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Odumakin Bombs Opadokun

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Chief Ayo Opadokun, former Secretary – General of Afenifere has been taken to the cleaners by Yinka Odumakin…

“Well, I think Opadokun is not telling the truth. In Yorubaland it is not cultural to say an elderly man lied, so I will not say he lied. I think either out of malice about the circumstances of our parting or possibly because he hangs around Tinubu too much and he is getting influenced. What he said totally negated the true account of how we met.”

“My joining Afenifere, myself and my colleagues were received at an open rally into the group by Chief Ayo Adebanjo, late Ganiyu Dawodu and other leaders at Oworonshoki at a rally. If we were nonentities coming from nowhere, they definitely will not receive us at a rally.”

“Before coming to Afenifere, some of us are fully formed politically, we have led students movements, we were involved in various kinds of struggles and before then I was the Publicity Secretary of National Conscience Party (NCP) formed by the late Gani Fawehinmi.”

“I had cut my teeth. I was part of a team that has been working with leaders like Chief Abraham Adesanya in Joint Action Committee of Nigeria (JACON), which was a conglomeration of pro-democracy forces, Afenifere, while he, Opadokun was in Abacha’s detention. I enjoyed perfect working relationship with Afenifere leaders like Adesanya, Bola Ige and others.”

“So, for him to now say he was watching me for six months and the rest is total fallacy. After receiving us into Afenifere, I remember that time Chief Adebanjo said myself and Omoseyinde should go and collect form to go the House of Representatives in 1999. But we humbly rejected the offer and respectfully told him that we didn’t join Afenifere to seek positions but that our aim is to build the organization.”

“The first assignment we were given was to go and conduct the AD primaries in Ondo state to pick the governorship candidate. Myself, Dr. Omoseyindemi and others led the team to go and conduct the primary that led to the emergence of late Adebayo Adefarati as AD candidate in 1998. In that process, Mr. Opadokun said I should go work with him.”

“He may be right that I wrote minutes for him but I can remember vividly that the first minutes I wrote for him, after that day, Chief Adebanjo openly said ‘I like the language of this minutes’. That was the minutes of Afenifere that I wrote but which he Opadokun read. Let him deny it.”

“Most of the press briefings that he was signing, I was the one writing them, both minutes of meeting and press releases, but I don’t want to take the credits. But Mr. Opadokun was taking credits as if he wrote them. Taking credits for those things doesn’t matter to me. What is important to me is the collective interest of the group. One thing I saw in Opadokun was that he has a very large ego.”

“He feels big when he cuts other people down. To him, everything is about ‘ I, me, myself’. I did this, I did that’. Everything about him is in the first person pronoun ‘I’. Let us even assume that his account was correct. How old is he today and how old am I? if myself and him were contemporaries, I can never assist him in doing anything, maybe he will assist me because he is not a man of better intellect than I am.”

“I am not being immodest. But he is much older than I am. There is a clear gap between us. I repeat, if we were contemporaries, he can’t claim that he has better intellect than me. Even if that was the circumstance of our meeting, I will not be ashamed of it but his account is false.”

“On why we parted, at a point, when Tinubu came in as governor in 1999, he took Opadokun, one Engr Salami, Akinyelure and others into one committee where they are going to be deciding appointments, contracts. But within a short time, I think he wanted to be feeling too important and Tinubu cut him to size.”

“So, they fell out. By the time they fell out now, he became so critical of Tinubu in Afenifere and Tinubu himself said it with his mouth that he was looking for ways to get Opadokun out of Afenifere which was his strength then. Some Tinubu’s associates who were journalists, who were publishing a newsmagazine started selling a story in Afenifere that Opadokun had gone to collect money from Babangida. That was the time Babangida was trying to run for elections in 2003. They claimed that Opadokun had received N40 million to give Babangida all the information about Yorubaland.”

“Then I was working directly with him and people started accusing me that myself and Opadokun have both shared the money together. These are issues I don’t want to talk about. I am saying this because he has poked his fingers into my mouth. These are things I have kept within me and I have not shared with anybody.”

“At a stage, I remember that Papa Abraham Adesanya called one of the editors of that newsmagazine and I was there, three of us and papa said ‘ I want hard evidence on this stories you have published so I can deal with this matter. But when they failed to bring any hard evidence, Papa left it until sometimes in 2002, the Afenifere in Kwara came to officially report him to Afenifere that he was doing anti-party activities, that while Afenifere was supporting AD, Opadokun was working hand-in-hand with late Kwara governor, Mohammed Lawal in ANPP.”#

“I remember that a committee was set up under Ganiyu Dawodu. I think Olu Falae was in that committee and Prince Dayo Adeyeye. He was invited but he refused to attend that panel and eventually he was removed as the General Secretary of the group. So, maybe he had expected me to go with him as a sign of solidarity in things I do not know anything about.”

“Since after that time, our relationship got strained and so it was not surprising to me that he is granting interviews now to bring me down and belittle me. But deep in his hearts of heart, he will know that my relationship with him added values to him. Let me also add that I am not the only person he is doing that to. I remember one day I was talking to the late Tunde Adebiyi and he was crying owing to the negative things Opadokun was saying about him. Opadokun believes that when he cuts people down, that is when he can feel big.”

“I didn’t join through him. You can verify from Chief Adebanjo and Dr. Omoseyindemi. They are both alive. We were received at an open rally and you can also go to media houses because we were shown on television. For Opadokun to be writing that history, it is unfortunate. His account is totally false and an attempt to rewrite history.”

“With all sense of modesty, I will not fault Chief Opadokun if he says that Tinubu is superior to every other person in Yorubaland because that is where his bread is being buttered. So, there can’t be any superior man to the man that pays your bills. I recalled that about three months ago, a friend was telling me that since I had relationship with Opadokun, I should talk to him to go and find something to do rather than hanging around Tinubu and regaling young boys with stories of Awolowo, Action Group in Tinubu’s parlour. It is an irony of history and I pray that God should not let me end up like that in my twilight.”

“For a man with such a rich past to now be celebrating a man of questionable character in his twilight is most unfortunate. But I am also not surprised because I remember that in the year 2000, Opadokun was to release his memoirs of NADECO days titled Freedom Jail. He had finished the book, it had been printed and he took a copy to.”

“Tinubu to see. After visiting Tinubu, he came back and was so fidgety and panicking. He later gathered some boys and all-night they were busy removing a page from that book. What was on the page? It was a page where he narrated how Tinubu sent some boys to go and set Ejigbo NNPC on fire during Abacha regime. And that it when those boys were arrested and they were going to mention Tinubu’s name, that he fled the country.”

“He thought he was telling that story to boost Tinubu’s image as one of those pro-democracy forces who gave Abacha hell, but when Tinubu saw the implication, he asked him to go and remove it. So, overnight he had to get blades to tear that page off in all the books. So, Tinubu has always been superior to the truth as far as Opadokun is concerned. I am not surprised.”

“When you psychoanalyze him, you come to certain conclusions. I remember there is this activist who was part of Afenifere and is a Minister now. He knew Opadokun when he went back to UNILAG to do law. He told me that there was a day they were having inter-hall match at UNILAG and the hall that Opadokun belonged was playing against another hall. Because he was older than every other person, they asked him to be the referee.”

“It now happened that towards the end of the game, the opposing house was beating his own house leading by a goal. Just about two minutes to the end of the match, a player from the opposing team just tackled a player from Opadokun’s house somewhere around the middle of the field and not in the 18-yard box and Opadokun just pointed to the penalty spot and awarded a penalty to his team. I learnt it was so bad that even members of his own house that he was trying to favour, screamed ‘Haba!, this is pure ojoro! and they started chasing him all around the field.”

– Culled from Daily Independent

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy By Alhaji Arems

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy By Alhaji Arems

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy

By Alhaji Arems

 

In the vibrant world of Fuji music, where the artistry of storytelling and cultural commentary thrive, Saheed Osupa has carved out a unique role as both an artist and an influencer of thought. Recently, his name has been lighting up social media discussions and generating significant buzz—not just because of his music but because of the depth of his words. Osupa’s trending status is rooted in his ability to subtly address pressing issues, particularly those surrounding the ongoing tension between fellow Fuji musicians Taye Currency and Pasuma Wonder.

 

 

Osupa’s recent contributions to this situation have not been straightforward; rather, he has adopted an artistic approach, using parables and proverbs—sometimes through complex storytelling—to impart wisdom. These nuanced messages, often hidden within his lyrics, resonate with fans who appreciate the clever way he brings age-old Yoruba wisdom into contemporary issues. One notable example involves a story about an animal (traditionally symbolizing patience and resilience) that many believe reflects Osupa’s thoughts on rivalry and pride. Through this parable, he seems to suggest the importance of self-reflection and restraint, especially in the heat of conflict.

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy

By Alhaji Arems

In a genre that values not only musicality but also the power of words, Osupa has long been seen as a master of *itan*, or storytelling. His recent songs echo the traditional Yoruba way of imparting wisdom through tales that serve as lessons. This is a skill that few artists have mastered, making his approach particularly impactful in today’s fast-paced digital world, where nuanced messages can often be overlooked.

Beyond the Taye Currency-Pasuma Wonder issue, Osupa’s trending status is also due to his reputation as a voice of reason and maturity in Fuji music. As a genre that is often vibrant and full of competitive spirit, Fuji has its share of rivalries. Yet, Osupa has often stood out by promoting unity and peaceful dialogue among Fuji artists. By sharing these reflective stories in his music, he adds layers of meaning that fans continue to unpack and discuss, drawing new audiences who appreciate both the artistry and wisdom behind his words.

The charm of Saheed Osupa lies in his timeless approach. In a world where trends are fleeting, he reminds fans of the importance of timeless values, urging reflection, humility, and understanding. As fans interpret and share his latest stories, Osupa’s message continues to resonate widely—proof that, in Fuji, the power of words can be as influential as the beat of the drum.

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

 

Mustapha Ololade Sholagbade, born on January 1, 1989, in Ebute Metta, Lagos, is an accomplished Nigerian actor, producer, and filmmaker with a deep passion for Yoruba cinema. Originally from Abeokuta, Ogun State, he is the first child in his family. Sholagbade began his education at Kadara Primary School and continued at Sojomen Talabi High School, Akute, and Nawairudeen Secondary School, Ebute Metta. He later earned an Ordinary Narional Diploma in Business Administration from the Lagos State Polytechnic. Pursuing his passion for acting, he trained at Odunfa Caucus, where he graduated in 2010.

Sholagbade launched his acting career in 2005, making a name for himself in Yoruba-language films. His portfolio includes roles in popular films like Olowo Ghetto, Alaimo, Ebun Mi, Esi, Gold and Treasure, Liam, Emilomo Babaolowo, Oko Aunty Mi, Broken Bond (Tude), and Last Born. In addition to acting, he has also produced several films, further cementing his influence in the industry.

Beyond the entertainment world, Sholagbade is a versatile professional with experience in railway engineering, IT support, and site management in the UK. He is also a farmer and general merchant, demonstrating his entrepreneurial spirit and diverse skill set.

Throughout his career, Sholagbade has collaborated with top figures in Yoruba cinema, such as Yinka Quadri, Taiwo “Ogogo” Hassan, Funke Akindele, Femi Adebayo, Odun Adekola, Oga Bello, Baba Wande, Jide Kosoko, Funsho Adeolu, Fathia William Balogun, Saidi Balogun, Wunmi Toriola, and Mide Martins.

Sholagbade’s hobbies include traveling, business, football, filmmaking, and meeting new people, reflecting his dynamic and outgoing personality.

Sholagbade’s talent and dedication to his craft have earned him numerous accolades, including: Best Actor Yoruba – BON Awards, 2024, Best Supporting Actor– Afro Nollywood Awards, UK, 2019, Best Supporting Actor– Heritage Awards, Atlanta, USA, Best Supporting Actor of the Year (Yoruba) – City People Movie Awards, Best New Actor of the Year (Yoruba) – City People Movie Awards.

With his achievements and versatility, Mustapha Ololade Sholagbade remains a notable force in the Nigerian film industry and a proud ambassador of Yoruba cinema worldwide.

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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Coalition Congratulates Oluyede on Appointment as Acting COAS

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Coalition Congratulates Oluyede on Appointment as Acting COAS

Coalition Congratulates Oluyede on Appointment as Acting COAS

 

The Coalition of Civil Society Groups against Terrorism in Nigeria has congratulated Major-General Olufemi Oluyede on his appointment as the acting Chief of Army Staff, (Ag COAS, Nigerian Army).

Coalition Congratulates Oluyede on Appointment as Acting COAS

The Convener of the Coalition, Comrade Oladimeji Odeyemi, in a statement, said General Oluyede has the responsibility to consolidate the success achieved by the Nigerian Army under General Taoreed Lagbaja.

President Bola Tinubu had on Wednesday, October 30, appointed Oluyede as acting COAS pending the return of the indisposed substantive Chief of Army Staff, General Taoreed Lagbaja.

The Coalition said his appointment is a welcome development. It said: “Major-General Olufemi Oluyede is well qualified for the position. He was a member of the 39th regular course and commissioned as an officer in 1987. Aged 56, he was promoted to the rank of Major-General in September 2020. A professional and top-notch security expert, he brings a lot of hope and inspiration to younger officers as acting chief of Army Staff.

“His appointment is the way to go. As the acting Chief of Army Staff, Oluyede has the responsibility to lead an army that will administratively manage the institution, consolidate on the success achieved by General Lagbaja and his team to mop up remnants of insurgents, bandits and the ragtag criminal elements in the North, and dismantle the ethnic militias in the Southeast to bring peace in the country.

“The 56-year-old Oluyede shares a long history with General Lagbaja, with a track record and excellent service to the nation. Both are members of the 39th Regular Course and were commissioned as officers in 1987.

“Oluyede’s meritorious career began as a Platoon commander and adjutant at 65 Battalion, advancing to Company commander at 177 Guards Battalion and later Staff Officer at the Guards Brigade and commandant of Amphibious Training School.

“Oluyede has been part of many notable operations, including the ECOMOG Mission in Liberia, Operation HARMONY IV in Bakassi, and Operation HADIN KAI in the Northeast, where he commanded the 27 Task Force Brigade.

“He has received honours, including the Corps Medal of Honour, and Grand Service Star, all recognition for passing the Staff Course and membership in the National Institute, and his dedication and achievements in service.”

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