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The Sunday Igboho I know By Tunde Odesola

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Breaking! Sunday Igboho Not Yet Released, Read Aides Statement.

The Sunday Igboho I know- Gangan is the hourglass-shaped talking drum covered by cowskin that talks in the voice of man. Unique, the gangan talking drum is Yoruba’s invaluable gift to the world. 

 

 

Quite unlike countless artefacts stolen from Africa, and transported to Europe, America and beyond, I believe that the talking drum was left unstolen because the gangan can’t talk without the dexterity of the fingernails – a fact supported by the Yoruba proverb, ‘ati ranmu gangan, kii sehin ekanna’.

 

But dexterity, in the case of gangan, belonged to the black man. Probably frustrated by indexterity, the white man let the talking goatskin, the wooden hourglass and its strings be.

 

Two weeks ago, the gangan roared in Igangan town of Ibarapa in Oyo State. Just like in the days of yore when drummers accompanied warriors to the warfront, I heard the gangan clearly, saying, “Sunday Igboho npale ogun mo, orisa ma je o t’enu mi jade!” Meaning: “Sunday Igboho is preparing for war, may the gods forbid me saying so.”

 

About three weeks ago when I interviewed the Akoni Oodua of Yoruba land, Chief Sunday Adeyemo alias Sunday Igboho, he talked passionately about Yoruba culture and tradition.

 

Despite the mystique surrounding his persona, Igboho was respectful. Without knowing my age, he accorded me the honour due to an elder brother, using the English noun, ‘sir’, and the Yoruba pronoun, ‘e’, both of which confer seniority – while talking to me.

Our talk centered around whether or not African bulletproof aka ‘ayeta’ or ‘odeshi’ truly exists. Igboho insisted that ‘ayeta’ is real and vowed to stake his life and N10m against anyone who doesn’t believe that African bulletproof exists. He said, “I will stake N10m against the N10m of anyone who doesn’t believe African bulletproof exists. The person should bring his gun and shoot at me. I will win the bet.”

A few days after Igboho spoke to me about ‘ayeta’, he visited Igangan and stood in the gap for his embattled ethnic nationality, which has come under incessant murderous attacks by Fulani herdsmen while the Yoruba political leadership, with the exception of Governor Rotimi Akeredolu of Ondo State, maintained criminal silence.

Shortly after the gangan thundered victoriously in Igangan, echoing the liberation of Oduduwa children from rape, kidnapping and killings by Fulani herdsmen, a dirge was heard at the Tinubu Square in Lagos.

Ogini? Kilode? Wetin happen? Who die? Media attention shifted swiftly to Tinubu Square, where a torn gangan was found in the possession of a footman singing the songs of sorrow and crying more than the bereaved.

What’s the mission of this flunkey? The manservant wanted to outshine his master and reap quick media traction from the emerging Igboho sensation but met his Waterloo in a classic comeuppance.

Blinded by ambition, the opportunistic, imprudent and chauvinistic fellow danced naked to some anti-FEMInist music at the popular OJODU bus stop near Berger, in Lagos, when a rickety okada crushed him for his blasPHEMY.

The Igboho I know is a commoner, who doesn’t have access to questionable public funds like Nigeria’s politicians in the federal executive council, state executive councils, federal and state legislatures, and local government councils.

The Igboho I know is a 48-year-old tribal-marked man who spoke the only language President Muhammadu Buhari understood – force – forcing the northern president to sack his redundant service chiefs after yearly strident calls for the removal of the underwhelming military chiefs by Nigerians fell on deaf ears.

Shamefully, in order for the removal of the service chiefs not to appear as forced by the Igboho enigma, Buhari rewarded the failed military chiefs with ambassadorial posts when they’ve not even turned in their letters of stewardship for assessment.

The cluelessness of the trivial Buhari administration is further highlighted by the three-month tenure extension of the IGP, Mohammed Adamu, on the premise that the President is searching for the right candidate. This is the most stupid excuse for dullness. I don’t know how Buhari would use just three months to search for Adamu’s successor when he couldn’t do so in the last two years Adamau has been in the saddle.

The Igboho I know is a tribal lord, just like Buhari, who told all other Nigerian ethnic nationalities to vacate their lands and water for his Fulani kinsmen to freely use for Ruga.

Sadly, it’s on record that no Fulani herdsman has been prosecuted and brought to justice by the Buhari presidency despite damning evidence of complicity.

In its characteristic knee-jerk approach to issues, security sources said the Presidency’s first reaction was to attempt to arrest Igboho, but was advised against such a move for fears that the tension already generated by Fulani killings nationwide could result in simultaneous protests that would be larger than the #Endsars riots.

The Sunday Igboho I know is far more compassionate and courageous than Vice President Yemi Osinbajo, Asiwaju Bola Tinubu, all Yoruba governors, except Akeredolu, all Yoruba leaders, ministers, senators, and House of Representative members who have kept quiet because themselves and their children are safe from killer Fulani herdsmen.

The sound emanating from the gangan being beaten by spineless and greedy Yoruba political leaders is clear. It says, “Bamu, bamu layo, awa o mo bi Fulani npa omo enikankan, bamu, bamu la yo.” Meaning, “We’re filled to the throat, we don’t know if Fulani kills anyone, we are filled to the throat.”

The same thing goes for 99.9% of Yoruba obas, whose member, the Olufon of Ifon, Oba Adegoke Adeusi, was killed by suspected Fulani kidnappers, but who didn’t speak against the killing. Well, if a foremost oba was killed and Yoruba obas kept quiet, won’t they go dancing shaku-shaku if sons and daughters of nobodies in their domains are killed or raped? Yet, this set of leaders clamour for constitutional empowerment.

Only the Alaafin of Oyo, Oba Lamidi Adeyemi, wrote an open letter to Buhari, warning of the tragic consequences of the actions of Fulani kidnappers, herdsmen, and the general insecurity in the land. A couple of other Yoruba monarchs may share Alaafin’s views, but they need to speak up against the killing and raping of their subjects.

The Igboho I know understands the language of the fascist Buhari regime. Force is the language. Former US President Donald Trump thought Nigeria was in a democracy when he asked Buhari why were Nigerian Christians being killed over an alleged Islamisation agenda.

Nobel laureate, Professor Wole Soyinka, General Olusegun Obasanjo, General TY Danjuma, Pastor Enoch Adeboye, Bishop David Oyedepo, emirs and numerous leaders of thought have warned Buhari that Nigeria was about to collapse, but the Katsina warlord will never listen because the only language he understands is force.

That Buhari’s next-of-kin presidency granted university license to the General Sani Abacha family, last week, gives an idea of the depthless corruption subsuming the All Progressives Congress-led government.

If Abacha, Buhari’s benefactor, didn’t steal the country blind, maybe Nigeria would today have the capacity to store millions of COVID-19 vaccines about to be donated by western countries but which are at the risk of getting spoilt as a result of inadequate power supply.

Since I met Igboho at the Osun Peoples Democratic Party secretariat in the Dada Estate area of Osogbo in mid 2000, he has never changed from his down-to-earth nature. With what he did in Igangan, the puppy of Igboho is far better than the toothless and clawless lion of the Aare Ona Kakanfo, Gani Adams. I won’t gloat and beat my chest, saying I predicted the unfitness of Adams for the Kankafo post in 2017. The lesson I took away from Adam’s appointment was that to err is kingly, to forgive is divine.

My advice for the Igboho I know: You’ve blunted the sword of the Fulani with your palm, they’re coming from the highest places to demystify you. Be prepared, talk less, issue press statements. Nigerians are on your side, and they’re watching.

Email: [email protected]
Facebook: @tunde odesola
Twitter: @tunde_odesola

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy By Alhaji Arems

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy By Alhaji Arems

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy

By Alhaji Arems

 

In the vibrant world of Fuji music, where the artistry of storytelling and cultural commentary thrive, Saheed Osupa has carved out a unique role as both an artist and an influencer of thought. Recently, his name has been lighting up social media discussions and generating significant buzz—not just because of his music but because of the depth of his words. Osupa’s trending status is rooted in his ability to subtly address pressing issues, particularly those surrounding the ongoing tension between fellow Fuji musicians Taye Currency and Pasuma Wonder.

 

 

Osupa’s recent contributions to this situation have not been straightforward; rather, he has adopted an artistic approach, using parables and proverbs—sometimes through complex storytelling—to impart wisdom. These nuanced messages, often hidden within his lyrics, resonate with fans who appreciate the clever way he brings age-old Yoruba wisdom into contemporary issues. One notable example involves a story about an animal (traditionally symbolizing patience and resilience) that many believe reflects Osupa’s thoughts on rivalry and pride. Through this parable, he seems to suggest the importance of self-reflection and restraint, especially in the heat of conflict.

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy

By Alhaji Arems

In a genre that values not only musicality but also the power of words, Osupa has long been seen as a master of *itan*, or storytelling. His recent songs echo the traditional Yoruba way of imparting wisdom through tales that serve as lessons. This is a skill that few artists have mastered, making his approach particularly impactful in today’s fast-paced digital world, where nuanced messages can often be overlooked.

Beyond the Taye Currency-Pasuma Wonder issue, Osupa’s trending status is also due to his reputation as a voice of reason and maturity in Fuji music. As a genre that is often vibrant and full of competitive spirit, Fuji has its share of rivalries. Yet, Osupa has often stood out by promoting unity and peaceful dialogue among Fuji artists. By sharing these reflective stories in his music, he adds layers of meaning that fans continue to unpack and discuss, drawing new audiences who appreciate both the artistry and wisdom behind his words.

The charm of Saheed Osupa lies in his timeless approach. In a world where trends are fleeting, he reminds fans of the importance of timeless values, urging reflection, humility, and understanding. As fans interpret and share his latest stories, Osupa’s message continues to resonate widely—proof that, in Fuji, the power of words can be as influential as the beat of the drum.

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

 

Mustapha Ololade Sholagbade, born on January 1, 1989, in Ebute Metta, Lagos, is an accomplished Nigerian actor, producer, and filmmaker with a deep passion for Yoruba cinema. Originally from Abeokuta, Ogun State, he is the first child in his family. Sholagbade began his education at Kadara Primary School and continued at Sojomen Talabi High School, Akute, and Nawairudeen Secondary School, Ebute Metta. He later earned an Ordinary Narional Diploma in Business Administration from the Lagos State Polytechnic. Pursuing his passion for acting, he trained at Odunfa Caucus, where he graduated in 2010.

Sholagbade launched his acting career in 2005, making a name for himself in Yoruba-language films. His portfolio includes roles in popular films like Olowo Ghetto, Alaimo, Ebun Mi, Esi, Gold and Treasure, Liam, Emilomo Babaolowo, Oko Aunty Mi, Broken Bond (Tude), and Last Born. In addition to acting, he has also produced several films, further cementing his influence in the industry.

Beyond the entertainment world, Sholagbade is a versatile professional with experience in railway engineering, IT support, and site management in the UK. He is also a farmer and general merchant, demonstrating his entrepreneurial spirit and diverse skill set.

Throughout his career, Sholagbade has collaborated with top figures in Yoruba cinema, such as Yinka Quadri, Taiwo “Ogogo” Hassan, Funke Akindele, Femi Adebayo, Odun Adekola, Oga Bello, Baba Wande, Jide Kosoko, Funsho Adeolu, Fathia William Balogun, Saidi Balogun, Wunmi Toriola, and Mide Martins.

Sholagbade’s hobbies include traveling, business, football, filmmaking, and meeting new people, reflecting his dynamic and outgoing personality.

Sholagbade’s talent and dedication to his craft have earned him numerous accolades, including: Best Actor Yoruba – BON Awards, 2024, Best Supporting Actor– Afro Nollywood Awards, UK, 2019, Best Supporting Actor– Heritage Awards, Atlanta, USA, Best Supporting Actor of the Year (Yoruba) – City People Movie Awards, Best New Actor of the Year (Yoruba) – City People Movie Awards.

With his achievements and versatility, Mustapha Ololade Sholagbade remains a notable force in the Nigerian film industry and a proud ambassador of Yoruba cinema worldwide.

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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Coalition Congratulates Oluyede on Appointment as Acting COAS

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Coalition Congratulates Oluyede on Appointment as Acting COAS

Coalition Congratulates Oluyede on Appointment as Acting COAS

 

The Coalition of Civil Society Groups against Terrorism in Nigeria has congratulated Major-General Olufemi Oluyede on his appointment as the acting Chief of Army Staff, (Ag COAS, Nigerian Army).

Coalition Congratulates Oluyede on Appointment as Acting COAS

The Convener of the Coalition, Comrade Oladimeji Odeyemi, in a statement, said General Oluyede has the responsibility to consolidate the success achieved by the Nigerian Army under General Taoreed Lagbaja.

President Bola Tinubu had on Wednesday, October 30, appointed Oluyede as acting COAS pending the return of the indisposed substantive Chief of Army Staff, General Taoreed Lagbaja.

The Coalition said his appointment is a welcome development. It said: “Major-General Olufemi Oluyede is well qualified for the position. He was a member of the 39th regular course and commissioned as an officer in 1987. Aged 56, he was promoted to the rank of Major-General in September 2020. A professional and top-notch security expert, he brings a lot of hope and inspiration to younger officers as acting chief of Army Staff.

“His appointment is the way to go. As the acting Chief of Army Staff, Oluyede has the responsibility to lead an army that will administratively manage the institution, consolidate on the success achieved by General Lagbaja and his team to mop up remnants of insurgents, bandits and the ragtag criminal elements in the North, and dismantle the ethnic militias in the Southeast to bring peace in the country.

“The 56-year-old Oluyede shares a long history with General Lagbaja, with a track record and excellent service to the nation. Both are members of the 39th Regular Course and were commissioned as officers in 1987.

“Oluyede’s meritorious career began as a Platoon commander and adjutant at 65 Battalion, advancing to Company commander at 177 Guards Battalion and later Staff Officer at the Guards Brigade and commandant of Amphibious Training School.

“Oluyede has been part of many notable operations, including the ECOMOG Mission in Liberia, Operation HARMONY IV in Bakassi, and Operation HADIN KAI in the Northeast, where he commanded the 27 Task Force Brigade.

“He has received honours, including the Corps Medal of Honour, and Grand Service Star, all recognition for passing the Staff Course and membership in the National Institute, and his dedication and achievements in service.”

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