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The Sunday Igboho I know By Tunde Odesola

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Breaking! Sunday Igboho Not Yet Released, Read Aides Statement.

The Sunday Igboho I know- Gangan is the hourglass-shaped talking drum covered by cowskin that talks in the voice of man. Unique, the gangan talking drum is Yoruba’s invaluable gift to the world. 

 

 

Quite unlike countless artefacts stolen from Africa, and transported to Europe, America and beyond, I believe that the talking drum was left unstolen because the gangan can’t talk without the dexterity of the fingernails – a fact supported by the Yoruba proverb, ‘ati ranmu gangan, kii sehin ekanna’.

 

But dexterity, in the case of gangan, belonged to the black man. Probably frustrated by indexterity, the white man let the talking goatskin, the wooden hourglass and its strings be.

 

Two weeks ago, the gangan roared in Igangan town of Ibarapa in Oyo State. Just like in the days of yore when drummers accompanied warriors to the warfront, I heard the gangan clearly, saying, “Sunday Igboho npale ogun mo, orisa ma je o t’enu mi jade!” Meaning: “Sunday Igboho is preparing for war, may the gods forbid me saying so.”

 

About three weeks ago when I interviewed the Akoni Oodua of Yoruba land, Chief Sunday Adeyemo alias Sunday Igboho, he talked passionately about Yoruba culture and tradition.

 

Despite the mystique surrounding his persona, Igboho was respectful. Without knowing my age, he accorded me the honour due to an elder brother, using the English noun, ‘sir’, and the Yoruba pronoun, ‘e’, both of which confer seniority – while talking to me.

Our talk centered around whether or not African bulletproof aka ‘ayeta’ or ‘odeshi’ truly exists. Igboho insisted that ‘ayeta’ is real and vowed to stake his life and N10m against anyone who doesn’t believe that African bulletproof exists. He said, “I will stake N10m against the N10m of anyone who doesn’t believe African bulletproof exists. The person should bring his gun and shoot at me. I will win the bet.”

A few days after Igboho spoke to me about ‘ayeta’, he visited Igangan and stood in the gap for his embattled ethnic nationality, which has come under incessant murderous attacks by Fulani herdsmen while the Yoruba political leadership, with the exception of Governor Rotimi Akeredolu of Ondo State, maintained criminal silence.

Shortly after the gangan thundered victoriously in Igangan, echoing the liberation of Oduduwa children from rape, kidnapping and killings by Fulani herdsmen, a dirge was heard at the Tinubu Square in Lagos.

Ogini? Kilode? Wetin happen? Who die? Media attention shifted swiftly to Tinubu Square, where a torn gangan was found in the possession of a footman singing the songs of sorrow and crying more than the bereaved.

What’s the mission of this flunkey? The manservant wanted to outshine his master and reap quick media traction from the emerging Igboho sensation but met his Waterloo in a classic comeuppance.

Blinded by ambition, the opportunistic, imprudent and chauvinistic fellow danced naked to some anti-FEMInist music at the popular OJODU bus stop near Berger, in Lagos, when a rickety okada crushed him for his blasPHEMY.

The Igboho I know is a commoner, who doesn’t have access to questionable public funds like Nigeria’s politicians in the federal executive council, state executive councils, federal and state legislatures, and local government councils.

The Igboho I know is a 48-year-old tribal-marked man who spoke the only language President Muhammadu Buhari understood – force – forcing the northern president to sack his redundant service chiefs after yearly strident calls for the removal of the underwhelming military chiefs by Nigerians fell on deaf ears.

Shamefully, in order for the removal of the service chiefs not to appear as forced by the Igboho enigma, Buhari rewarded the failed military chiefs with ambassadorial posts when they’ve not even turned in their letters of stewardship for assessment.

The cluelessness of the trivial Buhari administration is further highlighted by the three-month tenure extension of the IGP, Mohammed Adamu, on the premise that the President is searching for the right candidate. This is the most stupid excuse for dullness. I don’t know how Buhari would use just three months to search for Adamu’s successor when he couldn’t do so in the last two years Adamau has been in the saddle.

The Igboho I know is a tribal lord, just like Buhari, who told all other Nigerian ethnic nationalities to vacate their lands and water for his Fulani kinsmen to freely use for Ruga.

Sadly, it’s on record that no Fulani herdsman has been prosecuted and brought to justice by the Buhari presidency despite damning evidence of complicity.

In its characteristic knee-jerk approach to issues, security sources said the Presidency’s first reaction was to attempt to arrest Igboho, but was advised against such a move for fears that the tension already generated by Fulani killings nationwide could result in simultaneous protests that would be larger than the #Endsars riots.

The Sunday Igboho I know is far more compassionate and courageous than Vice President Yemi Osinbajo, Asiwaju Bola Tinubu, all Yoruba governors, except Akeredolu, all Yoruba leaders, ministers, senators, and House of Representative members who have kept quiet because themselves and their children are safe from killer Fulani herdsmen.

The sound emanating from the gangan being beaten by spineless and greedy Yoruba political leaders is clear. It says, “Bamu, bamu layo, awa o mo bi Fulani npa omo enikankan, bamu, bamu la yo.” Meaning, “We’re filled to the throat, we don’t know if Fulani kills anyone, we are filled to the throat.”

The same thing goes for 99.9% of Yoruba obas, whose member, the Olufon of Ifon, Oba Adegoke Adeusi, was killed by suspected Fulani kidnappers, but who didn’t speak against the killing. Well, if a foremost oba was killed and Yoruba obas kept quiet, won’t they go dancing shaku-shaku if sons and daughters of nobodies in their domains are killed or raped? Yet, this set of leaders clamour for constitutional empowerment.

Only the Alaafin of Oyo, Oba Lamidi Adeyemi, wrote an open letter to Buhari, warning of the tragic consequences of the actions of Fulani kidnappers, herdsmen, and the general insecurity in the land. A couple of other Yoruba monarchs may share Alaafin’s views, but they need to speak up against the killing and raping of their subjects.

The Igboho I know understands the language of the fascist Buhari regime. Force is the language. Former US President Donald Trump thought Nigeria was in a democracy when he asked Buhari why were Nigerian Christians being killed over an alleged Islamisation agenda.

Nobel laureate, Professor Wole Soyinka, General Olusegun Obasanjo, General TY Danjuma, Pastor Enoch Adeboye, Bishop David Oyedepo, emirs and numerous leaders of thought have warned Buhari that Nigeria was about to collapse, but the Katsina warlord will never listen because the only language he understands is force.

That Buhari’s next-of-kin presidency granted university license to the General Sani Abacha family, last week, gives an idea of the depthless corruption subsuming the All Progressives Congress-led government.

If Abacha, Buhari’s benefactor, didn’t steal the country blind, maybe Nigeria would today have the capacity to store millions of COVID-19 vaccines about to be donated by western countries but which are at the risk of getting spoilt as a result of inadequate power supply.

Since I met Igboho at the Osun Peoples Democratic Party secretariat in the Dada Estate area of Osogbo in mid 2000, he has never changed from his down-to-earth nature. With what he did in Igangan, the puppy of Igboho is far better than the toothless and clawless lion of the Aare Ona Kakanfo, Gani Adams. I won’t gloat and beat my chest, saying I predicted the unfitness of Adams for the Kankafo post in 2017. The lesson I took away from Adam’s appointment was that to err is kingly, to forgive is divine.

My advice for the Igboho I know: You’ve blunted the sword of the Fulani with your palm, they’re coming from the highest places to demystify you. Be prepared, talk less, issue press statements. Nigerians are on your side, and they’re watching.

Email: [email protected]
Facebook: @tunde odesola
Twitter: @tunde_odesola

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Laffmattazz with Gbenga Adeyinka & Friends Returns In 2026, As Canada Joins Tour ‎

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Laffmattazz with Gbenga Adeyinka & Friends Returns In 2026, As Canada Joins Tour


‎Nigeria’s longest-running and most consistent comedy tour, LaffMattazz with Gbenga Adeyinka & Friends, has officially announced its 2026 tour themed “Next Chapter.” The upcoming edition marks a major milestone as the brand celebrates its 15th edition with a bold expansion that includes Canada for the first time.

‎The Next Chapter edition represents a clear evolution from previous years — signaling growth, global reach, and a renewed creative vision. While past editions focused on taking premium comedy experiences across Nigerian cities, the 2026 tour elevates the brand with international exposure, upgraded production, and stronger engagement with audiences at home and in the diaspora.

‎Speaking on the significance of the new theme, organizers describe the 15th edition as more than a celebration of longevity, but a statement of intent — positioning LaffMattazz as a global Nigerian entertainment export.

‎CONFIRMED TOUR CITIES & VENUES
‎•Ibadan – Jogor Center (Easter Sunday, April 5th, 2026)
‎•Akure – The Dome International Culture & Event Center
‎•Abeokuta – OOPL Marquee
‎•Lagos – Balmoral Convention Center
‎•Canada – Multi-city tour (dates to be announced)

‎Audiences can expect a rich blend of comedy, music, and surprise guest appearances — delivered with the signature “& Friends” experience that has defined the tour for over a decade.

‎With the Next Chapter, LaffMattazz reinforces its legacy while opening new doors for African comedy on the global stage.

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Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”

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Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”

Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”

Rising music artist Kevin David Kaydee has released a powerful new single titled Oluwa Settle Me, a soulful Afro-inspired anthem that blends heartfelt prayer with modern rhythm.

 

“Oluwa Settle Me” captures the everyday cry of many believers seeking breakthrough, peace, and divine favour. With emotionally rich melodies and uplifting instrumentation, the song expresses a sincere plea to God for complete answers to life’s pressing questions—career, destiny, relationships, and spiritual fulfilment.

 

Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”
Drawing from Afrocentric sounds and contemporary gospel influences, the track stands out for its simplicity, sincerity, and spiritual depth. Kevin David Kaydee delivers the message with passion, creating a worshipful atmosphere that resonates across age groups and cultures.

 

The song’s message of hope and dependence on God positions it as more than just music,it is a prayer set to melody. By fusing spirituality with modern lifestyle rhythms, “Oluwa Settle Me” reflects the growing wave of gospel music that speaks directly to real-life struggles while pointing listeners back to faith.

 

As gospel music continues to evolve across Africa and beyond, Kevin David Kaydee’s latest release reinforces music as a powerful tool for encouragement, reflection, and spiritual connection.

 

“Oluwa Settle Me” is now gaining attention among gospel music lovers for its relatable message and soulful sound, marking another significant step in the artist’s growing musical journey.

https://ditto.fm/oluwa-settle-me

https://ditto.fm/oluwa-settle-me

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Another Feather for Nollywood Icon Fidelis Duker

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**Another Feather for Nollywood Icon Fidelis Duker

 

*Lagos, Nigeria* — In a remarkable celebration of artistic achievement, renowned Nollywood figure Fidelis Duker received yet another prestigious accolade last weekend, solidifying his role as a key player in the growth of the Nigerian and African film industries. The award was presented in a ceremony held at Duker’s Lagos office by esteemed film and theatre director, Mr. Alex Eyengho, founder of the Warri International Film Festival, alongside Marketing and Strategy Director, Mrs. Matel Eyengho.

The recent recognition builds upon Duker’s previous achievement at last year’s ECOFEST in Dakar, where he was honored with a Lifetime Achievement Award. This latest accolade is a testament to his unwavering dedication and substantial contributions to the cinematic landscape.

“I am truly humbled by this recognition,” Duker expressed during the event. In his speech, Alex Eyengho lauded Duker’s pioneering efforts in establishing significant film festivals in Nigeria, particularly the Abuja International Film Festival, which has played a vital role in promoting local talent and storytelling.

Eyengho emphasized, “Fidelis has not only paved the way for emerging filmmakers but has also helped elevate Nigerian cinema on the global stage. His creative vision and commitment inspire all of us in the industry.”

As Duker reflects on this honor, he acknowledges the importance of teamwork and collaboration in achieving success. “This acknowledgment reaffirms to my team and me that our work is being observed, and it motivates us to continue contributing to the development of our sector,” he stated.

With numerous projects on the horizon, Duker remains a relentless advocate for the growth and recognition of African cinema. His latest recognition is yet another testament to the vibrant and evolving landscape of Nollywood, as industry leaders like him continue to inspire future generations.

As the film industry anticipates the next phase of development, Duker’s continued influence signals a promising future for filmmakers in Nigeria and across the continent.

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