old, and I was already dealing with postpartum depression. My body wasn’t the same, and I was depressed. But instead of support, people attacked me,” she shared.
After attempting to tell her side of the story in a public interview, she faced even more backlash.
“People said, ‘How dare you go and talk? You’re a woman, and you’re supposed to hold the home together.’ Famous people called to tell me I’d never win, and it was my fault because I was a woman. It was heartbreaking,” Tiwa recounted.
Reinvention as the “African Bad Girl”
The constant criticism and emotional pain led Tiwa to transform her image and embrace a bolder persona.
“It made me depressed for so long, but it also made me angry. I thought to myself, ‘If I did everything right and still got attacked, why should I bother?’ That’s when I became the ‘African Bad Girl,’” she said.
Tiwa explained how she began to rebel against societal norms, opting for tattoos, shorter skirts, and bikinis. “I was just wild. It was my way of coping and reclaiming control of my life after being judged for so long,” she added.
Despite the challenges, Tiwa’s resilience and reinvention have made her an enduring icon in the global music scene, solidifying her place as a trailblazer in African entertainment.
The revelations highlight not only the personal cost of fame but also the cultural pressures that women in the spotlight often endure. Through it all, Tiwa continues to inspire, proving that reinvention is a powerful tool for survival and success.