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Hushpuppi: Fugitive supercop and his godfather

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Hushpuppi

Hushpuppi: Fugitive supercop and his godfather By Tunde Odesola

 

The pride of lions lounge under the baobab. Some look at the sky belly-up in gratitude to nature. Some crouch on their warm, filled bellies, swishing their tails to the music of the wind and the shine of the sun.

 

 

 

Hushpuppi: Fugitive supercop and his godfather

 

 

 

 

 

 

 

 

Like fleeting ghosts, three monkeys, from nowhere, suddenly descended on the pride; giving a knock on the head here, a slap on the face there – in an unrehearsed choreographic raid that could’ve ended in instant death.

 

 

 

 

 

 

Hushpuppi: Fugitive supercop and his godfather

 

 

 

 

 

 

 

 

Jaws drop, breaths pause; before the eyelids could bat, the monkeys disappeared high up into the safety of the tree, laughing madly. All at once, the lions had sprung to their feet, ready to defend their den to the death, cursing when they realised it was the mocking monkeys again. One day monkey go go market, e no go return, the lions rued.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Now, the snarling lions watched intently as the monkeys jumped from one tree branch to the other, dangling dangerously from the tip of the dry branches. Suddenly, a twig snapped and a big monkey was in freefall. He grabbed another branch, but that also snapped, and death was waiting on the ground.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

As powerful teeth dug into the jugular of the monkey, a fugitive policeman called Abba Kyarry jerks awake from sleep, holding his neck, shouting, “Lions! FBI lions! Mai Gaskiya, save me! Mai Gaskiya, kare ni daga hakorin zakin FBI!” He held his neck with both hands, shook it to be sure it was still on his head, feeling with his fingers to see if it was dripping blood. He was dripping sweat.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Kyarry’s wife, Hadjia, dashes into his room, switches on the light, and sees the wreck her husband had become. He looks like he just got out of the River Niger. She perceives a strange smell, like concentrated ammonia acid; Kyarry has urinated in bed.

 

 

 

 

 

 

 

 

 

 

 

 

 

Hadjia: (Breaks down crying) I thought Bala the Marabout said you won’t have nightmares again?

Kyarry: Yes, that was what he said. And he got millions of naira from me.

Hadjia: As Marabout Bala directed, did you pluck some of your eyelids and put them on your head to make the FBI forget your case?

Kyarry: I have pulled all my eyelids out. None is remaining there. Look, see. (He leans forward in bed to show his wife his face) I just had a bad dream in which I fell from a tree, and lions wearing FBI uniforms sank their teeth into my neck, that was why I shouted from my sleep.

Hadjia: I think you should call Marabout Bala. Maybe he would give you a potion to ward off the ceaseless FBI nightmare. Where’re your phones?

Kyarry: (Pointing to his wardrobe) They’re there in the pockets of my uniform.

Hadjia: (Brings out his phones together with some bales of dollars) Ha, mai gida?! Dollars again?

Kyarry: I’m sorry, Hadjia, I can’t resist the smell of dollars. It has become an obsession, but I resisted the naira bribe I was given today, I didn’t collect it.

(Hadjia dials Marabout Bala and gives the phone to Kyarry)

Marabout: Incoming Inspector General! How’re you?

Kyarry: I’m not fine o. Lions ate me up.

Marabout: Lions? Did you go to Yankari Games Reserve ne? I hope they didn’t eat your hands?

Kyarry: No, why did you ask if they ate my hands, marabout?

Marabout: How will you be receiving physical offerings if they ate your hands? You know, the hands and pockets are the policeman’s greatest assets.

Kyarry: What can I do for the FBI to forget me and to ward off my nightmares, Marabout Bala?

Marabout: I told you to pull out one or two of your eyelids and put them on your head everyday.

Kyarry: I’ve pulled out all my eyelids. I have none again. What do I do now, my blood pressure is reaching up to heaven? I’m tired of all this trauma, I’m ready to expose all the ogas I give returns to. I won’t go down alone, I swear!

Marabout: Stop swearing, you need to call Mai Gaskiya in Azoo-Roc. Tell him that I said your days are numbered because the FBI are closing in. Tell him I said he should allow you to come and live inside Azoo-Roc, otherwise, the Lions of FBI will eat you up soon.

Kyarry: (Clutches his phone and touches his neck gingerly) Don’t let them eat my neck, Marabout Bala. I’ll call Mai Gaskiya now now! Please, hold on. (He reaches for another customised phone and dials. A familiar voice comes through saying Mai Gaskiya was just finishing a bowl of tuwo shinkafa and miyan kuka, urging Kyarry to hold on.)

Mai Gaskiya: (Picking his teeth) My beloved son, how’re you? I hope you’ve not gone on social media again? Don’t go there again, you hear? Problems will not finish for Nigeria, Nigerians’ll shout and soon forget about your case. Also, don’t do cut and sew for people again.

Kyarry: Yes, sir! Mai Gaskiya, I’m in trouble, sir! Everyday, my conscience is troubling me, sir. I see scary things, sir. Today, FBI lions were about to eat me in my sleep…

Mai Gaskiya: But, are you not a supercop again? Was it not in nightclubs that you used to meet Hushpuppi and all those criminal celebrities? Don’t you listen to music in nightclubs?

Kyarry: Yes, I do, sir.

Mai Gaskiya: Don’t you hear that Zazoo boy that sings, ‘Kala, sanju pa, le ju pa, hu’wa ika, ma rerin…?’

Kyarry: (Chuckles) Ha, Mai Gaskiya, how did you know this song, sir?

Mai Gaskiya: So, you think it’s only you people that know how to enjoy? My children taught me the song, and I danced to it with them. I can dance Zazoo, Warisi, Zanku, Shakiti Bobo etc. Me, I don’t let anything bother me. Nowadays, when I’m making a decision, I remember Zazoo lyrics, ‘kala, sanju pa, le ju pa, wu’wa ika, ma rerin…meaning: ‘Frown, glare, scowl, be ruthless, don’t smile… ’ That’s how to lead Nigerians. Anyone who wants to become IG must be as hard as rock.

Kyarry: Yes, sir! Sir, my marabout said the dream I had is an indication that the FBI are around, that I may be abducted and flown to America for trial, sir. He said I should tell you to allow me to come live with you, sir.

Mai Gaskiya: Live with me? How’re you going to escape the prying eyes of those press boys?

Kyarry: I can come disguised like a female, sir.

Mai Gaskiya: You mean you’ll paint your eyes and lips like yarinya?

Kyarry: Yes, sir!

Mai Gaskiya: (Bursts into laughter) You this boy, you’re a criminal, walahi! This shows that truly you know how to catch criminals. You’ll be IG soon, insha Allah!

Kyarry: Thank you, sir.

Mai Gaskiya: Do you know why I didn’t extradite you to America?

Kyarry: No, sir.

Mai Gaskiya: Firstly, it’s because you’re nuts, no, I mean North. Secondly, because you’re our poster boy for integrity, anti-corruption and security.

Kyarry: Thank you, sir.

Mai Gaskiya: But how did you allow yourself to be caught so cheaply by the FBI?

Kyarry: It’s the work of the devil, sir?

Mai Gaskiya: Don’t tell me it’s the work of the devil. It’s the work of your greed and stupidity. Can’t you see the way I operate? Have you ever heard my name mentioned for corruption in this country?

Kyarry: No, sir.

Mai Gaskiya: Even the Jaguar of Borgu, and the Redim Pastor, that one that wears a cap and speaks like a saint; have you heard them indicted for any corruption allegations?

Kyarry: No, sir.

Mai Gaskiya: Toh, the secret is we all know how to chop, using other people’s hands. With what do you think I sent my children to universities abroad? Stones? You must learn to use other people’s hands. That’s the first law in the art of deceit.

Kyarry: Yes, sir! Thank you, sir!

Email: [email protected]
Facebook: @tunde odesola
Twitter: @tunde_odesola

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy By Alhaji Arems

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy By Alhaji Arems

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy

By Alhaji Arems

 

In the vibrant world of Fuji music, where the artistry of storytelling and cultural commentary thrive, Saheed Osupa has carved out a unique role as both an artist and an influencer of thought. Recently, his name has been lighting up social media discussions and generating significant buzz—not just because of his music but because of the depth of his words. Osupa’s trending status is rooted in his ability to subtly address pressing issues, particularly those surrounding the ongoing tension between fellow Fuji musicians Taye Currency and Pasuma Wonder.

 

 

Osupa’s recent contributions to this situation have not been straightforward; rather, he has adopted an artistic approach, using parables and proverbs—sometimes through complex storytelling—to impart wisdom. These nuanced messages, often hidden within his lyrics, resonate with fans who appreciate the clever way he brings age-old Yoruba wisdom into contemporary issues. One notable example involves a story about an animal (traditionally symbolizing patience and resilience) that many believe reflects Osupa’s thoughts on rivalry and pride. Through this parable, he seems to suggest the importance of self-reflection and restraint, especially in the heat of conflict.

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy

By Alhaji Arems

In a genre that values not only musicality but also the power of words, Osupa has long been seen as a master of *itan*, or storytelling. His recent songs echo the traditional Yoruba way of imparting wisdom through tales that serve as lessons. This is a skill that few artists have mastered, making his approach particularly impactful in today’s fast-paced digital world, where nuanced messages can often be overlooked.

Beyond the Taye Currency-Pasuma Wonder issue, Osupa’s trending status is also due to his reputation as a voice of reason and maturity in Fuji music. As a genre that is often vibrant and full of competitive spirit, Fuji has its share of rivalries. Yet, Osupa has often stood out by promoting unity and peaceful dialogue among Fuji artists. By sharing these reflective stories in his music, he adds layers of meaning that fans continue to unpack and discuss, drawing new audiences who appreciate both the artistry and wisdom behind his words.

The charm of Saheed Osupa lies in his timeless approach. In a world where trends are fleeting, he reminds fans of the importance of timeless values, urging reflection, humility, and understanding. As fans interpret and share his latest stories, Osupa’s message continues to resonate widely—proof that, in Fuji, the power of words can be as influential as the beat of the drum.

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

 

Mustapha Ololade Sholagbade, born on January 1, 1989, in Ebute Metta, Lagos, is an accomplished Nigerian actor, producer, and filmmaker with a deep passion for Yoruba cinema. Originally from Abeokuta, Ogun State, he is the first child in his family. Sholagbade began his education at Kadara Primary School and continued at Sojomen Talabi High School, Akute, and Nawairudeen Secondary School, Ebute Metta. He later earned an Ordinary Narional Diploma in Business Administration from the Lagos State Polytechnic. Pursuing his passion for acting, he trained at Odunfa Caucus, where he graduated in 2010.

Sholagbade launched his acting career in 2005, making a name for himself in Yoruba-language films. His portfolio includes roles in popular films like Olowo Ghetto, Alaimo, Ebun Mi, Esi, Gold and Treasure, Liam, Emilomo Babaolowo, Oko Aunty Mi, Broken Bond (Tude), and Last Born. In addition to acting, he has also produced several films, further cementing his influence in the industry.

Beyond the entertainment world, Sholagbade is a versatile professional with experience in railway engineering, IT support, and site management in the UK. He is also a farmer and general merchant, demonstrating his entrepreneurial spirit and diverse skill set.

Throughout his career, Sholagbade has collaborated with top figures in Yoruba cinema, such as Yinka Quadri, Taiwo “Ogogo” Hassan, Funke Akindele, Femi Adebayo, Odun Adekola, Oga Bello, Baba Wande, Jide Kosoko, Funsho Adeolu, Fathia William Balogun, Saidi Balogun, Wunmi Toriola, and Mide Martins.

Sholagbade’s hobbies include traveling, business, football, filmmaking, and meeting new people, reflecting his dynamic and outgoing personality.

Sholagbade’s talent and dedication to his craft have earned him numerous accolades, including: Best Actor Yoruba – BON Awards, 2024, Best Supporting Actor– Afro Nollywood Awards, UK, 2019, Best Supporting Actor– Heritage Awards, Atlanta, USA, Best Supporting Actor of the Year (Yoruba) – City People Movie Awards, Best New Actor of the Year (Yoruba) – City People Movie Awards.

With his achievements and versatility, Mustapha Ololade Sholagbade remains a notable force in the Nigerian film industry and a proud ambassador of Yoruba cinema worldwide.

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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Coalition Congratulates Oluyede on Appointment as Acting COAS

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Coalition Congratulates Oluyede on Appointment as Acting COAS

Coalition Congratulates Oluyede on Appointment as Acting COAS

 

The Coalition of Civil Society Groups against Terrorism in Nigeria has congratulated Major-General Olufemi Oluyede on his appointment as the acting Chief of Army Staff, (Ag COAS, Nigerian Army).

Coalition Congratulates Oluyede on Appointment as Acting COAS

The Convener of the Coalition, Comrade Oladimeji Odeyemi, in a statement, said General Oluyede has the responsibility to consolidate the success achieved by the Nigerian Army under General Taoreed Lagbaja.

President Bola Tinubu had on Wednesday, October 30, appointed Oluyede as acting COAS pending the return of the indisposed substantive Chief of Army Staff, General Taoreed Lagbaja.

The Coalition said his appointment is a welcome development. It said: “Major-General Olufemi Oluyede is well qualified for the position. He was a member of the 39th regular course and commissioned as an officer in 1987. Aged 56, he was promoted to the rank of Major-General in September 2020. A professional and top-notch security expert, he brings a lot of hope and inspiration to younger officers as acting chief of Army Staff.

“His appointment is the way to go. As the acting Chief of Army Staff, Oluyede has the responsibility to lead an army that will administratively manage the institution, consolidate on the success achieved by General Lagbaja and his team to mop up remnants of insurgents, bandits and the ragtag criminal elements in the North, and dismantle the ethnic militias in the Southeast to bring peace in the country.

“The 56-year-old Oluyede shares a long history with General Lagbaja, with a track record and excellent service to the nation. Both are members of the 39th Regular Course and were commissioned as officers in 1987.

“Oluyede’s meritorious career began as a Platoon commander and adjutant at 65 Battalion, advancing to Company commander at 177 Guards Battalion and later Staff Officer at the Guards Brigade and commandant of Amphibious Training School.

“Oluyede has been part of many notable operations, including the ECOMOG Mission in Liberia, Operation HARMONY IV in Bakassi, and Operation HADIN KAI in the Northeast, where he commanded the 27 Task Force Brigade.

“He has received honours, including the Corps Medal of Honour, and Grand Service Star, all recognition for passing the Staff Course and membership in the National Institute, and his dedication and achievements in service.”

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